TL;DR – We continue our goal to map the Marvel Cinematic Universe by mapping everything up to the end of Phase 4
Well, I didn’t expect to be back here so soon. When we did our map update at the end of Spider-Man: No Way Home, I am not sure anyone knew just how quickly Phase 4 would be wrapped up. But with my odd need to be completionist with this Map and with Ant-Man and the Wasp: Quantumania out next week starting Phase 5, now was the time.
Continue readingTL;DR – While there were issues with the villains, I found Ms. Marvel to be an absolute delight from start to finish.
Post-Credit Scene – There is a Mid-Credit scene at the end of the final episode, No Normal.
Disclosure – I paid for the Disney+ service that viewed this series.
If there has been one consistent part of the MCU’s Phase Four, it has been the franchise swinging wildly all over the place, trying to find its feet in a post-Endgame world. Not all of these swings have worked. Some started strong but slipped by the end. Others tried packing everything and the kitchen sink, and some floundered around before finding their feet. However, some of these shows taking a gamble have stuck the landing. [Though I should say that it is remarkable that given these times of COVID and trying to film in this uncertainty, it is a credit to all the artists that they have all been engaging so far because none of the Disney+ shows has been bad] When I first heard about Ms. Marvel, I wondered where it would land in this spectrum. Still, after that first episode aired, I knew I would enjoy the ride.
So to set the scene, Kamala Khan (Iman Vellani) is an average teenager going to school in Jersey City with her friends Bruno (Matt Lintz) and Nakia (Yasmeen Fletcher), living with her family Muneeba (Zenobia Shroff), Zenobia (Mohan Kapur), and Aamir (Saagar Shaikh), and attending her local mosque where someone is stealing shoes. Like many teenagers, Kamala is struggling to find her place in the world and with parents who don’t understand her passions. One day her grandmother Sana (Samina Ahmad) sent a bunch of things, including a bangle, the perfect thing to go with Kamala’s Captain Marvel costume. The only issue is when she put it on, she started displaying powers she had never had before in a roomful of people, all with mobile phones out filming it all. Now from here, we will be looking at the episode and season as a whole, so there will be some [SPOILERS] ahead.
TL;DR – We continue our goal to map the Marvel Cinematic Universe by mapping Phase 4 up to Spider-Man: No Way Home
Back in 2018, when the Black Panther can out, I took the first attempt to chart the MCU. That first Map was quite basic compared to the work I would do with cartography going forward, but it is a nice step on my cartography journey. We updated the Map in 2019 when Endgame came out, and already New York was getting dense, but we have yet to look at Phase Four. Well, that is something we fix today.
From the Map, the first thing that should be clear is that we have only charted the locations visited on Earth (Earth-199999 or Midgard, or Terra or Planet C-53, to be specific). So, my apologies to Xandar and Old Asgard in advance that we will not be looking at the greater galactic universe. But it does mean that every film is represented in this Map, though Guardians of the Galaxy and Guardians of the Galaxy Vol 2 only make one entry.
TL;DR – It takes what could have been a boilerplate story, and elevates it with emotion and strength.
Post-Credit Scene – There is a Mid-Credit Scene
Disclosure – I paid for the Disney+ subscription that viewed this episode.
If there is one running theme that we have been seeing so far in The Falcon and the Winter Soldier, actions have consequences that can ripple out. We have seen that pop up time and time again, but this week it reveals itself in sharp contrast after the events of The Whole World is Watching and the desecration of a symbol in a moment of anger.
So to set the scene, we pick up right after the closing frames of last week’s episode with John Walker (Wyatt Russell) running from the scene covered in blood and still brandishing the murder weapon. He is trying to justify the unjustifiable when Bucky (Sebastian Stan) and Sam (Anthony Mackie) catch up to him in a warehouse. They both know that after what happened and that John’s best case scenario at this point is that he is not court marshalled, but his tenure as Captain America is over. As they try to talk John down from the cliff and disarm him of his shield, John sees what they are doing and attacks without abandon. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – It deepens the world and brings on the banter.
Post-Credit Scene – There is no End Credit Scene
Disclosure – I paid for the Disney+ subscription that viewed this episode.
There are few times that I have seen the internet come together and agree on something. Well, at the end of last week’s episode New World Order, we had such a moment when the world united and went, “That is not my Cap!”. This week we start unpacking that thought (because some of the cast have the same feelings) and look at a world on the precipice.
So to set the scene, at the end of last week’s episode, the world was introduced to a new Captain America, John Walker (Wyatt Russell). This week we open with a homecoming of sorts as John returns to his old high school with all the pomp one can circumstance. The sight of him wearing Cap’s shield finally forces Sam (Anthony Mackie) and Bucky (Sebastian Stan) back together, if only to bicker all the way to Munich. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – it starts on a high and then mellows into the world we will be in for the rest of the season
Post-Credit Scene – There is no End Credit Scene
Disclosure – I paid for the Disney+ subscription that viewed this episode.
