TL;DR – We dip our toes into what Melbourne has to offer a little more with round 2.
Disclosure – I paid for all products featured or mentioned here.
Right next to where I was staying was the beautiful Royal Botanic Gardens, so if there was ever a time to have a wander, a calm Saturday morning was the time. Unfortunately, that was also the same time as a Park Run, so there was much dodging.
Continue readingTL;DR – An interesting film that packs a bunch at the end but is a bit rough on our journey to get there.
Post-Credit Scene – There is no post-credit scene.
Disclosure – I was sent a screener of this film.
Warning – Contains scenes that may cause distress.
I think one of the reasons I like exploring post-apocalyptic settings is not for the disasters themselves but for the ability to show the best and worst in people. It is the great amplifier of humanity, and good stories focus on this. Today, we look at an entry into the growing genre of the environmental apocalypse, where we have destroyed the Earth and how we go on after that.
So to set the scene, in the not-too-distant future, climate change has wreaked havoc on the Earth’s ecosphere, damaging the atmosphere with pollutants and just generally making it unliveable. Where there is a need, some corporations will fill it, and U.R.S.A. Corporation develops Dome House, a technology to isolate your home from the dangers outside. For those inside the domes, life is safe but also a monotonous routine from one day to the next. But outside, life is barely habitable. It is here where the lives of Sidney (Madyn Rae), Micah (Prem Sagar Krishnan), and Harvey (Jordan Abbey-Young) come crashing together. All while the calm tones of URSA (Charlotte Best) walk them through every aspect of their lives.
TL;DR – A torrid and often shocking affair, but one you have trouble looking away from.
Post-Credit Scene – There is no post-credit scene.
Warning – Contains scenes that may cause distress.
Warning – Contains scenes with prolonged flashing lights.
Disclosure – I was invited to a press screening of this film
There can be a multitude of emotions that can wash over you when the end credits roll. Disbelief, boredom, shock, sadness, horror, resignation, frustration, and even anger. However, never in my time reviewing films have I ever had this particular set of emotions permeating through my mind. A combination of revelation, horror, shock, and sheer amazement. It is this film that we explore today.
So to set the scene, it is 2006, and Oliver Quick (Barry Keoghan) has made it into Oxford, but he didn’t have wealthy parents. He got in on a scholarship, which immediately set him apart from everyone else there. He longs to be part of the group, and being friends with local heartthrob Felix Catton (Jacob Elordi) is the best way to do it. It is a tumultuous relationship, but when Oliver’s dad dies and he has nowhere to go over the summer, Felix invites him back to his family’s estate, Saltburn. A place where wealth is in excess and lives can be changed.
TL;DR – In which I wax lyrical or ramble about the series The Leftovers and its exploration of faith and truth.
Warning – Contains scenes which may cause distress.
Disclosure – I paid for the Binge service that viewed this series.
Today, we will do something a little different than usual in that we will be less of a review and more of a retrospective on a series. Well, it’s not quite a retrospective, but more some musings that have been rumbling around in my head for months and that I better put down on paper somewhere so I can let them go rather than pondering on them all the time. With that in mind, we delve into the world of guilt, trauma, religion, faith, and crisis.
So to set the scene, three years before the start of the series on October 14th, 2011, two per cent of the world’s population vanished instantly. One hundred forty million people were gone in a moment of time, with no rhyme or reason as to why they were chosen. A child was screaming one second, gone the next. A family was eating breakfast one moment and gone the next. The person you were holding hands with during a science experiment, the person you were making love with, all gone. How do you move on after an event like this? Can you? Can society? Can the town of Mapleton and the Garvey family? Now from here, we will be looking at the whole series as a whole, so there will be [SPOILERS] ahead.
TL;DR – A fun time that gets held back by some wooden acting and forced storytelling.
Disclosure – I paid to watch this film.
Warning – Contains scenes that may cause distress.
I have been enjoying my time at the Brisbane International Film Festival, but as always, things must come to an end. But if you are going to pick a film to end it on, Taika Waititi’s romp about the American Samoa Football Team is an excellent place to do it. This is a sports story that is so infamous that even I have heard about it. With that in mind, let’s play some soccer and see how a team can come back from abject embarrassment.
So to set the scene, American Samoa has been at the bottom of FIFA’s rankings for an age and reached an even lower level in 2001 World Cup qualifiers when, during a game with Australia, they lost 31-0. Tavita (Oscar Kightley) tries to manage the club, but he has become a laughingstock in the soccer community. After some pushing from his wife, Ruth (Rachel House), he applies to the American Soccer Federation for a new coach. Well, this might be a Hail Mary, but at that moment, they have a coach who is about to get fired, and Thomas Rongen (Michael Fassbender) has only one option: take a plane into the middle of the Pacific Ocean.
