TL;DR – An incredible violent romp through the suburbs after the Russian mob picked the wrong man to come after.
Rating: 4 out of 5.
Post-Credit Scene – There is a mid-credit scene.
Disclosure – I was sent a screener of this film.
Nobody Review –
When John Wick first blasted onto the scene, it was this dramatic shift in how action movies could be presented. Instead of a disjointed mess, there was flow. Instead of shying away from the realities, you saw it all up close and personal. Many films have tried to copy that style with mixed success, but today we look at a movie that nails it, and all it took was the same writer and producer to make it happen.
So to set the scene, the film opens with Hutch Mansell (Bob Odenkirk), a man who goes through the same dull routine each week (which makes it surprising that he can’t remember to put out the rubbish). There is a growing distance between him and his wife Becca (Connie Nielsen) that is exacerbated when the house is robbed, and Hutch lets his son Blake (Gage Munroe) get punched rather than take someone out with a golf club. But while the world sees Hutch as mild-mannered, or more clearly a wimp, he is actually a former CIA wet work expert known as an Auditor, which local Russian Mafia boss Yulian Kuznetsov (Aleksei Serebryakov) discovers the hard way when he comes after Hutch and his family.
TL;DR – This is a fun ride back into the world of 60s spy film and superheroes, the story does not always work but the animation and setting more than make up for it.
Score – 4 out of 5 stars
Post-Credit Scene – There is no post credit scene
Content Warning – There are a couple of sequences that could be dangerous for people that suffer from epilepsy.
Back all the way in 2004 Pixar was in its golden era where each film released by the studio was better than the last and in that moment we got The Incredibles. It was a fun romp through the world of superheroes four years before the Marvel Cinematic Universe launched the flood of superhero film into the world. The original was this fun mix of a 60s spy film with the trappings of a modern superhero film and to this day stands as the closest we will get to a decent Fantastic Four film on the big screen. Now I quite liked the first film, but it wasn’t the huge cultural touchstone for me like it was for a lot of people. So when I heard they were finally doing a sequel to it I was less in an ‘it’s about time’ frame of mind but more ‘hmm that might be a bit of fun’ and overall I do think it was all a bit of fun.
TL;DR – A wonderfully filmed, brilliantly acted look at what was one of the most controversial periods in United States’ history. While it is interesting it does take a bit to get going.
Score – 4 out of 5 stars
Post-Credit Scene – No
I don’t think a film in recent history has had an easier sell as The Post, a film directed by Steven Spielberg, starring Meryl Streep & Tom Hanks, scored by John Williams, and based on one of the most controversial periods in United States’ history. Indeed, this is a kind of line up that you don’t see happen very often, and it is truly amazing to see it all come together. That being said there are some structural issues that do hold it back, and it does have a very clear message, and it is subtle about it which might work for you or not.