The Falcon and The Winter Soldier: Truth – TV Review

TL;DR – It takes what could have been a boilerplate story, and elevates it with emotion and strength.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a Mid-Credit Scene

Disclosure – I paid for the Disney+ subscription that viewed this episode.

The Falcon and The Winter Soldier: Truth. Image Credit: Disney+.

The Falcon and The Winter Soldier Review

If there is one running theme that we have been seeing so far in The Falcon and the Winter Soldier, actions have consequences that can ripple out. We have seen that pop up time and time again, but this week it reveals itself in sharp contrast after the events of The Whole World is Watching and the desecration of a symbol in a moment of anger.

So to set the scene, we pick up right after the closing frames of last week’s episode with John Walker (Wyatt Russell) running from the scene covered in blood and still brandishing the murder weapon. He is trying to justify the unjustifiable when Bucky (Sebastian Stan) and Sam (Anthony Mackie) catch up to him in a warehouse. They both know that after what happened and that John’s best case scenario at this point is that he is not court marshalled, but his tenure as Captain America is over. As they try to talk John down from the cliff and disarm him of his shield, John sees what they are doing and attacks without abandon. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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The Falcon and The Winter Soldier: The Star-Spangled Man – TV Review

TL;DR – It deepens the world and brings on the banter.

Rating: 4 out of 5.

Post-Credit Scene – There is no End Credit Scene

Disclosure – I paid for the Disney+ subscription that viewed this episode.

The Falcon and The Winter Soldier: The Star-Spangled Man. Image Credit: Disney+.

The Falcon and The Winter Soldier Review

There are few times that I have seen the internet come together and agree on something. Well, at the end of last week’s episode New World Order, we had such a moment when the world united and went, “That is not my Cap!”. This week we start unpacking that thought (because some of the cast have the same feelings) and look at a world on the precipice.

So to set the scene, at the end of last week’s episode, the world was introduced to a new Captain America, John Walker (Wyatt Russell). This week we open with a homecoming of sorts as John returns to his old high school with all the pomp one can circumstance. The sight of him wearing Cap’s shield finally forces Sam (Anthony Mackie) and Bucky (Sebastian Stan) back together, if only to bicker all the way to Munich. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.    

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The Falcon and The Winter Soldier: New World Order – TV Review

TL;DR – it starts on a high and then mellows into the world we will be in for the rest of the season

Rating: 4 out of 5.

Post-Credit Scene – There is no End Credit Scene

Disclosure – I paid for the Disney+ subscription that viewed this episode.

The Falcon and The Winter Soldier: New World Order. Image Credit: Disney+.

The Falcon and The Winter Soldier Review

When I think back to my all-time favourite Marvel Cinematic Universe film, at the top, or at least very near, it has to be the Captain America Trilogy with Winter Soldier and Civil War being real highlights. With the end of Endgame, there were many threads in these films that never got resolved. Today, we take the first dive into a show looking to fix that issue, one odd-ball partner cop show episode after another.   

So to set the scene, we open in the skies over Tunisia. Sam Wilson (Anthony Mackie) is needed for a significant extradition job to secure an Army Colonel from a terrorist group. As he intercepts the plane, Sam discovers that it has already been hijacked and has to fight his way on-board before the plane reaches Libyan airspace. Meanwhile, Bucky (Sebastian Stan) is in therapy as part of his pardon. But the nightmares of his past as The Winter Solider still haunt his dreams. But there is a rising threat across the world as those looking forward to striking in the blip’s chaos make their first moves. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.    

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WandaVision: Previously On – TV Review

TL;DR – This week walks us through the past as it ratchets up the emotion

Rating: 4.5 out of 5.

Post-Credit Scene – There is a Mid-Credit Scene

Disclosure – I paid for the Disney+ subscription that viewed this episode.

WandaVision: Previously On. Image Credit: Disney+.

WandaVision Review

Last week I came into the episode with so much lift only to feel pretty meh about most of the episode right up until the last five minutes when it took it its delightful but yet menacing turn with “It Was Agatha All Along”, which coincidentally has been stuck in my head all week long. With that being said, it means I went into this week’s and also penultimate episode with a little bit more hesitation than I had all season up until that point.

