Tag Archives: Asteroid City

Awards – My Top 20 Films of 2023

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So far, in our awards, we have looked at Action, Animation, Best of Australia & New Zealand, Cinematography, Costumes, Emotion, Fun, Music, Tension, and Worldbuilding.

However, in this last entry into our Best of 2023 awards, we crown our Best Film of 2023.

All films are subjective, so our list might look completely different from yours. Of the 121 films we reviewed last year, 113 had their Australian Theatrical/Streaming Release in 2023. This is the list we draw our entries from, and you can see the complete list of movies HERE.

Much like last year’s list, we have had many staggered releases towards the end of the year in Australia. So we may have films here that were released in 2022 for you but 2023 for us, and there may be some omissions here because we won’t get those films until later in 2024, which is why you won’t see The Holdovers on this list (it will be on the 2024 list)

Highly Commended – Asteroid City, Crater, John Wick: Chapter 4, M3GAN, Nimona, Sweet As & They Cloned Tyrone

Okay, with that out of the way, let’s dive into the first entry in our list of Best Films of 2023.

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Worldbuilding that Astounded Us in 2023

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One of the benefits of film is that it is a visual medium, which means that it can do in a frame what it might take a book several pages of description to pull off. We see this the most in its ability to build worlds in front of our eyes.

These worlds could be great space operas exploring galaxies, a small period piece that looks back in time, or anything. But when every part of the film is used to tell a story, you know it is good.   

Our Highly Commended in 2023 are Guardians of the Galaxy Vol. 3, Oppenheimer, Tetris & They Cloned Tyrone
Our Best TV Worldbuilding in 2023 are Ahsoka: Season 1, Jury Duty: Season 1, Lockwood & Co.: Season 1, Pokémon Concierge: Season 1 & Silo: Season 1

So, without further ado, these films showed excellence in Worldbuilding 2023. Be warned that there may be slight spoilers for the movies in question.

And the Nominees are –

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The Costumes of 2023 That Made Us Say ‘Hot Damn’

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You can use many techniques to help build your world, ground your setting, or give dimensions to your characters. You can use music and create elaborate sets, but one of the best ways is through the costumes you make.

People instantly judge a character within moments on the screen, and the outfits are essential to that first impression. More than this, you can also use costumes as a way of storytelling. What do they say about this world? What do they say about how a character is progressing? 

Costumes can build worlds and tell us details we can only see, but also they can make us say, ‘Hot Damn’, look at that beading on that dress. That must have taken hours to do!

Our Highly Commended in 2023 are The Creator, Guardians of the Galaxy Vol. 3, Oppenheimer, Red, White & Brass & Women Talking

Our Best TV Costumes in 2023 are Ahsoka: Season 1, Foundation: Season 2, Loki: Season 2,  Shadow and Bone: Season 2 & Star Trek: Strange New Worlds: Season 2

So without further ado, these costumes made us say ‘hot damn’ in 2023. Be warned that there may be slight spoilers for the films in question.


The Nominees Are –

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Asteroid City – Movie Review

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TL;DR – The framing device does not work, but that is not a significant issue, as it is still an entertaining romp even without it.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Mechanics.

Asteroid City Review –

Wes Anderson is one of those filmmakers with entirely his own style and can delight or confuse. Before I see one of his films, I am always wondering which way the pendulum will swing for me, and I think this is one of his works that will hit people differently. As I have heard people gushing over it and others bringing a more meh response. But it is finally time for the film in Australia, and it is time for us to check it out.

So to set the scene, we are introduced to a Host (Bryan Cranston) that introduces us to an anthology TV series that is showing the story behind the stage play Asteroid City by noted playwright Conrad Earp (Edward Norton), which is then presented to us as the movie proper. In a small out of the way town of Asteroid City in the middle of the American desert, there is a crater, an inn, a research centre, and an unfinished overpass. Augie Steenbeck (Jason Schwartzman), a noted war photojournalist, has arrived officially because his son Woodrow (Jake Ryan)  is a Junior Stargazer. Still, unofficially because their mother is dead, and he is about to dump his kids on their grandfather Stanley (Tom Hanks). But things change when he meets Midge Campbell (Scarlett Johansson), and oh, the world changes.  

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