Ever After: A Cinderella Story is the best Cinderella (1998) – Exploring the Past

TL;DR – A joy to watch from start to finish. 

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Ever After: A Cinderella Story. Image Credit: 20th Century Studios.

Ever After Review

There are a lot of films that landing when you were growing up, that no matter what, will always charm and excite. For a child of the 1990s, it is those films like 10 Things I Hate About You that hit you in your core no matter how many times you have watched them. Well, today we get to look at one of those films that does it better than many others, which can take you back in time with a single first trumpet swell.

So to set the scene, we open in the 19th century, when the Grande Dame (Jeanne Moreau) invited The Brother’s Grim to her bedside. She loves their collection of folk tales … well all that is bar one, The Little Cinder Girl. Noticing a painting on the wall, one of the brothers asks about its providence, which lets the Grande Dame tell the story of her great-great-grandmother Danielle de Barbarac (Drew Barrymore). As a young girl Danielle (Anna Maguire) lived in a grand manor house her father Auguste (Jeroen Krabbé). One day in his travels he brings home a new wife the Baroness Rodmilla de Ghent (Anjelica Huston) and her two daughters. It is another happy time, until when leaving on a trip to Avignon, Auguste has a heart attack at the gates of the property, leaving Danielle very much alone. 

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Movie Review – John Wick: Chapter 3 – Parabellum (John Wick: Chapter 3, John Wick: Parabellum, John Wick 3)

TL;DR – It takes everything that worked in the last two films and took it up to 11 

 Score – 5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

John Wick: Chapter 3 – Parabellum. Image Credit: Lionsgate.

Review

One of the first reviews we ever wrote back in the day was for the first John Wick film and since then we have really had a love affair in this world of under the table dealings, societies in this world but out of this world, visual storytelling, and neon rock operas. This is a world that is told in part by creative directing, interesting stories, and also the sheer determined strength of character that is Keanu Reeves and everyone in the whole cast and crew that make the character of John Wick shine. Today we get to look at the third film in the series that has John at his lowest and discovering there are more places to fall.

So to set the scene, at the end of John Wick Chapter 2, John found himself in a very precarious position. Someone had Marker on John (Keanu Reeves) forcing him to do his bidding (killing his sister) and then turned on John putting a contract out on his life for the before mentioned killing of his sister. After fighting his way through New York he arrived back at The Continental Hotel and though warned by the Manager Winston (Ian McShane) John killed the man on hotel grounds one of the few unbreakable rules in their universe. Winston gives John one hour of life before he is excommunicated from the organisation and this is where we open. John is running through the streets of New York as the skies bucket down because the Gods are at war. He is trying to get to the New York Public Library but as one of the Bowery King’s (Laurence Fishburne) henchmen calls out tick tock, tick tock John.

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Movie Review – Isle of Dogs

TL;DR – There are some aspects, like the animation which are superb, but also some things like some of the story aspects that leave you wondering why did they make that choice.

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Isle of Dogs

Review

Hmmm, this is a difficult film to review because as much as it is unique work of art celebrating a form of animation that you don’t see much these days. It is also a deeply problematic story with regards to some aspects of its narrative and characterisation, and as such, it is hard to rectify these two halves. Well, it might be difficult, but then that is what we are here to do today so it is time to rise to the occasion and dive into the world of dogs.

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