When I think back to my all-time favourite Marvel Cinematic Universe film, at the top, or at least very near, it has to be the Captain America Trilogy with Winter Soldier and Civil War being real highlights. With the end of Endgame, there were many threads in these films that never got resolved. Today, we take the first dive into a show looking to fix that issue, one odd-ball partner cop show episode after another.
So to set the scene, we open in the skies over Tunisia. Sam Wilson (Anthony Mackie) is needed for a significant extradition job to secure an Army Colonel from a terrorist group. As he intercepts the plane, Sam discovers that it has already been hijacked and has to fight his way on-board before the plane reaches Libyan airspace. Meanwhile, Bucky (Sebastian Stan) is in therapy as part of his pardon. But the nightmares of his past as The Winter Solider still haunt his dreams. But there is a rising threat across the world as those looking forward to striking in the blip’s chaos make their first moves. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This week walks us through the past as it ratchets up the emotion
Post-Credit Scene – There is a Mid-Credit Scene
Disclosure – I paid for the Disney+ subscription that viewed this episode.
Last week I came into the episode with so much lift only to feel pretty meh about most of the episode right up until the last five minutes when it took it its delightful but yet menacing turn with “It Was Agatha All Along”, which coincidentally has been stuck in my head all week long. With that being said, it means I went into this week’s and also penultimate episode with a little bit more hesitation than I had all season up until that point.
So to set the scene, throughout last week’s episode Breaking the Fourth Wall, we got hints that something was about to come to ahead. Wanda’s (Elizabeth Olsen) magic was misfiring, Vision (Paul Bettany) was getting his life told to him by Darcy (Kat Dennings), Monica (Teyonah Parris) made it back inside The Hex gaining powers in the process, and Agnes (Kathryn Hahn) took the twins and did something with them while revealing that she is actually Agatha. This week, we start by jumping back in time to Salem, Massachusetts, in 1693, where we get to see a very different witch trial take place? Now from here, we will be looking at the episode as a whole, so there will be some MAJOR [SPOILERS] ahead.
TL;DR – A difficult part 1 of a show that you won’t know how well it lands till next week.
Post-Credit Scene – There is a Mid-Credit Scene
Disclosure – I paid for the Disney+ subscription that viewed this series.
If there is one thing about WandaVision that we could say, it is that each week has pushed the boundaries of the show. Time after time, I was left feeling in awe about what I just watched. Well, this week, I’m not sure about that, and I don’t know if that flows from the structure of the episode or its content.
So to set the scene, and the end of last week’s All-New Halloween Spooktacular!, Wanda (Elizabeth Olsen) was forced to dramatically increase the size of the Hex to save Vision’s (Paul Bettany) life as he had left the protection of The Hex and had started to disintegrate. This absorbed most of the SWORD base and personal sitting just outside, including Darcy (Kat Dennings). As we crash into this week, we have jumped into the 2010s, but something is not right as parts of Wanda’s house start reverting back in time. Now from here, we will be looking at the episode as a whole, so there will be some MAJOR [SPOILERS] ahead.
TL;DR – This week the veil is removed, and we start to see just what is going on
Disclosure – I paid for the Disney+ subscription that viewed this series.
One of the core conceits in this series is that while we are getting the sitcom joy of WandaVision, something else is going on, something unsettling. This has all been hinted at so far, well today we go from hinting to laying it all out for you.
So to set the scene, at the end of Now in Color, Geraldine (Teyonah Parris) mentions to Wanda (Elizabeth Olsen) that Ultron killed her brother. This does not go well for Geraldine as Wanda turns on her and boots her out of the town. At the start of this week’s episode, we get to see all of the context leading up to this as Geraldine/ Monica Rambeau blips back into existence in a hospital in chaos. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This is where we start to see what is under the hood in this show, and it might be menacing indeed.
Disclosure – I paid for the Disney+ subscription that viewed this series.
Well, we spent Filmed Before a Live Studio Audience & Don’t Touch That Dial living in the 1950s in all its black and white glory. However, last week made it clear that we would leap forward into this new-fangled thing known as colour.
So to set the scene, at the end of last week’s episode, Wanda (Elizabeth Olsen) and Vision (Paul Bettany) witnessed a man out of place in their neighbourhood. However, Wanda did not want that to happen, so she rewound the tape back to before they went outside. When she got back, Wanda discovered that she was pregnant and also the world was in colour. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
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freelance film critic with an interest in multilingualism, feminist perspectives in cinema and crime dramas.
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