TL;DR – The action in the third act is some of the best monster action I have ever seen, however, the story is so incredibly dull that it is a slog to get to it.
Score – 3 out of 5 stars
Post-Credit Scene – There is some mid-credit important information and a post-credit scene
It is odd to see a film that has two such disparate parts that are almost in conflict with each other. Where one part of a film is so amazing that you feel it could be a game changer for the industry. However, there is another part of the film that works so poorly that you wonder how it made it off the drawing board. This is something that actually makes reviewing this film quite difficult because you have to ask how much you should let the story side just because the visuals were so good. Well, today we will try an unpack this all, as we explore Godzilla: King of the Monsters.
So to set the scene, we open the film on the attack in San Francisco in the first Godzilla as we see Dr Mark Russell (Kyle Chandler) and Dr Emma Russell (Vera Farmiga) desperately look for their son amount the rubble of their house. In the years that passed since it is clear that the tragedy irreparably damaged their relationship as Mark is now charting wolves in Colorado and Emma is working for Monarch in China with her daughter Madison (Millie Bobby Brown). Emma is working on ORCA an interface that uses biodata to communicate with the Titans. The first trial of the device works as they can control a newly born Mothra caterpillar. However, just when they think it is all going well eco-terrorist Alan Jonah (Charles Dance) attacks the lab killing everyone and taking Emma, Madison, and the ORCA. Which is a problem because if the ORCA can control the Titans, what damage can it unleash?