Red One – Movie Review

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TL;DR – If it was not for a strong start, you probably could have dumped this on Netflix, and no one would have noticed.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Santa Clause lifting weights.

Red One Review –

It is that time of year, and it is beginning to look a lot like Christmas. The shops are dressed up, there is the looming pressure to finish things up before the end of the year, and walking outside feels like taking a shower with this humidity. It is here that a new flood of Christmas Films will be launched, trying to make the most of the holidays, and that is what we are looking at today.

So, to set the scene, it is a cold Philly night just before Christmas, and at the mall sits Santa Claus (J. K. Simmons), listening to all the kid’s wishes for presents and being protected by Callum Drift (Dwayne Johnson). But this ain’t no average mall Santa because Santa Claus is real, and there is a global military/political/intelligence apparatus keeping him safe. Well, that is until Jack O’Malley (Chris Evans) is paid to hunt down a disturbance in the polar region, and some kidnaps Santa right under the head of North Pole security’s nose on Christmas Eve.

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Star Trek: Lower Decks: A Farewell to Farms – TV Review

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TL;DR – Crack out the Bat’leths and open the good Bloodwine casks because it is time to visit Qo’noS

Rating: 4 out of 5.

Disclosure – I paid for the Paramount+ streaming service that viewed this episode. 

Lower Decks Title Card looking over a Qo-noS sunset..

Star Trek: Lower Decks Review –

When you have been watching shows for quite a while, you pick up telltale signs that something big is about to happen. One of those is the lack of a Title Sequence. Wait, the cast names not on the backdrop of a coming calamity of Borg, Tholians, Klingons, Romulans, Pakleds, oh and is that V’ger? But instead, it was on a warm sunset in Qo’noS. Well, you know something big is about to happen.

So, to set the scene, we are on Qo’noS, and Captain Ma’ah (Jon Curry) has been sequestered/banished to labouring work on the family farm. He is making Bloodwine (from worms, most likely Gagh) and raising Targ. He stubbornly avoids the comm call with a Federation signature. But if Mariner (Tawny Newsome) is one thing, it is persistent. He is stuck because the one who stripped him of his captainship is now the one who decides if he can get it back. Although Boimler (Jack Quaid) does know a lot about Klingon Bureaucratic minutia, and the Ritual of J’ethurgh is right there. We will be looking at the episode as a whole from here, so there will be some [SPOILERS] ahead. 

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Venom: The Last Dance – Movie Review

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TL;DR – The Venom films have always had a tension between wanting to be fun character works and needing to fit into this weird franchise they are building. This is the first time that I think the franchise won.

Rating: 2.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene.

Disclosure – I paid to watch this film

Venom.

Venom: The Last Dance Review –

I know when people think about film franchises, the ‘Sony Spider-Man Universe’ that can’t use Spider-Man is kind of a joke. They have not really helped themselves anyway with entries like Morbius and Madame Web. However, I have always had a bit of a soft spot for the Venom films Venom & Venom: Let There Be Carnage. If for no other reason than it was fun to watch Tom Hardy play off himself in the two roles. But I think we might be at the end of that road today.

So, to set the scene, Eddie Brock / Venom (Tom Hardy) is currently hiding out in Mexico after getting blamed for the deaths in the last film. They make a plan to sneak back into America and head to New York, where Eddie knows a judge that they can bribe to make this all go away. However, while they make their plans, little do they know that out in the universe, Knull (Andy Serkis) is posturing from his jail cell and may have found the way out of his eternal damnation. Oh, and the military wants them too.

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The Penguin: Top Hat – TV Review

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TL;DR – While this is an episode of big action beats, I was more interested in the small conversations that spoke loudly.

Rating: 4.5 out of 5.

Disclosure – I paid for the Binge service that viewed this series.

Oz returns home.

The Penguin Review –

Goodness, we are already at the penultimate episode of this series, which is astounding. This season has flown by, but it never felt rushed because it was always captivating. However, as main cast members start dropping like flies, can it keep what is unique about the show all the way to the end?

So, to set the scene, at the end of the last episode, things were starting to look precarious as Sofia Gigante (Cristin Milioti) walks into the house where Oz (Colin Farrell) is trying to keep his mother Francis (Deirdre O’Connell) safe. Vic (Rhenzy Feliz) doesn’t even see it coming, but Sofia does not kill the pair. Only take Francis hostage because she is the best bargaining chip, the only person in all of Gotham City Oz might actually care about. Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.

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Agatha All Along: Maiden Mother Crone & Full Season – TV Review

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TL;DR –  The season finale trades in the bombast for the emotions as it resonates with its story and pushes forward for the future.

Rating: 4 out of 5.

Disclosure – I paid for the Disney+ service that viewed this film.

Death Approaching.

Agatha All Along Review –

Well, Death makes it clear that all good things must come to an end, so it is time for us to dive into the final episode of the season for Agatha All Along. After that, we will take some time to explore how the season went as a whole and some of the wild choices that they made that I am still thinking about now.

So, to set the scene, at the end of Follow Me My Freind / To Glory at the End, we were left reeling when Billy (Joe Locke) escaped the clutches of Death (Aubrey Plaza) because Agatha (Kathryn Hahn) gave herself up in his place. It is a perfectly selfless act that is also profoundly unlike the witch. However, as Billy arrives home, he starts thinking about things and realises he is the one who made the Road come to life, which is when he hears a cackle in the distance. We then jump back in time to 1750 with a heavily pregnant Agatha in the woods about to give birth, when in the distance, a certain green witch arrives. Now, from here, we will be looking at the episode and season as a whole, so there will be some [SPOILERS] ahead.    

