TL;DR – This is a show with a lot of potential that would have worked a lot better had it not stumbled in critical places.
Rating: 3 out of 5.
Disclosure – I paid for the Netflix subscription that viewed this series.
Pacific Rim: The Black Review –
When you hear that there will be an American Animation TV Series, done in the style of a Japanese Anime, based in the Pacific Rim universe, and then set in Australia, well, that is an exciting combination if I have ever heard it. Good or bad, you want to see how it works. With that in mind, let’s dive into this fascinating if flawed world.
So to set the scene, we open in the days after chaos erupts across Australia as rifts open up the centre of the continent. After a valiant fight, it becomes clear that Australia is lost, and the call to evacuate is put out. Everyone had five days to reach Brisbane, Darwin, Perth, or Sydney. While trying to help with the evacuation, one Jager team stays back to stop the Kaijus because their children had yet to leave. They tried to get to the evac point, but they were too late. Instead, they took the group of civilians back to their home base Shadow Basin which was also destroyed. The parents left everyone behind in an oasis and leave to go to the coast to get help. Five years later, Hayley (Gideon Adlon) and Taylor (Calum Worthy) have a fractured relationship as their parents never returned. However, one day Hayley fell down a metal hole and discovers that not all of Shadow Basin was destroyed, with the Atlas Destroyer Jaeger and its AI Loa (Erica Lindbeck) still there. But that discovery becomes a beacon for all the danger in the world. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.
TL;DR – Bombastic as always, but it doesn’t set itself apart from what came before, and the story struggles to find its voice.
Score – 3 out of 5 stars
Post-Credit Scene – There is a post title scene at the start of the credits
As we talked about in our look back at the first Pacific Rim (see review), I was a real big fan of the original. Guillermo del Toro’s film about giant monsters called Kaijus attacking the cities around the Pacific Ocean being stopped by giant mechas called Jaegers. There was something easy and yet compelling with the setup and the world they created. With Pacific Rim Uprising we get more of the same as the first film yet somehow it feels like something got lost along the way, and that, unfortunately, it just does not work as well as the first film. So with that in mind, we are going to dive into Pacific Rim Uprising to look at what worked and what didn’t.
TL;DR – “At one point a giant mech picks up a cargo ship to use as a cricket bat to take down a giant monster stomping its way through Hong Kong” you will probably know if this film is for you from that snippet alone.
Score – 4 out of 5 stars
Post-Credit Scene – There is a mid-credit scene
Back in the relatively calm year of 2013, how five years can change the world, there was this little gem of a film. It was a homage to the mecha and giant monster films of Japan and at the heart was the simple message that we should all work together. Well, it has been years since I have watched Guillermo del Toro’s monster epic, well at least his giant monster epic, and with the sequel coming out later this week, now is as good as time as ever to dive back into the world of Jaegers* and Kaijus*.