Tag Archives: Carry-On

My Top 20 Films of 2024

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So far, in our awards, we have looked at Action, Cinematography, Costumes, Emotion, Fun, Music, Tension, Worldbuilding, Best Animation, Best of Australia & New Zealand & Best TV of 2024

However, in this last entry into our Best of 2024 awards, we crown our Best Film of 2024.

All films are subjective, so our list might look completely different from yours. Of the 116 films we reviewed last year, 110 had their Australian Theatrical/Streaming Release in 2024. This is the list from which we draw our entries, and you can see the complete list of movies HERE.

Much like last year’s list, we have had many staggered releases towards the end of the year in Australia. So we may have films here that were released in 2023 for you but 2024 for us, and there may be some omissions here because we won’t get those films until later in 2025.

Highly Commended – The Beekeeper, Beverly Hills Cop: Axel F, Deadpool & Wolverine, The Fall Guy, How to Make Gravy, Inside Out 2, The King of the Indies, The Kitchen, Rebel Ridge, The Rooster,  Transformers One, Turtles All the Way Down, Twisters & Wicked   

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Tension That Kept You On The Edge Of Your Seat In 2024!

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Well, we have looked at Action, then Emotion and swung wildly across the spectrum to Fun, and now we are completing that trifecta by looking at Tension. Tension is one of the most challenging facets of filmmaking because it requires the script, direction, acting, and editing to all work in tandem to evoke the perfect pace. If just one part of that group misses, then an essential part of the film falls apart.

In 2024, we continued to see some excellent use of tension to build mystery, to be the harbinger of the coming dread, or even to tick the clock of inevitability.   

Our Highly Commended Films in 2024 are: Abigail, Force of Nature, Kill, The Moogai & Turtles All the Way Down
Our Highly Commended TV in 2024 are: Black Doves, The Diplomat, Dune Prophecy & The Lord of the Rings

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Carry-On Film Review: Tension and Action Combined

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TL;DR – This is a film that didn’t need to go as hard as it did, and I am glad that they went there.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Security in an airport.

Carry-On Review –

Many films just cost on their generic action beats or their main cast and give you a substandard product. Add enough charismatic smiles, and it feels like you can get away with anything. When I came into this film, I honestly thought this was what I was going to get, and I am glad to say that I was wrong.

So, to set the scene, Christmas is upon us, and millions of people are making the trip home to see their families. Ethan Kopek (Taron Egerton) and his girlfriend Nora Parisi (Sofia Carson) both work at LAX, and Christmas Eve is the worst day for travellers. But as Ethan tries to step up in his job for the TSA thanks to his wife’s pending pregnancy. Little does he know that someone is coming through with a package that will change his life. All he has to do is ignore one package, just one package, and his girlfriend lives. Surely, that can’t be that hard.   

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