So to set the scene, throughout last week’s episode Breaking the Fourth Wall, we got hints that something was about to come to ahead. Wanda’s (Elizabeth Olsen) magic was misfiring, Vision (Paul Bettany) was getting his life told to him by Darcy (Kat Dennings), Monica (Teyonah Parris) made it back inside The Hex gaining powers in the process, and Agnes (Kathryn Hahn) took the twins and did something with them while revealing that she is actually Agatha. This week, we start by jumping back in time to Salem, Massachusetts, in 1693, where we get to see a very different witch trial take place? Now from here, we will be looking at the episode as a whole, so there will be some MAJOR [SPOILERS] ahead.

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WandaVision: Breaking the Fourth Wall – TV Review

TL;DR – A difficult part 1 of a show that you won’t know how well it lands till next week.   

Rating: 3.5 out of 5.

Post-Credit Scene – There is a Mid-Credit Scene

WandaVision: Breaking the Fourth Wall. Image Credit: Disney+.

WandaVision Review

If there is one thing about WandaVision that we could say, it is that each week has pushed the boundaries of the show. Time after time, I was left feeling in awe about what I just watched. Well, this week, I’m not sure about that, and I don’t know if that flows from the structure of the episode or its content.

So to set the scene, and the end of last week’s All-New Halloween Spooktacular!, Wanda (Elizabeth Olsen) was forced to dramatically increase the size of the Hex to save Vision’s (Paul Bettany) life as he had left the protection of The Hex and had started to disintegrate. This absorbed most of the SWORD base and personal sitting just outside, including Darcy (Kat Dennings). As we crash into this week, we have jumped into the 2010s, but something is not right as parts of Wanda’s house start reverting back in time. Now from here, we will be looking at the episode as a whole, so there will be some MAJOR [SPOILERS] ahead.    

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WandaVision: We Interrupt This Program – TV Review

TL;DR – This week the veil is removed, and we start to see just what is going on  

Rating: 4.5 out of 5.
WandaVision: Episode 4. Image Credit: Disney+.

WandaVision Review

One of the core conceits in this series is that while we are getting the sitcom joy of WandaVision, something else is going on, something unsettling. This has all been hinted at so far, well today we go from hinting to laying it all out for you.

So to set the scene, at the end of Now in Color, Geraldine (Teyonah Parris) mentions to Wanda (Elizabeth Olsen) that Ultron killed her brother. This does not go well for Geraldine as Wanda turns on her and boots her out of the town. At the start of this week’s episode, we get to see all of the context leading up to this as Geraldine/ Monica Rambeau blips back into existence in a hospital in chaos. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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WandaVision: Now in Color – TV Review

TL;DR – This is where we start to see what is under the hood in this show, and it might be menacing indeed.

Rating: 4 out of 5.
WandaVision: Now in Color. Image Credit: Disney+.

WandaVision Review

Well, we spent Filmed Before a Live Studio Audience & Don’t Touch That Dial living in the 1950s in all its black and white glory. However, last week made it clear that we would leap forward into this new-fangled thing known as colour.

So to set the scene, at the end of last week’s episode, Wanda (Elizabeth Olsen) and Vision (Paul Bettany) witnessed a man out of place in their neighbourhood. However, Wanda did not want that to happen, so she rewound the tape back to before they went outside. When she got back, Wanda discovered that she was pregnant and also the world was in colour. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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Map-It – Mapping Infinity: The Cartography of the MCU (2019 Update)

TL;DR – Today with the next Avengers release imminent we take a look at where on Earth we have visited during all of Phase One, Phase Two, and Phase Three

The Avengers Image Credit: Marvel

Article

Today Avengers: Endgame was released in cinemas, and well since I like maps and I like the Marvel Cinematic Universe, I thought it would be interesting to update our map out where the MCU has visited during its three phases from Iron Man in 2008 to Endgame in 2019. This means that there are some slight spoilers for Endgame here, but only their locations which don’t really give anything away, but if you are super cautious please be aware.    

