Tag Archives: Andrew Barth Feldman

Disney’s Snow White (2025) – Movie Review

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TL;DR – While it is not the disaster that everyone fears, you can still see the narrative decisions that held it back from being quite remarkable.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

Snow White.

Snow White Review –

Now, I have not been the biggest fan of the current batch of Disney films that turn their classic animated works into live-action works, or if you are The Lion King ‘live-action’. They tend to struggle because they have a hard time finding a new voice when they are anchored to the past. Well, today, we go all the way back to the first-ever animated feature to see if it follows a similar fate.

So, to set the scene, in a kingdom of complete happiness, singing, and lots of apple pie, one snowy day, a princess was born. She was a delight for the whole kingdom and the King’s (Hadley Fraser) and Queen’s (Lorena Andrea) pride and joy. But when the queen unfortunately dies, and the king remarries a sorcerous, the Evil Queen (Gal Gadot), things start to change. Even more so when the King is sent away to the southern kingdom and never returns. Now Snow White (Rachel Zegler) is a servant, and the kingdom has fallen into darkness. Until one day the Evil Queen visits her Magic Mirror (Patrick Page) and discovers that she might not be the fairest one of all.

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Saturday Night – Movie Review

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TL;DR – A movie that embraces the chaos of its subject matter with such reverence it ends up hurting the final product.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

30 Rock.

Saturday Night Review –

Today, we are looking at a bit of an odd duck of a film. One that swings wildly, stampeding through the chaos of its subject material with the gusto of a rhino in full tilt. However, that approach is going to be a boon or a detriment for you, depending on how you are approaching this film. For me, I am not someone who religiously tunes into Saturday Night Live. Sure, occasionally, a sketch from the show will bubble into the subconscious like Natalie Portman, Undercover Boss, or the recent Mother. Also, the most impacting sketch for me and my comedy journey came almost wholly disconnected from the show. So, you always know it is there, and its legacy in the movies that have and have not worked and the comics it has brought to the forefront. It is within that framework we look at the film today.

So, to set the scene, it is October 11, 1975, and Lorne Michaels (Gabriel LaBelle) is out in front of 30 Rockefeller Plaza trying to get an audience to see his show with an NBC Page (Finn Wolfhard). That is because it is 90 minutes before his first show goes to air, and nothing is going right. The studio is having less and less faith in his vision, the cast is in chaos, the crew is in a state of revolution, oh, is that a fire, and why is there a llama? There are only 90 minutes to pull this all together, but that is going to be hard when there is not even a runtime yet.

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No Hard Feelings – Movie Review

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TL;DR – While I appreciate that it is trying to have something to say about class relations and Jennifer Lawrence’s physical comedy chops, the narrative just didn’t land for me.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Jennifer Lawrence

No Hard Feelings Review –

Comedy films directed only at adults can be a bit of a mixed bag. On the one hand, they can go to extremes that you just can’t do in more family fair. However, it can just be an excuse to hit below the most common denominator. If you will be crass, you need to be at least thoughtful about it. Today we are looking at a film that is at least trying the latter.

So to set the scene, Maddie Barker (Jennifer Lawrence) is an Uber driver and waitress in the summer holiday town of Montauk, New York. While she lives in the house bought by her mother, she can’t afford the property tax that has dramatically excecated as all the rich people from New York come to buy summer homes. After having her car towed, her primary source of income, she is lost with what to do until she sees an ad in the paper. Laird (Matthew Broderick) and Allison Becker (Laura Benanti) are concerned about their son Percy (Andrew Barth Feldman), who is primarily a recluse. Percy is going to Princeton next year, and they fear he will not survive. So, they are paying Maddie with a car to “Date” their son and get him out of his shell.

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