Movie Review – Mutiny of the Worker Bees (Rebelión de los Godínez)

TL;DR – This is a film of two halves, one that really works, and one that really doesn’t 

 Score – 3.5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Review – Today we get to review a film out of Mexico that delves into the world of office workplaces. A place of conflict, love, war, and comedy. It is here where we see the best and the worst of ourselves and others and it can be both a metaphorical and literal riot at times, and a bit frustrating at others.

So to set the scene, we open in on a city street in Mexico as someone in a mascot outfit walks down the street to the sounds of Staying Alive. He is very popular with everyone as they line up to take selfies with him right up until an elderly man shots him in the head with a t-shirt gun. It is here where we meet Omar Buendía (Gustavo Egelhaaf) the man behind the mascot outfit and his Abuelo (Alejandro Suárez) the man behind the gun. Well, Omar’s Abuelo has a minor heart attack, so has to step away from his job forcing Omar to find a steady white-collar job. Well, welcome to Relo Tech, a world of extremes … also a really toxic work environment.

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Movie Review – All the Freckles in the World (Todas las Pecas del Mundo)

TL;DR – If this was just a paint by numbers film it would be okay, but it does not even hit that level.    

Score – 1.5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

All the Freckles in the World (Todas las Pecas del Mundo). Image Credit: Netflix.

Review

When you get to watch films from across the world you get to find some real gems that explore life in weird and wonderful ways. However, there are some things that can translate across cultures, like the coming of age story. Today we look at a version of that from Mexico full of football, unrequited love, and a school that really should have a governmental audit.

So to set the scene, it is 1994 in Mexico City and World Cup fever is everywhere. However, for José Miguel Mota Palermo (Hanssel Casillas) things are going from worse to worse. He has to move to a new school and on the first day of class was not what you would call a success. His father might be famous at his new school, but that does not make is life any better. But there is one ray of hope, a girl called Cristina (Loreto Peralta), one problem, she is dating Kenji (Luis de La Rosa), but then that is not going to stop José Miguel. All he has to do is learn how to play football, how hard could that be.     

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Movie Review – No One Will Ever Know (Nadie Sabrá Nunca)

TL;DR – A film that sines in those moments that display the contrasts in our lives.    

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

No One Will Ever Know (Nadie Sabrá Nunca). Image Credit: Netflix.

Review

Today we continue our dive into Latin cinema, this time moving away from Mexico and across the Atlantic to Mexico. Unfortunately, I have even less experience here, besides last year’s seminal Roma. Well, today we start to rectify today by exploring a look at colliding worlds at a time of great change.   

So to set the scene, in Mexico, not that long ago, Lucía (Adriana Paz) lives in the rural countryside with her husband Rigo (Jorge A. Jimenez) and her son Braulio (Luciano Martínez). Lucía wants to move to Mexico City and take over a commercial property that her sister Sara (Claudia Santiago) found, but her husband will hear nothing of it. Lucía feels trapped where she is, and there is nothing she can do, well there is one thing, and that is escaping into her own mind, a world of intrigue and mystery.

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Movie Review – Roma

TL;DR – Delightful, heart-breaking, alienating, immersive, full of complicated people in complicated relationships, a film that I would recommend everyone to see.        

Score – 5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Roma. Image Credit: Netflix.

Review

There is always an interesting feeling when the credits start to roll and the world comes back into focus, and the wave of emotions that have built up over the last few hours comes crashing down. Do you realise that you just wasted the time on something with no substance, or did your whole world change whilst time stood still? Well, today we look at a film that falls more on the later side of that divide. A world where everything is right and normal, and it all can be pulled out from underneath you in a moment. A film that will stay with me for the weeks and months to come.

So to set the scene, we open in on 1970 Mexico City as Cleo (Yalitza Aparicio) washes the tiles of the driveway of the house she works at. We watch as she gets the house ready for the day for her employers Sofía (Marina de Tavira), Antonio (Fernando Grediaga), and their children Paco (Carlos Peralta), Pepe (Marco Graf), Sofi (Daniela Demesa) and Adela (Nancy García García). Cleo is an indispensable part of the family, but then she is also not part of the family because she is a maid and this disconnect filters throughout the film. Things in the household shift when Antonio leaves for a conference in Canada and stays longer than planned, and when Cleo meets a man Fermín (Jorge Antonio Guerrero) and the tension under the surface of Mexico starts to rupture.

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TV Review – Ugly Delicious: Season One

TL;DR – A fascinating documentary dissecting every facet of food, from its history, its traditions, and the future.

Score – 4 out of 5 stars

Ugly Delicious banner

 

Review

As a food culture, we have really started to focus on tradition, authenticity, style and presentation, but have we lost something in the process? This is something that chef David Chang is trying to get to the heart off in his new series Ugly Delicious which he hosts with food writer Peter Meehan. Chang who is known from his Momofuku restaurants is pulling apart what makes food the way it is, what makes something traditional and something rebellious, and what is the soul of the food we may eat on a daily basis.

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