TL;DR – A delightful film about the tension between dreams and reality and how they don’t always add up
Score – 3.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
One of the things that is becoming rarer
and rarer these days is going into a film without any idea what to expect. Well, today I got to experience one of those
rare moments as I turned on Netflix and stepped into a world of glitter and
paint and every colour in the rainbow with no idea what I was getting myself
So to set the scene, we open with a montage of Kit (Brie Larson) growing up,
discovering her life, discovering her joy for art, only to have it come crashing down when she fails out of Art College and has to go back to live with her
mother Gladys (Joan Cusack) and her dad Gene (Bradley Whitford). This of course
sets of a period of depression as Kit fails to find purpose in her life, while
her parents try to help, like introducing
her to Kevin (Karan Soni), but it is not very successful. In frustration, she joins a temp agency where she
placed in an advertising firm, a place where creativity goes to die. When one
day she gets a letter to come visit The
Store and she finds The Salesman (Samuel
L. Jackson) waiting because he has the
one thing she has always wanted a Unicorn.
TL;DR – This is a film filled with wonderful characters, fantastic action, and some of the best banter in the Marvel Cinematic Universe.
Score – 4.5 out of 5 stars
Post-Credit Scene – There is a mid and post-credit scene
It feels like it has been an eternity since Thanos snapped his fingers and
destroyed the world in Infinity
War. Since then we have been wondering wanting to know what happened,
however, in the closing seconds of the film Fury (Samuel L. Jackson) pulled out
a pager and sent out a signal calling
someone to help. Well, today we get to
see just who had that pager, and just who is behind the red and blue.
So to set the scene, we open with Vers (Brie Larson) asleep on the Kree homeworld. She rarely has a restful night’s
sleep because her dreams are punctuated with wars she cannot remember. Well, there is one way to get over a lack of
sleep and that is to wake up your commanding officer Yon-Rogg (Jude Law) and
have a good old-fashioned sparing session. Well as old fashioned as one can be
when you are on an alien planet, have no memories from before six years ago,
and oh you can shoot fire out of your hands. The
Kree are fighting a losing war against the Skrull, a race that can mimic anyone
down to their DNA, who infiltrate worlds and work their way up until they can
take them over from the inside out. After training,
she is finally brought to the Supreme Intelligence (Annette Bening) the AI that
runs the Kree Empire and given her first mission. With the rest of the
Starforce including Yon-Rogg, Korath (Djimon Hounsou) and Minn-Erva (Gemma Chan) they are to infiltrate a
planet that has just fallen to the Skrulls to extract an undercover agent as
Ronan (Lee Pace) provides cover fire with an orbital bombardment. Well, that’s the plan but plans rarely quite work out as nicely as we would like.
TL;DR – Today we countdown my Top 10 films of all time; from towns where there are a lot of ‘accidents’, to all forms of Sci-Fi, to do you know the man with six fingers on his right hand, and everything in between.
Recently I watched the CineFix crew countdown their Top 10 films, and it had me thinking what are mine? Now it was at this point where I of course naturally spiralled as how can you reduce thousands of films that you have seen into only a Top 10. Just before I threw my hands up in resignation and chucked in the towel I happened to catch an episode of Movies with Mikey on how he determined the best sequel. With this in mind I wondered if there was a set of criteria that I could use to categorise the films into a list that I would be happy with, and after some work, I came up with the following criteria that work for me.
Films that are beautifully constructed
Films that mean something to me
Films that are always re-watchable
Films that have added to my love of the craft of cinema
With this criterion in mind I went through all the likely candidates and with a bit of a struggle I think I have been able to come to a final list, well at least until I change my mind next week, which is always a chance.
TL;DR – This is a fun ride back into the world of 60s spy film and superheroes, the story does not always work but the animation and setting more than make up for it.
Score – 4 out of 5 stars
Post-Credit Scene – There is no post credit scene
Content Warning – There are a couple of sequences that could be dangerous for people that suffer from epilepsy.
Back all the way in 2004 Pixar was in its golden era where each film released by the studio was better than the last and in that moment we got The Incredibles. It was a fun romp through the world of superheroes four years before the Marvel Cinematic Universe launched the flood of superhero film into the world. The original was this fun mix of a 60s spy film with the trappings of a modern superhero film and to this day stands as the closest we will get to a decent Fantastic Four film on the big screen. Now I quite liked the first film, but it wasn’t the huge cultural touchstone for me like it was for a lot of people. So when I heard they were finally doing a sequel to it I was less in an ‘it’s about time’ frame of mind but more ‘hmm that might be a bit of fun’ and overall I do think it was all a bit of fun.
TL;DR – Infinity War brings everyone together and then tares them apart leaving you with a foreboding as to what will happen next, but also an excitement as they try to work it all out.
Score – 4 out of 5 stars (this is a tentative score, it might change after Part 2)
Post-Credit Scene – There is an end credit scene
It should be no surprise that I have been eagerly awaiting the new Avengers film. In preparation not only did I map out the Marvel Cinematic Universe (see here) but I also ranked every film released in the build-up (see here). However, if I am to be perfectly honest, part of this stemmed from a nervousness, could they stick the landing, could they create a story that would give justice to all the desperate characters they were involved, could they actually bring on Thanos? Well as you can probably tell I have seen the film now, so I can now answer those questions … sort of. Now a quick note today, there will be [SPOILERS] for several of the recently released Marvel films including Thor: Ragnarok (see review) and Black Panther (see review). As well as this, I will try to avoid most of the major spoilers until a paragraph at the end when we discuss the ending, but because of how quick the film moves this is just a general [SPOILER] warning if you have not seen the film yet.
TL;DR – A good case study on why it is so important to get your casting right
Score – 3.5 out of 5 stars
P.S. – There is an end credit thingy
Making a film is a very difficult process, at every point, there are decisions that you need to make, some of which can make or break your film, and you might not even know what the outcome is until the film is released. Should you rewrite your dark realistic film to be a comedy week’s out from shooting, it’s a big risk, but it is one that I think made The Hitman’s Bodyguard a better film, or at least a film that suited its cast much better. Though before we go on, while I kind of liked it, you need to know it is a type of film that I’m pretty sure the f@#$ counter is in triple digits, and you probably know just from that if this is a movie for you.
TL;DR – Fantastic action, amazing visuals, interesting characters, and the best rendition of King Kong in a long while, this is a must watch film
Score – 4 out of 5 stars
P.S. There is a post-credits scene
The more and more we heard about Kong: Skull Island, the more I had a feeling that Kong was either going to be a masterpiece or a heaping pile of trash, I just could not see a middle ground happening. Well, I was right, Kong: Skull Island is not a mediocre film at all, and thankfully it is not a pile of trash either, instead it is an epic film that makes the most of the characters whilst setting it away from the traditional narrative. The effects alone make it a film you have to see, but it is so much more than just a technically brilliant film, it has a strong narrative, characters you relate to, and one of the more interesting island set ups I have seen since I read Dinotopia, quick aside, can we actually get that Dinotopia film now please and thank-you. Ok so let’s go break down why I think you should go see Kong: Skull Island.