TL;DR – It is an odd but compelling film where we dive into the mind of a professional killer when everything falls apart.
Post-Credit Scene – There is no post-credit scene.
Disclosure – I paid for the Netflix service that viewed this film.
A revenge film can be a challenging beast to pull off. Because if you don’t work on making the motivations land, then you just have a slasher flick. However, what if you had a cold, distant killer taking on interesting characters, and you can pull that off thematically? Well, that is the film that we are looking at today.
So to set the scene, it is a quiet morning in Paris as The Killer (Michael Fassbender) waits for The Target (Endre Hules) in a cold and gloomy room. He waxes philosophically as he sits there waiting. He has one job, to kill his target, and he does not care who it is as long as he is paid. But what happens when, at the last second, someone gets in the way of your target, and your whole reputation disappears instantly? How many redundancies did you really plan? Are they enough? And are you prepared for the coming storm?
TL;DR – They absolutely stick the landing in such a way that I might have a touch of hope that the MCU finally knows where it is going.
Disclosure – I paid for the Disney+ subscription that viewed this show.
Post-Credit Scene – There is no End Credit Scene.
We have reached the end of Loki’s second season, and I have to say that I am in a much better position with this show now than I was this time last season. The writers have condensed the width of the show, but by doing that, they have given it the depth it needed. But the question remains: can they stick the landing? And we will look at that and then the season as a whole in our review today. (Spoiler: the answer is yes)
So to set the scene, things are bad: the temporal loom has exploded, the TVA has been abandoned, and only Loki (Tom Hiddleston) and Sylvie (Sophia di Martino) can remember their time there. But in Science/Fiction, Loki discovered how to control his time-slipping. It is not about how, it is about who, it is the driver who is to protect his friends that is the driving push behind is control. Loki is no longer the God of Mischief, a loner messing with people for japes. But what has he become? Well, that is a fascinating question. We will be looking at the episode and the series as a whole from here, so there will be some [SPOILERS] ahead.
TL;DR – This is a clunky yet interesting start to NCIS Down Under.
Disclosure – I paid for the Paramount+ service that viewed this series.
Growing up in my era, it felt like everyone and their dog watched JAG and NCIS at the start. Since then, we have run to Los Angeles, New Orleans, and Hawai’i, but where will they go next? Australia? Well, as an Australian media reviewer with an international relations degree, and who taught Australian politics, it is a perfect time to see how they pull this off.
So to set the scene, at Fleet Base East, Woolloomooloo, the USS Navajo is standing by as a presentation about Operation Talisman Sabre is given. It symbolises unity between Australia and the United States of America. But when everyone is distracted by a protestor, they miss a sailor in distress before he falls into the ocean. It is a public relations disaster, so the AFP and NCIS are forced to team up for the optics, and it is time for Michelle Mackey, NCIS Special Agent-in-Charge (Olivia Swann) and Jim “JD” Dempsey, AFP (Todd Lasance), to play nice. We will be looking at the episode as a whole from here, so there will be some [SPOILERS] ahead.
TL;DR – We dip our toes into what Melbourne has to offer a little more with round 2.
Disclosure – I paid for all products featured or mentioned here.
Well, one good night’s sleep later, and it was a slightly more welcoming day that greeted me in the morning as I made my way down the Yarra River to the Convention Centre.
Continue readingTL;DR – This was just a fun delight from start to finish.
Post-Credit Scene – There is a mid-credit scene and an audio tag at the end.
Disclosure – I paid to watch this film.
We are in an interesting time for the MCU. The once dominant cultural force in the cinematic landscape is now starting to find itself on rocky footing. It has struggled to find its voice in the post-Endgame world, with only Guardians 3 shining in the mix. It is in this space we get a film that stars two characters that we only introduced in the Disney+ series, and that might be a tall order to pass.
So to set the scene, Kamala Khan (Iman Vellani) is enjoying spending time writing comics about her hero, Captain Marvel (Brie Larson), instead of doing her science homework, but little did she know that on a planet in space, Dar-Benn (Zawe Ashton) is digging up her other bangle. This fractures space-time, and as Captain Marvel and Captain Rambeau (Teyonah Parris) investigate just what happened, they all get zapped by the energy. This would be bad enough on any day, even less because now, whenever one uses their powers, they switch with each other.
Movie Reviews in one sentence (or you know like the whole thing, whatever floats your boat)
Dedicated to the support and promotion of Australian made films through independent news, reviews, features and interviews.
50,000 Monkeys at 50,000 Typewriters Can't Be Wrong
A Movie Blog for Movie Reviews, Trailers, and More
freelance film critic with an interest in multilingualism, feminist perspectives in cinema and crime dramas.
TL;DR Movie Reviews and Analysis 