Movie Review – Sequin in a Blue Room

TL;DR – A film about wanting to grow up but when you are not mature as you think you are to navigate your way through it.    

Score – 3 out of 5 stars

Warning – There is extensive use of Strobe Lighting.

Post-Credit Scene – There is no post-credit scene

Sequin in a Blue Room. Image Credit: AFTRS.

Review

Today we review a very interesting film from a first time future director, which you would not know was his first feature unless you were told because it is at a much higher standard than you would expect. It explores coming of age in a realm of digital technologies that can bring people into certain worlds well before they are ready. It is a film that hits many emotions from joy to dark foreboding as it goes on.

So to set the scene, Sequin (Conor Leach) is a 16-year-old that spends his days in school and at night he uses an anonymous hook-up-app to meet up with men. While his dad (Jeremy Lindsay Taylor) is supportive he does not know the full extent of what is going on. All of this lead to potential disaster when one of his hookups B (Ed Wightman) leads him into a world he is not ready for and then it all spirals out from there.

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Movie Review – Quantification Trilogy

TL;DR – A fascinating experimental film that I think would work much better as three short films that one complete future    

Score – 3 out of 5 stars

Warning – There is extensive use of Strobe Lighting in the second part of the trilogy.

Post-Credit Scene – There is no post-credit scene

Quantification Trilogy. Image Credit: Jeremy Shaw.

Review


Today we look at a film that is truly experimental in scope and form. It is a film that has taken footage from the past (I believe) and then repurposed it into something new. This transformation in tone and purpose through editing is not something I have seen before.

So to set the scene, in the distant future the human race has become extinct, replaced instead by quantum humans and their universal connection to the hive. However, there are some quantum humans that due to a genetic quirk have reverted a little back to their long-dead human ancestors. These Quickeners have gathered together in Area 23 in the long-abandoned American continent to practice old rituals and to find some meaning away from the hive.

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Movie Review – End of the Century (Fin de Siglo)

TL;DR – A very erotic look at the past and what choices led us to where we are and where we could have been    

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

End of the Century (Fin de Siglo). Image Credit: Stray Dogs.

Review

So when you blindly pick from a film festival line up without researching anything about films you are about to see, there are some interesting choices that you could end up watching. For me, it was sitting down at watching what might be the most erotic film I have ever seen in a cinema. Like I don’t think you could show this film on late night SBS. But while there is that component it was also a look at what could have been.

So to set the scene, Ocho (Juan Barberini) is an Argentinean poet now living in New York. After reaching the end of a 20-year long relationship he has decided to take a short vacation to Barcelona after having to do some work in Madrid. While looking out the balcony of his Airbnb he notices Javi (Ramon Pujol) walking by in his Kiss shirt and well one thing leads to another (this might be the most glossed over of details sentence that I have ever written in a review). But as they are talking Ocho discovers that this is not the first time they have met.

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Movie Review – Noblemen

TL;DR – A deeply painful and confronting film about the damage we cause to others and more the damage we do to ourselves.      

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Noblemen. Image Credit: Yoodle Films.

Review

Oh boy, is this a difficult film to digest, it is one of those films that deal with very important issues in a way that you cannot hide from them. But because you can to hide from them they are shown without restraint and that is really difficult to sit through. An important film dealing with important matters and it made me feel joy and real pain. I also should say right from the start that there are some very confronting scenes in this film and that some people should be careful to check out a more detailed plot summary before watching.

So to set the scene, in a private school in the mountains of India Shay (Ali Haji) is constantly bullied by the upperclassmen as a way of ‘making a man out of him’ but there is one ray of hope because he has just been cast as the lead in the school play of Merchant of Venice. The only problem is the best friend of his main tormenter Arjun (Mohommad Ali Mir) also wanted the role and Baadal (Shaan Grover) will stop at nothing to get it. But that is easy for the upperclassmen, they just have to torment Shay until he relents. Which starts a cycle with lasting consequences.

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Movie Review – In the Tall Grass

TL;DR – An interesting idea, and full-on creepy, but it did leave me feeling a bit hollow at the end.    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

In the Tall Grass. Image Credit: Netflix.

Review

Well it is October and that means it is Halloween month, so it is time for the many, many new horror films to make their way into the world. It is the perfect time for horror and what goes bump in the night but it can be hard to get your head above the crowd. However, if there is any way to do that basing your work on something written by Stephen King is sure one way to do it.

So to set the scene, we open in on a brother Cal (Avery Whitted) and sister Becky (Laysla De Oliveira) as they make their way across the country to San Diego. They are moving to a new life, getting ready because Becky is quite pregnant. They stop on the side of the road because Becky gets morning sickness and needs to let heave. As they wait they hear a voice call out from the long grass on the side of the road. A young boy called Tobin (Will Buie Jr.). They run into grass to try and help the boy but get separated, but that’s okay because they are really close. But soon voices get warped, people get moved around, and there is more than whispers out there in the long grass.

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Movie Review – Solteras (Ready to Mingle)

TL;DR – An interesting concept that is held back by deeply unlikable characters.     
Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Solteras (Ready to Mingle). Image Credit: Netflix.

