TL;DR – This film is like a shotgun of ideas slapped up on the screen, and none of it lands.
Rating: 2 out of 5.
Post-Credit Scene – There is no post-credit scene
Disclosure – I paid for the Netflix subscription that viewed this film
Army of the Dead Review –
I need to start this review with a little proviso about filmmaker Zach Snyder, the director, writer, and cinematographer of this film. I do think he can be a great filmmaker because when his particular style lines up with the right narrative, you can get great films like 300. Unfortunately, you need someone to help channel that style, or you get a bloated mess of a film, and I think we are in the latter today y’all.
So to set the scene, we open in as a military convoy with a high-value cargo leaves Area 51, transiting it somewhere safer. However, when a driver on an oncoming car becomes “distracted”, their car crashes into the convoy killing many soldiers. But just as the survivors regroup, something comes out of the cargo and rips them all to pieces. That would be bad, but what is worse is that those once dead come back alive, and Las Vegas waits over the horizon. Sometime later, after the government lost the battle and instead decided to wall off the infected town, a mysterious businessman called Bly Tanaka (Hiroyuki Sanada) enlists the help of Scott Ward (Dave Bautista) and his team to break into the city. Because there is a lot of money left in those casinos, and you might as well take it before the government nukes the place.
TL;DR – New faces, old friends,
and a new dilemma, sign me up.
Score – 4 out of 5 stars
The first season of Star Trek Discovery was one that started of interesting, took a bit to find its feet, but by the end of the Season a bunch of people had become a crew, and I was there for it. Tonight we dive back in with a bit of trepidation because they ended the season face to face with the most iconic starship in Star Trek history the original USS Enterprise. So where do you take the story from here, well into some very new territory it seems.
So to set the scene, at the end of Will You Take My Hand? the USS Discovery was on its way to Vulcan to both drop of Sarek (James Frain) and also pick up their new captain. Well before they got there, they had to drop out of warp due to an emergency distress beacon coming from the USS Enterprise. In Brother, we start right from where we left off, trying to hail the ship when nothing else worked it was Morse Code that made it through and the Enterprise informed them that Captain Pike (Anson Mount) and two others were coming on board. Well, both Sarek and Michael (Sonequa Martin-Green) know who severs on the ship, but Spock is not there. Pike informs everyone that he is taking over command of the ship because of an emergency, you see seven lights just blared into existence across the galaxy, at the same moment, thousands of light years apart. Well since they just got out of a war The Federation is understandably nervous about what this might mean because this is not a natural phenomenon. Well off The Discovery goes, once more unto the breach, which turns out to be literal when they drop out of warp behind a fracturing asteroid. Now we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.
TL;DR – There are some moments of real humour and it can be really heartfelt, but it has also be smashed into a rigid three-act structure to the point that you can see the plot beats coming a mile away.
Score – 3 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Adoption and foster care are two very important issues in society today. There
are not enough foster parents for all the kids in the system, meaning that they
get bounced around from house to house, or left in a worst state than when they
came in. Which is a tragedy because these are some of the most vulnerable members
of society and we need to be protecting them. Today we look at a film that
explores this issue by looking at what happens when you go from having no kids
to having three.
So to set the scene, Pete (Mark Wahlberg) and Ellie (Rose Byrne) are a couple
going through life that seemingly has it
all. They run a successful renovation business where they buy down and out houses and then do them up to flip them for
a profit. This helps gives their lives purpose, until one day Ellie’s sister
mentions that they are never going to have kids and a look ensues. This leads
to them having a look at adoption websites and being overcome by the need. So
they attend training run by Karen (Octavia Spencer) and Sharon (Tig Notaro) and
on a lunch playdate/get to know all the kids/totally weird event, they come
across Lizzy (Isabela Moner) who everyone else is ignoring because they don’t
want teenagers. They really like Lizzy but there is one catch, she comes with
two siblings Juan (Gustavo Quiroz) and Lita (Julianna Gamiz) and all of a
sudden they become a family of five.