TL;DR – Super charming and a fun new direction for the franchise.
Rating: 4 out of 5.
Star Trek: Lower Decks Review –
When it was announced that the next new Star Trek series would be an animated show that would take a more comedic look at a life aboard a Starfleet vessel, many people treated the news with some hesitation. However, when we got to see the first episode Second Contact, you felt the tone they were going for and how it was able to walk this line between making fun of Star Trek and showing its deep love for the franchise. Well, the full season has finally been released outside of North America, so it is time to dive in and see if the whole run stands up as well.
So to set the scene, we open in on the USS Cerritos in 2380 (which for those playing at home is two years after the return of the USS Voyager and twenty years before the start of Picard). The Cerritos is a California Class Starfleet Vessel that specialises in second contact, which is the follow-up mission after first contact, not as much glory but still significant. Ensign D’Vana Tendi (Noël Wells) has just come on board from Outpost 79, and this is her first placement on a starship. Her orientation guide is Brad Boimler (Jack Quaid) a very straight-laced command track-captain seat hopeful Ensign. Orientation is soon side-tracked as Ensign Beckett Mariner (Tawny Newsome) decides to take D’Vana on a more personalised tour. But as we soon learn Captain Carol Freeman (Dawnn Lewis) has her phasers set on Mariner and is looking for any excuse to boot her off the ship and preferable out of Starfleet. Now from here, we will be looking at the season as a whole, so there will be [SPOILERS] ahead.
TL;DR – Just when I thought I had worked everything out, The Boys was like, you know nothing while pulling the rug out from under my feet and maintaining eye contact as I fell to the floor.
Rating: 4.5 out of 5.
What I Know Review –
After an exciting and long season, we have drawn to the final episode for their sophomore season. This is a season where back in episode three, we exploded through the guts of a whale in its entire gory spectacle, and even that was not the most bonkers moment. With that in mind, in today’s review, we are going to look first at how the final episode came together. Then we will explore an overview of the season as a whole.
So to set the scene, in last week’s episode Butcher, Baker, Candlestick Maker, we thought everything was coming to ahead … until the head’s started popping. Throughout this episode, there were several essential plotlines. The first was getting a good look at Butcher’s (Karl Urban) life and the world that formed him as to who he is today. Homelander (Antony Starr) and Stormfront (Aya Cash) manipulated Ryan (Cameron Crovetti) and turned him against his mother Becca (Shantel VanSanten). Meanwhile, after Vought captures starlight (Erin Moriarty), Hughie (Jack Quaid) goes on a rescue mission with Lamplighter (Shawn Ashmore) to save her, and it goes … mostly okay. Finally, after everything they have done up until this point, there is a congressional inquiry led by Victoria Neuman (Claudia Doumit) into Vought and what they did. Finally some progress, or not, as heads start exploding on live TV. Now from here, we will be looking at the episode and season as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This is an episode of getting all our ducks in a row, but a good version of that.
Rating: 3.5 out of 5.
The Boys: We Gotta Go Now Review –
In a world where superheroes have the power to do anything they want … what is to stop them from just doing it? This is the question that The Boys has been asking for a while, and this week we get to see that the answer to that is not a whole lot.
So to set the scene, in last week’s Nothing Like it in the World everyone’s world got turned on their heads. A-Train (Jessie T. Usher) got kicked out of the Seven, Homelander (Antony Starr) is continuing to lose his position on top, and Butcher (Karl Urban) lost everything because of his blind hatred of Supes. With everyone spiralling out of control, it is the perfect time for people like Stormfront (Aya Cash) to spill in and upset everything, which is precisely what happens. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This is the episode where we get to see the direction of the season
Rating: 4 out of 5.
The Boys: Nothing Like it in the World Review –
Well, The Boys came back with a whale splatted gore explosion, but unlike last season, we are getting weekly episodes to space out the carnage. Given the places this show goes, this is very much for the best to give us some moments to breathe given what we just watched. With that in mind, let’s dive into an episode that gets ew in 4 minutes.
So to set the scene, New York is still reeling from the supposed super-terrorist attack on an apartment building. However, we know it was not the terrorist but Stormfront (Aya Cash) the newest member of The Seven with clear Nazi undertones. With the way Vought is manipulating the media not even the revelation that supers are made not born has shaken them from the prime position they are in. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – Confronting, uncomfortable, but entirely compelling.
Rating: 4 out of 5.
Warning – Depicts scenes of abuse
When I first heard of The Boys, the concept of ‘what if superheroes were assholes?’ I’ll be honest it didn’t grab me. Maybe it was the Suicide Squad fatigue that had set in; perhaps it was the general feel of the time. However, given this is 2020, and what’s the worst that can happen? Well, I am glad I did because a lot is going on here, some unsettling, some subversive, but all fascinating.
So to set the scene, we open with bank robbers driving recklessly through the streets of New York. The truck carriers off the side of the road heading to some innocent bystanders when Queen Maeve (Dominique McElligott) of The Seven steps in front and takes all the damage herself while Homelander (Antony Starr) flies in and laser eyes the bandits while stopping to take a selfie or two. Meanwhile, Hughie (Jack Quaid) is walking down the street with his girlfriend Robin (Jess Salgueiro) after finally deciding to move in with each other when one second she is standing there talking. The next she is red mist as A-Train (Jessie T. Usher) runs into her at super-speed after being too preoccupied to see what was coming. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.
TL;DR – Rampage knows what it is and leans into it hard, with giant monsters crashing into buildings and Dwayne Johnson being his charismatic best
Score – 3.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Now, this is the point at the start of the review where I talk about how there has never been a great movie adaption of a video game so far, and I talk about the problems about adapting and trot out examples like Assassin’s Creed (see review) and Tomb Raider (see review). However, this time around I don’t think I have to do that because while this is by no means a masterpiece I think it is the first film to really crack that adaption puzzle or at least the one who has got the closest to it. With that in mind, today we are going to enter the realm of giant monsters crashing into buildings, and who doesn’t love a giant monsters crashing into buildings.
TL;DR – Logan Lucky is equal measures fascinating and boring, with a heavy dose of Sothern Americana on top.
Score – 2.5 out of 5 stars
I love heist films, indeed there are so many facets of them that I find really fascinating. I love the setup, the betrayals, oh and you better believe a love a good double and triple crosses, I love the prep work, the crime, the hustle and the con, and that point where everything inevitably goes wrong. I think it is safe to say that everyone has seen a heist film at some point, from both Ocean’s, Die Hard, The Thomas Crown Affair, if you haven’t the good folks over at CineFix have you covered. So I was really intrigued going in to see Logan Lucky, especially with a name like Steven Soderbergh at the helm, who has a long history of fantastic films in this genre. However as I walked out of the cinema, I was left feeling perplexed, confused and honestly, more than a little underwhelmed.