TL;DR – This series continues to be the benchmark for modern Science Fiction, the benchmark for novel adaptation, and the benchmark for great TV.
Score – 5 out of 5 stars
Last year I wrote an article about how we are in a new Golden Age of Science Fiction and at the heart of that theses was the joy that was The Expanse. At the time Season Three had come out, and we still were not sure if that would be the end of the TV show. It would have been sad if the show’s story had ended there, but at least we still had the books, which was a little consolation. However, I was overjoyed to hear that it got a last-minute pick-up for Season Four on Amazon, ecstatic when I discovered that it was already greenlit for Season Five, and over the moon now that I have watched Season Four and have discovered the joy that it is.
So to set the scene, at the end of last season, disaster had been forestalled and new opportunities have arrived when thousands of gates to thousands of new solar systems opened up. Fearing the new disaster that could come for an out of control gold rush, or worse a new proto-molecule infection, the powers at be, the new alliance of Earth, Mars, and the OPA work together to set up a blockade at the Solar System side of the network. But before they could get it set up a bunch of Belter refugees took the gamble and broke through the blockade. Months later and somehow the Belter have survived, which is causing Chrisjen Avasarala (Shohreh Aghdashloo) all levels of grief because the Royal Charter Energy (RCE) Company has legal claim to the planet and has sent their ship the Edward Israel to what they call New Terra, but what the Belters call Ilus. So who better to go and meditate, well that would be the crew of the Rocinante James Holden (Steven Strait), Alex Kamal (Cas Anvar), Naomi Nagata (Dominique Tipper), and Amos Burton (Wes Chatham). Now from here, we will be looking at the season as a whole so there will be [SPOILERS] ahead.
TL;DR – Bombastic as always, but it doesn’t set itself apart from what came before, and the story struggles to find its voice.
Score – 3 out of 5 stars
Post-Credit Scene – There is a post title scene at the start of the credits
As we talked about in our look back at the first Pacific Rim (see review), I was a real big fan of the original. Guillermo del Toro’s film about giant monsters called Kaijus attacking the cities around the Pacific Ocean being stopped by giant mechas called Jaegers. There was something easy and yet compelling with the setup and the world they created. With Pacific Rim Uprising we get more of the same as the first film yet somehow it feels like something got lost along the way, and that, unfortunately, it just does not work as well as the first film. So with that in mind, we are going to dive into Pacific Rim Uprising to look at what worked and what didn’t.
TL;DR – “At one point a giant mech picks up a cargo ship to use as a cricket bat to take down a giant monster stomping its way through Hong Kong” you will probably know if this film is for you from that snippet alone.
Score – 4 out of 5 stars
Post-Credit Scene – There is a mid-credit scene
Back in the relatively calm year of 2013, how five years can change the world, there was this little gem of a film. It was a homage to the mecha and giant monster films of Japan and at the heart was the simple message that we should all work together. Well, it has been years since I have watched Guillermo del Toro’s monster epic, well at least his giant monster epic, and with the sequel coming out later this week, now is as good as time as ever to dive back into the world of Jaegers* and Kaijus*.