Review

I should open this up with the clear proviso that I am not the target audience for this film so that might have had a big impact on my enjoyment or lack therefore of. However, I really struggled with this film from the start until maybe the last ten minutes.

So to set the scene, Ana (Cassandra Ciangherotti) is the last of her friends/cousins to get married, but that is okay because she is in a long term relationship with her boyfriend Gabriel (Pablo Cruz). Well she was right up until he dumped her in the middle of a wedding. Well, during the middle of the alcohol drinking stage of her break up she discovers her ‘less attractive’ cousin Tamara (Lucía Uribe Bracho) is also getting married. After an altercation, Tamara gives her the details and she shows up not quite ready for what is about to happen.

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Movie Review – Sturgill Simpson Presents Sound & Fury (Sound & Fury)

TL;DR – A fascinating combination of animation and music, all this a real purpose and theme that made it a intriguing work of art.     

Score – 4 out of 5 stars

Post-Credit Scene – There is a post-credit scene

Sturgill Simpson Presents Sound & Fury (Sound & Fury). Image Credit: Netflix.

Review


Earlier this year I mentioned that back in the day Daft Punk created this animated accompaniment to one of their albums and that it was surprising that no one else had really explored this as well. That was at the start of the year since then we have had multiple artists combine an album release with a short film accompaniment. We have had the highs of Anima,The Bash Brothers Experience, and Guava Island. Well, today we get add another to that list with the truly fascinating Sound & Fury.

While there is a story referenced though some recurring moments, it is more a work that focuses on mood and theme. If I was to label it I would say it is a meditation on a post-apocalyptic world by way of Japanese animation and heaping of Mad Max car action and sheer absurdity all put to a rock anthem. This, I hope, will give you some idea as to just how weird this music video/experience is, but also how fascinatingly interesting it is.

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Movie Review – In the Shadow of the Moon

TL;DR – A fascinating look at an issue and how people would react to it as we watch a man’s life fall apart around him.    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

In the Shadow of the Moon. Image Credit: Netflix.

Review

If you want my interest in a film, you need to take something familiar and twist it, say a serial murder with more going on. Of course, once you have an interesting premise, you need to follow it up, which is not always the case, but today we see a film that comes very close to nailing those two parts. So very close.    

So to set the scene, it is a quiet night in Philadelphia when all of a sudden a woman collapses while driving a bus crashing into multiple cars before being taken out but a cement truck. When the police get to the scene they discover that the driver is covered in her own blood after something liquefied her brain. Three puncture wounds were in her neck, which would be bad, but across the city three more people collapse in the same way. Beat cop Thomas (Boyd Holbrook) makes the link between the three victims and after finding a forth still alive they have a clue only to find everything is much more complicated than they ever thought because the Jane Doe (Cleopatra Coleman) know who Tom is and that his daughter is about to be born.   

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Movie Review – Birders

TL;DR – A fascinating look at the birds that live along the USA/Mexico border   
Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Birders. Image Credit: Netflix.

Review

I love a good wildlife documentary, where you dive into a place in the world and explore the glory that you find. Even more so when it is an area of the world I don’t have a lot of experience with. Today we get just that with an exploration of the birds along the Texan/Mexican border.   

On the border of the United States of America and Mexico is the Rio Grande/Río Bravo River. These days it is more the focus on human migration however while this is an important area of discussion it is also the site of another migration, birds. This is a look at the people whose lives revolve around the birds, protecting them from the many dangers focusing on this precious land.    

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Movie Review – Scary Stories to Tell in the Dark

TL;DR – A solid horror film, with a good premise that meanders a bit in the middle before coming back strong in the end.   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Scary Stories to Tell in the Dark. Image Credit: Universal.

Review

I have to admit that I am not as big of a horror aficionado as a lot of the critics out there. I prefer the tension and suspense of a film like Get Out over a horror gorefest. However, I have made it a plan to try and broaden the films I see and also if you ever want me to see a film having the story by Guillermo del Toro is a great way to do it. With that in mind let’s have a look at a film that champions what goes bump in the night.

In 1968 a lot of things are happening, the Vietnam War is in full swing, Richard Nixon is up for re-election, and in a small town called Mill Valley in Pennsylvania, the local residents are getting ready for Halloween. Stella (Zoe Colletti) does not want to go out but is coaxed out by her friends Auggie (Gabriel Rush) and Chuck (Austin Zajur) because this might be their last Halloween together. After running into local bully Tommy (Austin Abrams) who is on a date with Chuck’s sister Ruthie (Natalie Ganzhorn) they hide in Ramón’s (Michael Garza) car. Ramón is from out of town, so Stella suggests they take him to the Bellows’ House, the town’s local haunted house. Legend says that the family that founded the town locked their daughter Sarah (Kathleen Pollard) in the basement but she would tell stories through the wall to local children and then the kids would die. Everything is going fine until Stella finds a book, a book of Sarah’s stories, a book that is still writing more stories one by one.

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