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Agatha All Along: Follow Me My Friend / To Glory at the End – TV Review

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TL;DR – Our penultimate episode takes some big swings, and I think it nails them all.  

Rating: 4 out of 5.

Disclosure – I paid for the Disney+ service that viewed this film.

Death approaches.

Agatha All Along Review –

We are fast running to the end of this. Well, if the viewing numbers are any guide, it will probably be the first season. However, we have been luxuriating on the road, but time is running out, and it is still an open question if this series can tie up all the many loose ends before those credits roll.

So, to set the scene, we open with Death (Aubrey Plaza) overlooking a sleeping Alice (Ali Ahn), but she is not there to wake her but to take her to the other side. Meanwhile, while Jen (Sasheer Zamata) and Billy (Joe Locke) lament over Lilia’s sacrifice, Death finds Agatha (Kathryn Hahn) alone and gives her a bargain, but only if Teen dies. But before they can process their loss, they come to the final trial and discover that the road is not a path but a circle. Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.    

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Saturday Night – Movie Review

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TL;DR – A movie that embraces the chaos of its subject matter with such reverence it ends up hurting the final product.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

30 Rock.

Saturday Night Review –

Today, we are looking at a bit of an odd duck of a film. One that swings wildly, stampeding through the chaos of its subject material with the gusto of a rhino in full tilt. However, that approach is going to be a boon or a detriment for you, depending on how you are approaching this film. For me, I am not someone who religiously tunes into Saturday Night Live. Sure, occasionally, a sketch from the show will bubble into the subconscious like Natalie Portman, Undercover Boss, or the recent Mother. Also, the most impacting sketch for me and my comedy journey came almost wholly disconnected from the show. So, you always know it is there, and its legacy in the movies that have and have not worked and the comics it has brought to the forefront. It is within that framework we look at the film today.

So, to set the scene, it is October 11, 1975, and Lorne Michaels (Gabriel LaBelle) is out in front of 30 Rockefeller Plaza trying to get an audience to see his show with an NBC Page (Finn Wolfhard). That is because it is 90 minutes before his first show goes to air, and nothing is going right. The studio is having less and less faith in his vision, the cast is in chaos, the crew is in a state of revolution, oh, is that a fire, and why is there a llama? There are only 90 minutes to pull this all together, but that is going to be hard when there is not even a runtime yet.

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Agatha All Along: Death’s Hand in Mine – TV Review

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TL;DR – This was an oddly poignant yet slightly unsettling episode that I am not quite sure how I feel about.   

Rating: 4 out of 5.

Disclosure – I paid for the Disney+ service that viewed this film.

Lilia falls.

Agatha All Along Review –

We are looking down the barrel of the endgame for this series, and I always get a bit nervous when there is a lot left to explore and not that much time to do it in. There becomes a point where you don’t have the luxury to saunter around and have to hem those dresses and start running like Princess Diana at a children’s sports carnival. Thankfully, I think we are getting that today.

So, to set the scene, back in Darkest Hour / Wake Thy Power, we discovered that Teen (Joe Locke) was actually the reincarnation of Billy Maximoff, who was killed at the end of WandaVision. We found that when he forced Jen (Sasheer Zamata) and Lilia (Patti LuPone) to cast Agatha away and then jump off the road. But some witches just won’t be stopped, and even off the road, there is a chance to find the answers to what you seek. Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.    

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The Moogai – Movie Review

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TL;DR – A truly emotional ride through a new mother’s hell realised when no one trusts her that something is coming for her son.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A tree ringed with fire.

The Moogai Review –

Today, we are looking at a fascinating film that, like Cargo, started life as a short film and then was expanded into a feature. Also, much like Cargo, I have never watched a short film, so I am coming into this world without any preconceived notions about where it would go. Indeed, I only knew that it was a horror film and that the production behind it is Indigenous, a combination I had not seen much of since Cleverman, and I am glad that I made the trek to BIFF to watch this, even if it meant I did not sleep well that night.   

So, to set the scene, it is the 1970s and officers from the government were snooping around the missions, hoping to take away the kids as their fathers were away for work. Agnes (Precious Ann) and her sister (Aisha Alma) run into the bush to escape, but Agnes hides in the one cave she should not have gone into. In 2024, Sarah (Shari Sebbens) has just closed a deal at her law firm and is enjoying the highlife with her husband Fergus (Meyne Wyatt) when suddenly her baby comes without warning, and both almost lose their lives in the process. Sarah is trying to adapt to the trauma and is not helped by her birth mother, Ruth (Tessa Rose), nosing in. But as she tries to sleep, she sees white-eyed children warning her that ‘he’ is coming ‘to take her baby away’.

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Double or Nothing – Movie Review

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TL;DR – Snippets of chaos that never come together as a whole

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

The Gold Coast skyline

Double or Nothing Review –

We are currently in the midst of the Brisbane International Film Festival, or if you are friends, BIFF. It is a cozy festival where I always find a gem or two every year. Today, we are looking at a small Aussie movie filmed in my backyard (metaphorically) about what happens when you get trodden on over and over again.

So, to set the scene, Turbo (Andrew Ian Pope) and Nick (Rowan Howard) are cousins who never quite can get their luck together. Turbo always owes people money, and Nick is just trying to get through his parole without rocking any feathers. But they both need money to survive, and this means doing jobs for their boss, Col (John Jarratt), of a more explosive nature. But when there is a shift in management, the boys find themselves up a certain creek without a paddle.

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