TL;DR – This is an episode of getting all our ducks in a row, but a good version of that.
Rating: 3.5 out of 5.
The Boys: We Gotta Go Now Review –
In a world where superheroes have the power to do anything they want … what is to stop them from just doing it? This is the question that The Boys has been asking for a while, and this week we get to see that the answer to that is not a whole lot.
So to set the scene, in last week’s Nothing Like it in the World everyone’s world got turned on their heads. A-Train (Jessie T. Usher) got kicked out of the Seven, Homelander (Antony Starr) is continuing to lose his position on top, and Butcher (Karl Urban) lost everything because of his blind hatred of Supes. With everyone spiralling out of control, it is the perfect time for people like Stormfront (Aya Cash) to spill in and upset everything, which is precisely what happens. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This is the episode where we get to see the direction of the season
Rating: 4 out of 5.
The Boys: Nothing Like it in the World Review –
Well, The Boys came back with a whale splatted gore explosion, but unlike last season, we are getting weekly episodes to space out the carnage. Given the places this show goes, this is very much for the best to give us some moments to breathe given what we just watched. With that in mind, let’s dive into an episode that gets ew in 4 minutes.
So to set the scene, New York is still reeling from the supposed super-terrorist attack on an apartment building. However, we know it was not the terrorist but Stormfront (Aya Cash) the newest member of The Seven with clear Nazi undertones. With the way Vought is manipulating the media not even the revelation that supers are made not born has shaken them from the prime position they are in. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – Confronting, uncomfortable, but entirely compelling.
Rating: 4 out of 5.
Warning – Depicts scenes of abuse
When I first heard of The Boys, the concept of ‘what if superheroes were assholes?’ I’ll be honest it didn’t grab me. Maybe it was the Suicide Squad fatigue that had set in; perhaps it was the general feel of the time. However, given this is 2020, and what’s the worst that can happen? Well, I am glad I did because a lot is going on here, some unsettling, some subversive, but all fascinating.
So to set the scene, we open with bank robbers driving recklessly through the streets of New York. The truck carriers off the side of the road heading to some innocent bystanders when Queen Maeve (Dominique McElligott) of The Seven steps in front and takes all the damage herself while Homelander (Antony Starr) flies in and laser eyes the bandits while stopping to take a selfie or two. Meanwhile, Hughie (Jack Quaid) is walking down the street with his girlfriend Robin (Jess Salgueiro) after finally deciding to move in with each other when one second she is standing there talking. The next she is red mist as A-Train (Jessie T. Usher) runs into her at super-speed after being too preoccupied to see what was coming. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.
TL;DR – Rampage knows what it is and leans into it hard, with giant monsters crashing into buildings and Dwayne Johnson being his charismatic best
Score – 3.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Now, this is the point at the start of the review where I talk about how there has never been a great movie adaption of a video game so far, and I talk about the problems about adapting and trot out examples like Assassin’s Creed (see review) and Tomb Raider (see review). However, this time around I don’t think I have to do that because while this is by no means a masterpiece I think it is the first film to really crack that adaption puzzle or at least the one who has got the closest to it. With that in mind, today we are going to enter the realm of giant monsters crashing into buildings, and who doesn’t love a giant monsters crashing into buildings.
TL;DR – Logan Lucky is equal measures fascinating and boring, with a heavy dose of Sothern Americana on top.
Score – 2.5 out of 5 stars
I love heist films, indeed there are so many facets of them that I find really fascinating. I love the setup, the betrayals, oh and you better believe a love a good double and triple crosses, I love the prep work, the crime, the hustle and the con, and that point where everything inevitably goes wrong. I think it is safe to say that everyone has seen a heist film at some point, from both Ocean’s, Die Hard, The Thomas Crown Affair, if you haven’t the good folks over at CineFix have you covered. So I was really intrigued going in to see Logan Lucky, especially with a name like Steven Soderbergh at the helm, who has a long history of fantastic films in this genre. However as I walked out of the cinema, I was left feeling perplexed, confused and honestly, more than a little underwhelmed.