We Have a Ghost – Movie Review

TL;DR – A frustrating film sometimes, but when it finds its feet, you feel its strength and spooks.   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

The house at night before all hell breaks loose.

We Have a Ghost Review

I always like to see when a filmmaker takes a spin on what they are known for. Christopher Landon has a long career in horror space with Paranormal Activity and Happy Death Day, but could he make a more family-orientated supernatural film land as well? Well, this is the question we ask as we dive into a world of ghosts, or well at least a world of a ghost.  

 So to set the scene, one night, while the Moon was full, all was quiet until screams erupted from a house bathed in eerily green light. All at once a family rushes to their car and drives away, and the house closes itself up. Kevin (Jahi Di’Allo Winston) and his family move into the rundown house one year later. There is a lot of tension between Kevin and his father, Frank (Anthony Mackie), over the move, as it is one of many the family has gone through. But as Kevin walks through the house at night, it suddenly gets cold, a chair starts moving by itself, and then a spectral presence explodes out of the walls. But instead of being scared, Kevin laughs, beginning a very different relationship with the ghost Ernest (David Harbour) as they team up to help each other.     

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Star Trek: Discovery – Species Ten-C – TV Review

TL;DR – An episode that is equal parts uplifting and frustrating  

Rating: 3.5 out of 5.

Disclosure – I paid for the Paramount+ service that viewed this episode.

Star Trek: Discovery – Species Ten-C. Image Credit: Paramount+.

Star Trek: Discovery Review –

As we reach the pointy end of the season, it is time for everything to get put into focus. This focus applies both to the season’s narrative and the strengths and weaknesses of the narrative choices that led to this moment. Here, we can find some of the very best that Star Trek has to offer and also some of the most frustrating aspects.

So to set the scene, after breaching the Galactic Barrier, the crew of the USS Discovery were both literally and metaphorically in uncharted space. In Rosetta, Captain Burnham (Sonequa Martin-Green) took a gamble and made a slight detour to a solar system near the Hyperfield. Here they found the remains of a Gas Giant whose atmosphere had been blown off by a series of asteroid impacts. It was also the original home of Species Ten-C. in the ruins of the former society. They found a nursery and hydrocarbons that form part of the species’ emotions. With that knowledge obtained, the crew make their way to the Hyperfield, only to get sucked in and the power shut off. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.

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Star Trek: Discovery – Rosetta  – TV Review

TL;DR – Preparing for the end by going into the belly of the beast  

Rating: 3.5 out of 5.

Disclosure – I paid for the Paramount+ service that viewed this episode.

Star Trek: Discovery – Rosetta

Star Trek: Discovery Review –

This season we have gotten a combination of some of the best Star Trek has to offer attached to what feels like story elements that just exist to pad out time. Thankfully, the strength of the characters and the production has smoothed over some of those issues, but as we rocket towards the end, I have begun to be a bit concerned. But this week, we finally got some answers about the nature of the 10-C.

So to set the scene, after the colossal stuff up of Book (David Ajala) and Tarka (Shawn Doyle) led to the 10-C not only replacing the anomaly but shifting it to the Alpha Quadrant in direct line to Earth and Ni’Var. The USS Discovery, its crew and the delegates onboard raced through the Galactic Barrier to attempt diplomacy before the deaths of billions. When they breached the barrier, they discovered a solar system near where 10-C live. It soon becomes apparent that the 10-C used to live here, as the corpses of their species litter the surface. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead. 

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Army of the Dead – Movie Review

TL;DR – This film is like a shotgun of ideas slapped up on the screen, and none of it lands. 

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix subscription that viewed this film

Army of the Dead. Image Credit: Netflix.

Army of the Dead Review

I need to start this review with a little proviso about filmmaker Zach Snyder, the director, writer, and cinematographer of this film. I do think he can be a great filmmaker because when his particular style lines up with the right narrative, you can get great films like 300. Unfortunately, you need someone to help channel that style, or you get a bloated mess of a film, and I think we are in the latter today y’all.

So to set the scene, we open in as a military convoy with a high-value cargo leaves Area 51, transiting it somewhere safer. However, when a driver on an oncoming car becomes “distracted”, their car crashes into the convoy killing many soldiers. But just as the survivors regroup, something comes out of the cargo and rips them all to pieces. That would be bad, but what is worse is that those once dead come back alive, and Las Vegas waits over the horizon. Sometime later, after the government lost the battle and instead decided to wall off the infected town, a mysterious businessman called Bly Tanaka (Hiroyuki Sanada) enlists the help of Scott Ward (Dave Bautista) and his team to break into the city. Because there is a lot of money left in those casinos, and you might as well take it before the government nukes the place.

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TV Review – Star Trek Discovery: Brother

TL;DR – New faces, old friends, and a new dilemma, sign me up.

Score – 4 out of 5 stars

Star Trek Discovery: Brother. Image Credit: CBS Studios/Netflix.

Review

The first season of Star Trek Discovery was one that started of interesting, took a bit to find its feet, but by the end of the Season a bunch of people had become a crew, and I was there for it. Tonight we dive back in with a bit of trepidation because they ended the season face to face with the most iconic starship in Star Trek history the original USS Enterprise. So where do you take the story from here, well into some very new territory it seems. 

So to set the scene, at the end of Will You Take My Hand? the USS Discovery was on its way to Vulcan to both drop of Sarek (James Frain) and also pick up their new captain. Well before they got there, they had to drop out of warp due to an emergency distress beacon coming from the USS Enterprise. In Brother, we start right from where we left off, trying to hail the ship when nothing else worked it was Morse Code that made it through and the Enterprise informed them that Captain Pike (Anson Mount) and two others were coming on board. Well, both Sarek and Michael (Sonequa Martin-Green) know who severs on the ship, but Spock is not there. Pike informs everyone that he is taking over command of the ship because of an emergency, you see seven lights just blared into existence across the galaxy, at the same moment, thousands of light years apart. Well since they just got out of a war The Federation is understandably nervous about what this might mean because this is not a natural phenomenon. Well off The Discovery goes, once more unto the breach, which turns out to be literal when they drop out of warp behind a fracturing asteroid. Now we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Movie Review – Instant Family

TL;DR – There are some moments of real humour and it can be really heartfelt, but it has also be smashed into a rigid three-act structure to the point that you can see the plot beats coming a mile away.    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Instant Family. Image Credit: Paramount Pictures.

Review

Adoption and foster care are two very important issues in society today. There are not enough foster parents for all the kids in the system, meaning that they get bounced around from house to house, or left in a worst state than when they came in. Which is a tragedy because these are some of the most vulnerable members of society and we need to be protecting them. Today we look at a film that explores this issue by looking at what happens when you go from having no kids to having three.

So to set the scene, Pete (Mark Wahlberg) and Ellie (Rose Byrne) are a couple going through life that seemingly has it all. They run a successful renovation business where they buy down and out houses and then do them up to flip them for a profit. This helps gives their lives purpose, until one day Ellie’s sister mentions that they are never going to have kids and a look ensues. This leads to them having a look at adoption websites and being overcome by the need. So they attend training run by Karen (Octavia Spencer) and Sharon (Tig Notaro) and on a lunch playdate/get to know all the kids/totally weird event, they come across Lizzy (Isabela Moner) who everyone else is ignoring because they don’t want teenagers. They really like Lizzy but there is one catch, she comes with two siblings Juan (Gustavo Quiroz) and Lita (Julianna Gamiz) and all of a sudden they become a family of five.

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