Movie Review – TAU

TL;DR TAU is one of those films where there is an interesting core of an idea here, but then really the movie spends almost all of its time not exploring it.

Score – 2 out of 5 stars

Post-Credit Scene – There is no Post-Credit Scene

 

TAU. Image Credit: Netflix

 

Review

Watching a good film can be joyful, watching a bad film can at least be interesting, but watching a film that clearly had potential only to not deliver on it … well, that can be torturous. This week we look at TAU a film that unfortunately falls into the latter category. It is a film that is trying to take the AI computer genre in a different direction but unfortunately falls into just being a pastiche of other films, and not even a very good version of that.

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Movie Review – Darkest Hour

TL;DR – A beautifully realised look at the world of British politics on the onset of WW2, but it loses some of its impact with an unclear portrayal of its central protagonist.

Score – 3.5 out of 5 stars

Post-Credit Scene – No

Darkest Hour Banner

Review

Well, today we are looking at our third Dunkirk related film in the last year. Dunkirk (see review) looked at the retreat on the ground, sea, and air, Their Finest (see review) looked at how Britain used the retreat to mobilise the populace, and now Darkest Hour looks at the politics behind it all. Today we are exploring the rise of Winston Churchill from being an outsider of the political spectrum to a wartime ruler facing the might of Hitler and his European blitzkrieg. So in today’s review, we are going to look at the acting and how it captured that moment in time.
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Movie Review – The Hitman’s Bodyguard

TL;DR – A good case study on why it is so important to get your casting right

Score – 3.5 out of 5 stars

P.S. – There is an end credit thingy

The Hitman's Bodyguard

Review

Making a film is a very difficult process, at every point, there are decisions that you need to make, some of which can make or break your film, and you might not even know what the outcome is until the film is released. Should you rewrite your dark realistic film to be a comedy week’s out from shooting, it’s a big risk, but it is one that I think made The Hitman’s Bodyguard a better film, or at least a film that suited its cast much better. Though before we go on, while I kind of liked it, you need to know it is a type of film that I’m pretty sure the f@#$ counter is in triple digits, and you probably know just from that if this is a movie for you.
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