The Great Seduction (La Gran Seducción) – Movie Review

TL;DR – While you will know the story from the opening moments, it was still a fun ride.

Rating: 3.5 out of 5.
Santa María

The Great Seduction Review

I know it is seen as almost a bad form to re-make films in different countries in the modern discourse. However, I am always fascinated to watch adaptations to see how a familiar story gets reinterpreted in a new context. Today, we get an excellent example of this as we visit an island off the coast of Mexico.  

So to set the scene, Santa María is a small town of 120 living on an island, but what it lacks in size, it makes up for in heart. But when a neighbouring village opens a fishing factory, the town loses all their jobs, and soon, people fall away. Germán (Memo Villegas) wants to stay in his home, but that is becoming increasingly difficult each month. But if they can get a doctor to live on the island, maybe a new packing plant might follow. It feels like a lost cause until Dr Mateo Suárez (Pierre Louis) gets passed over at the local hospital and drinks just enough to cause a scandal. Well, the town has one month to make him want to stay and seduce him to stay.    

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Movie Review – Roma

TL;DR – Delightful, heart-breaking, alienating, immersive, full of complicated people in complicated relationships, a film that I would recommend everyone to see.        

Score – 5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Roma. Image Credit: Netflix.

Review

There is always an interesting feeling when the credits start to roll and the world comes back into focus, and the wave of emotions that have built up over the last few hours comes crashing down. Do you realise that you just wasted the time on something with no substance, or did your whole world change whilst time stood still? Well, today we look at a film that falls more on the later side of that divide. A world where everything is right and normal, and it all can be pulled out from underneath you in a moment. A film that will stay with me for the weeks and months to come.

So to set the scene, we open in on 1970 Mexico City as Cleo (Yalitza Aparicio) washes the tiles of the driveway of the house she works at. We watch as she gets the house ready for the day for her employers Sofía (Marina de Tavira), Antonio (Fernando Grediaga), and their children Paco (Carlos Peralta), Pepe (Marco Graf), Sofi (Daniela Demesa) and Adela (Nancy García García). Cleo is an indispensable part of the family, but then she is also not part of the family because she is a maid and this disconnect filters throughout the film. Things in the household shift when Antonio leaves for a conference in Canada and stays longer than planned, and when Cleo meets a man Fermín (Jorge Antonio Guerrero) and the tension under the surface of Mexico starts to rupture.

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