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The Marvel Cinematic Universe Movies Ranked from Best to Last (2019 Update)

Back in 2018 we had a look at ranking all the current Marvel Cinematic Universe films from best to last. We at least, what ranking they were for me. Well I have just walked out of Endgame and as there are no more films (that we know of) left for 2019 it is time to revisit the list.

With these lists, I don’t rank them 1-10 as I feel that does not adequately reflect my feeling about each of the films and where they fit in relation to each other. As you can see in our X-Men countdown (see here) what we do is the group the films into categories Fantastic, Great Good, Ok, and Trash.

Fantastic are those films which get as close to perfect as we can on this side of Heaven, with compelling characters stories and visuals. Great are those films which I thoroughly enjoyed but they did not move me emotionally. Good are solid films that while they have some issues they still work and are still enjoyable. Ok are films that work, they have some good moments, but you can start to see some of the flaws that almost scuttle the film. Trash are those films which just don’t work, whether it is the story, the characters, the visuals, or a combination of all three, they are simply letdowns.

Also within those categories, I have listed the films not in a ranked order but in chronological order of when they were released.

So let’s dive into a world of gritty spy thrillers, fun heist films, moral tales on not watching your AI experiments as you steal alien technology, high school drama, a Technicolour Dreamcoat, and the greatest collection of Chris’ since the invention of the word Chris.

Also be warned, at the time of writing two of these films are still in cinemas, so be careful with [SPOILERS].

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Movie Review – Avengers: Endgame (Full Spoilers)

TL;DR – Now all together “Baaaaaaaar bar bar bup barrrrr, barr barrr, barrrrr bup bup barrr baaar bomp barrrrrrr, Baaaaaaaar bar bar bup barrrrr, barr barrr, ba dum, ba dum, ba dum, ba dum, Baaaaaaaar”

Score – 4.5 out of 5 Stars

Post-Credit Scene – There is a mid-credit sequence and a hint at the end

Review

Wow and here we are. Honestly, when I sat down to watch Iron Man in cinemas all the way back in 2008 I don’t think I really comprehended just what it was that I was watching. I didn’t know it would spawn a 20+ movie franchise that would take us into the past, into the deep reaches of space, and create one of the biggest events in movie history. In many respects, it feels like this is my generation’s Star Wars moment, and I have not seen queues like this to go see a film in a long time. Well, today we take the plunge and see if they can work out one of the biggest cliff-hangers in movie history and can this be a film that gives closure to the films that came before it.

So to set the scene, at the end of Infinity War the one thing they were trying to stop happening actually happened, as Thanos (Josh Brolin) obtained all the infinity stones after ripping the mind stone out of Vision’s (Paul Bettany) head and snapped his fingers. All at once across the galaxy, 50% of everything turned to dust and we had that gut-wrenching moment as everything literally fell apart in people’s hands. Indeed Peter (Tom Holland) looking desperately at Tony (Robert Downey Jr) pleading that ‘I don’t want to go” is one of those moments that just stays with you and it stays with the cast. Because as we start everything is in a bad place. Tony is trapped with Nebula (Karen Gillan) on a ship running out of fuel, air, and food, and those Avengers that survived are counting the losses on Earth where no one has been left unaffected. However, one should never give up all hope, because you never know when deliverance will come from an unlikely place, and then hope is lost again. Now with today’s review, we will be doing something a little different. In this review, we will be looking at all of the film so there will be [SPOILERS] ahead. This is for people that have already seen the film and want to explore the ending of Endgame. If you have not seen the film and would like to see a no spoiler discussion Endgame you can go HERE. Also if you have already read the no spoiler review and want to skip to the discussion on the ending, it is the chapter starting with the big [SPOILER WARNING] below.         

Before we dive into the story and character aspects of the film, I want to first take a moment to talk about the production side of things. In this film, they have left nothing on the table when it comes to the lighting, production design, and effects. That opening scene as Tony is sitting in the ship waiting to die while bathed in a light blue light from the nearby stars was one of the most beautiful lighting techniques I have seen in quite a while. This extends throughout the entire film, with harsh contrasts at times, natural light in places, relentless oppression in other places. Every part of the film is well designed, even when they are using sets from the previous film, it has been amended to make it feel right in the new context.

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