Awards – Cinematography That Made You Go Wow!

Cinematography is an art form that can be as bold as a gong crashing after a moment of silence, or as subtle as the tide coming in. It is something that elevates a film to the heights of accolade or turns a film into a frustrating mess when it misfires.

While at the heart of cinematography is the Director of Photography or Cinematographer, to get something from the script to the final shot takes a whole team of professionals, and it is their talent that we champion today.

So without further ado, these are the moments of cinematography that took our breaths away in 2019. Be warned that there may be some slight spoilers ahead for the films in question. Also, click on the banners to be taken to the full reviews.

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Awards – Explosions, Guns, and Punches, Oh My. The Best Action of 2019

A good Action sequence is something that is truly amazing to watch, as it can be as expansive as explosions crashing across the screen, or more intimate, like a duel between two people. This gives the best action scenes such a range and in 2019 we were given some truly amazing spectacles.

For me, the best action scenes are those that excel in every element, whether that be live actions, special effects, digital effects, or animation and bring every facet to shine. It is also the category that looks at some of the department’s people don’t often fully understand like stunt coordination or the 2nd unit.

So without further ado, these are the moments of action that awed us in 2019. Be warned that there may be some slight spoilers ahead for the films in question. Also, click on the banners to see the reviews of each film.

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Movie Review – Ad Astra

TL;DR – A stunning film exploring the world of one man as it all falls apart around him    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Ad Astra. Image Credit: 20th Century Fox.

Review

Goodness, it has been a while since I have watched a film quite like this. Where we dive straight into the mind of one character and follow their drive through a slowly deteriorating experience. I think the last film that I watched that was able to pull this off was Arrival and you get hints of that here as well. With that in mind, let’s dive into a murky world of space exploration and the legacy/damage of our parents.

So to set the scene, we open in the near future where humankind has made their first steps into the solar system. One of the main drives is to find out if there is any other intelligent life out there in the universe but of course like all things mining and profit are not far behind. Major Roy McBride (Brad Pitt) is working on the large space antenna that goes all the way up into low-Earth-orbit when a cosmic storm hits and he is thrown from the structure. Landing thanks to a parachute he is taken to Space Command Headquarters where he finds out that his long lost dad Clifford (Tommy Lee Jones) might be alive and might also be the one behind the surge that has killed 40,000 people and climbing. So Roy hops on a rocket for the Moon only to discover not all is what it seems.

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