28 Years Later – Movie Review

TL;DR – A wildly fascinating film, filled with interesting creative choices. I am not sure that makes it a great movie, but it does make it a wildly engaging one.

Rating: 4 out of 5.

Post-Credit Scene – There are snippets during the credits.

Disclosure – I paid to see this film.

Warning – Contains scenes that may cause distress.

Warning – Contains flashing lights.

Blood splattered across a television playing Teletubbies.

28 Years Later Review

In the last year or so, we have been inundated with sequels to old films with a significant gap since the previous movie. Think Beetlejuice Beetlejuice or Gladiator II. Well, today we are dipping into the Zombie genre with a sequel that is just as long, but probably works from an alliteration perspective [as long as we ignore months, and let’s be honest, who hasn’t done that at one point]

So, to set the scene, we open in the throughs of the first rage virus outbreak as carnage spreads across the Scottish Highlands. 28 Years Later, the rage virus has been stopped in Europe and now the British Iles are quarantined. No one can leave once they touch the ground. Settlements are few and far between, but on an island off the British coast, a community has survived on Holy Island. Where only a tidal causeway connects with the mainland. Spike (Alfie Williams) lives on the island with his mother Isla (Jodie Comer) who is profoundly sick, and Jamie (Aaron Taylor-Johnson) his father. Jamie desperately wants to take Spike out on his first killing trip, more than a few years before the town would like them to. But as they explore a fallen world they come across something they are not ready for, an Alpha (Chris Gregory/ Chi Lewis-Parry).

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The Brutalist – Movie Review

TL;DR – Elegant, stunning, and powerful, it is a film that will stay with me for a long time even though I don’t think I will ever watch it again.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

An upside-down Statue of Liberty.
An upside-down Statue of Liberty.

The Brutalist Review

Today, we look at a film that absolutely captivated me from start to finish, and given that it is three and a half hours long, that is a lot of runtime to have to keep you engaged. However, I think you might see how each and every step captivates, even when the film can be deeply uncomfortable.  

So, to set the scene, László Tóth (Adrien Brody) is a Hungarian Jew who was separated from everyone he loves during World War Two. Escaping Europe by himself, he manages to make it to America and go live with and work for his cousin Attila (Alessandro Nivola) in Philadelphia. Things are tense in the closed environment. However, a chance encounter with Harry Lee Van Buren (Joe Alwyn) puts him into the orbit of the powerful, industrious Harrison Lee Van Buren (Guy Pearce), someone who might just let László create his brutalist masterpiece.

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A Haunting in Venice – Movie Review

TL;DR – The stronger of the three so far that explores faith, mystery, and, of course, murder.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

skellington

A Haunting in Venice Review

I love a good murder mystery film, and when you want a good murder mystery, you can’t go past the Queen of Murder Mysteries, Agatha Christie. She has a way with words that have made it through the ages, and the latest interpretation of her work on the big screen has been helmed by Kenneth Branagh with their Murder on the Orient Express in 2017 and Death on the Nile in 2022. Today, we get the third instalment in the series, and what, spoiler alert, is my favourite of the three.

So to set the scene, it is now 1947, and it has been ten years and one world war since we last saw Hercule Poirot (Kenneth Branagh) on the Nile. After a lifetime of investigations, Poirot has taken to seclusion and retirement in a house in Venice with only his bodyguard Vitale Portfoglio (Riccardo Scamarcio) and the daily pastries boat making their way past his door. It is a life of quiet solitude that is punctured when an old friend/acquaintance/annoyance, Ariadne Oliver (Tina Fey), arrives at his door with a conundrum. There is a medium, Joyce Reynolds (Michelle Yeoh), going around claiming that she can talk with the dead, and no matter what Oliver can do, she can’t work out Joyce’s tricks. Joyce is doing a séance for local celebrity Rowena Drake (Kelly Reilly) to speak with her recently lost daughter Alicia (Rowan Robinson) as it is Hallowe’en. All Poirot has to do is work out her tricks, and surely there won’t be any other deaths …

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