TL;DR – Delightful, heart-breaking, alienating, immersive, full of complicated people in complicated relationships, a film that I would recommend everyone to see.
Score – 5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
There is always an interesting feeling when the credits start to roll and the world comes back into focus, and the wave of emotions that have built up over the last few hours comes crashing down. Do you realise that you just wasted the time on something with no substance, or did your whole world change whilst time stood still? Well, today we look at a film that falls more on the later side of that divide. A world where everything is right and normal, and it all can be pulled out from underneath you in a moment. A film that will stay with me for the weeks and months to come.
to set the scene, we open in on 1970 Mexico City as Cleo (Yalitza Aparicio)
washes the tiles of the driveway of the house she works at. We watch as she
gets the house ready for the day for her employers Sofía (Marina de Tavira),
Antonio (Fernando Grediaga), and their children Paco (Carlos Peralta), Pepe (Marco
Graf), Sofi (Daniela Demesa) and Adela (Nancy García García). Cleo is an indispensable
part of the family, but then she is also not part of the family because she is
a maid and this disconnect filters
throughout the film. Things in the household shift when Antonio leaves for a
conference in Canada and stays longer than planned, and when Cleo meets a man Fermín
(Jorge Antonio Guerrero) and the tension
under the surface of Mexico starts to rupture.
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