Rebel Moon – Part Two: The Scargiver – Movie Review

TL;DR – It is a visually impressive film that is narratively shallow, even though everyone is trying their best.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Jimmy

Rebel Moon – Part Two: The Scargiver Review

I had an odd sensation as I sat down to watch this sequel, in that even though I had only watched the first film back in December, for my life, I could not remember anything that happened. It had evaporated into the ether, bar was Anthony Hopkins a robot? This meant I desperately needed that what happened last time the introduction that started the proceedings. But it did not fill me with confidence as I sat down to watch the follow-up.

So to set the scene, at the end of Rebel Moon, the plucky rebels had found and won a massive victory against The Motherworld. Kora (Sofia Boutella) and her group was able to return home to Veldt after killing Atticus Noble (Ed Skrein). But you see, you can never count The Motherland and its technology out. Because Noble is still alive, and now he has a more than personal reason to burn Veldt to the ground and the village has only five days to prepare.

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Rebel Moon – Part One: A Child of Fire – Movie Review

TL;DR – Moments of interest in the middle of a sea of mess.

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Gas Giant.

Rebel Moon – Part One: A Child of Fire Review

Before we begin our best of 2023 list, there are a handful of movies that I want to catch up on, one of them being this new Science Fiction magnum opus from Zack Snyder. Snyder has always been at least an interesting director because he has a clear visual style, and that has worked for him in the past. The question is if this will work for him today?

So to set the scene, there is a large empire that spans across space, reaching out and conquering all they could find from the Motherworld. That is until assassins kill the King (Cary Elwes) and Queen (Rhian Rees) in a coup d’etat. There is a power vacuum filled by a Regent (Fra Fee) who sent his ships out to the edge of his domain to make sure no plant picks this moment to rebel against them. On the backwater moon of Veldt, things are proceeding as they always do until the ship commanded by Atticus Noble (Ed Skrein) appears in orbit over their settlement. While some in the town see an opportunity, Kora (Sofia Boutella) knows the reality: they are here to take, and take, and take.

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Movie Review – TAU

TL;DR TAU is one of those films where there is an interesting core of an idea here, but then really the movie spends almost all of its time not exploring it.

Score – 2 out of 5 stars

Post-Credit Scene – There is no Post-Credit Scene

TAU. Image Credit: Netflix

Review

Watching a good film can be joyful, watching a bad film can at least be interesting, but watching a film that clearly had potential only to not deliver on it … well, that can be torturous. This week we look at TAU a film that unfortunately falls into the latter category. It is a film that is trying to take the AI computer genre in a different direction but unfortunately falls into just being a pastiche of other films, and not even a very good version of that.

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Movie Review – Deadpool

TL;DR – Is it as good as its marketing campaign, no, that was pure genius, but it is still pretty darn good and a fun film to watch, though so so so so so not for kids.

Score – 4 out of 5 stars

P.S. yes there is something after the credits

Deadpool. Image Credit: 20th Century Fox.

Review

This is a really interesting film for a number of reasons, firstly most (if not all) comic book movies stick hard and fast to the American PG-13 rating, it’s safe and opens it up to a wider audience, instead, Deadpool went for its American R rating with gusto. It’s also a film that has to fit in the X-Men universe, but then it also has to stay true to the source which has a unique style that destroys the 4th wall at times. It has Ryan Reynolds as its lead, and unfortunately he doesn’t have many more chances left to be a headliner (after The Green Lantern, which to be fair was not his fault), it is also a film that has been in development hell since the early 2000s, taking a ‘leaked’ proof of concept trailer for people to greenlight the film. So here we are after a simply brilliant advertising campaign, what kind of film do we have? A pretty good one, but also a very adult film, I mean a very adult film, like seriously the whole 9 yards, like how did they get away with that, adult film.

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