TL;DR – Takes everything that worked in the first film turns it up to 11 and then gives it real emotional stakes.
Score – 4.5 out of 5 stars
Post-Credit Scene – there are two mid-credit scenes
Back in 2016, there was this little film that could that exploded out into the zeitgeist of the film world. The first Deadpool (see review) was a passion project for all involved because it took years to get it greenlit, indeed, it took test footage being leaked to finally convince the studio to start it, and even then they cut the budget drastically before shooting because they had fears about what an American R-rated film would make at the box office. Well as we know it make bank at the box office and now we get to see the fruits of that decision with Deadpool 2, well also it probably helped convince 20th Century Fox to finally let them do Logan (see review) as they really wanted, so thanks for that too. So today we are going to look at the follow up to the merc with the mouth, can they capture that same feeling that exploded out on screen both literally and metaphorically, well let’s dive in and see.
TL;DR – This film is so thirsty for you money with that nostalgia dollar, but like most mirages, there is not an oasis at the end, just a barren wasteland
Score – 2.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Well, um, well, that was very much a film, and it is a film that both fascinating to watch, yet also deeply hollow. It was honestly weird to see a film with so many contradictions, made by one of the best filmmakers of our time. However, it feels in many ways like a lot of the throwaway faff that we see on screen all the time, completely without substance. So just a quick aside, with today’s review I can’t really comment on how well this is an adaption of the source material because I have never read it. As well as that, unfortunately, this does mean that I can’t tell you if this movie does not work because of the directions that they took in the adaptation, or because the source material just gave them not much to work with. With that in mind, let’s take a look at a film that launched a thousand top 10 lists.
TL;DR – This is the same kind of movie as every R-rated comedy of the last couple of years, but thankfully with a bit more substance than usual
Score – 2.5 out of 5 stars
So as we race to the end of the year, and in the lull before Star Wars destroys the box office, in its wake, we have Trolls and Office Christmas Party fighting it out to see who will get that dollar, dollar bill. Since I don’t have children I don’t have to be subjected to that Trolls nonsense (truly you guys are the MVPs) which I was over about the same time JT was performing at Eurovision, so instead this week we have Office Christmas Party. OCP is another in a long line of R-rated comedies that have sprung up in the aftermath of Hangover and Bridesmaids, and has many similarities with other films that we have looked at this year like Mike and Dave Need Wedding Dates, Bad Neighbours 2, Grimsby, and Dirty Grandpa, indeed it fits into the same category as The Night Before which was last year’s R-rated Christmas comedy, and more so it seems to be taking a lot of queues from Unfinished Business with its plot, but somehow OCP makes it work when most of these other films were a mess.
TL;DR – Is it as good as its marketing campaign, no, that was pure genius, but it is still pretty darn good and a fun film to watch, though so so so so so not for kids.
Score – 4 out of 5 stars
P.S. yes there is something after the credits
This is a really interesting film for a number of reasons, firstly most (if not all) comic book movies stick hard and fast to the American PG-13 rating, it’s safe and opens it up to a wider audience, instead, Deadpool went for its American R rating with gusto. It’s also a film that has to fit in the X-Men universe, but then it also has to stay true to the source which has a unique style that destroys the 4th wall at times. It has Ryan Reynolds as its lead, and unfortunately he doesn’t have many more chances left to be a headliner (after The Green Lantern, which to be fair was not his fault), it is also a film that has been in development hell since the early 2000s, taking a ‘leaked’ proof of concept trailer for people to greenlight the film. So here we are after a simply brilliant advertising campaign, what kind of film do we have? A pretty good one, but also a very adult film, I mean a very adult film, like seriously the whole 9 yards, like how did they get away with that, adult film.