Tag Archives: Jamie Dornan

A Haunting in Venice – Movie Review

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TL;DR – The stronger of the three so far that explores faith, mystery, and, of course, murder.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

skellington

A Haunting in Venice Review –

I love a good murder mystery film, and when you want a good murder mystery, you can’t go past the Queen of Murder Mysteries, Agatha Christie. She has a way with words that have made it through the ages, and the latest interpretation of her work on the big screen has been helmed by Kenneth Branagh with their Murder on the Orient Express in 2017 and Death on the Nile in 2022. Today, we get the third instalment in the series, and what, spoiler alert, is my favourite of the three.

So to set the scene, it is now 1947, and it has been ten years and one world war since we last saw Hercule Poirot (Kenneth Branagh) on the Nile. After a lifetime of investigations, Poirot has taken to seclusion and retirement in a house in Venice with only his bodyguard Vitale Portfoglio (Riccardo Scamarcio) and the daily pastries boat making their way past his door. It is a life of quiet solitude that is punctured when an old friend/acquaintance/annoyance, Ariadne Oliver (Tina Fey), arrives at his door with a conundrum. There is a medium, Joyce Reynolds (Michelle Yeoh), going around claiming that she can talk with the dead, and no matter what Oliver can do, she can’t work out Joyce’s tricks. Joyce is doing a séance for local celebrity Rowena Drake (Kelly Reilly) to speak with her recently lost daughter Alicia (Rowan Robinson) as it is Hallowe’en. All Poirot has to do is work out her tricks, and surely there won’t be any other deaths …

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Heart of Stone – Movie Review

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TL;DR – A shallow experience that never finds its feet.

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Stone walks across sand dunes.

Heart of Stone Review –

We have seen many different films attempt to capture the allure that James Bond has over the spy genre. In fact, in the last year, streaming services alone have tried Citadel, Ghosted, and The Gray Man, to name but a few. But all of them have fallen flat. However, there always is a chance that the next attempt will be the one to land, and this is what we are looking at today.

So to set the scene, it is the Italian Alps and Rachel Stone (Gal Gadot) and her MI6 team are targeting Europe’s biggest arms dealer. Stone is just a tech assist, but this mission forces her into the field when she needs to hack a phone to let Parker (Gal Gadot) and Yang (Jing Lusi) deeper into the complex. However, when things go to pot, we discover that Stone is no lowly tech analyst and is not just playing for MI6. She works for Charter, a clandestine spy organisation that works above national borders. But who watches the watchers?   

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Belfast – Movie Review

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TL;DR – A delightful film that has the ability to surprise you with its emotional content, even when you know it is coming.    

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Belfast. Image Credit: Universal Pictures.

Belfast Review –

When I trace my lineage back in time, half of me comes from Ireland and the other half from England, which makes any film set in Northern Ireland this odd combination of interests and concern. I honestly did not know what to expect when I walked into the cinema, which was for the best as I got sucked into this narrative and world.

So to set the scene, on the 15th of August 1969, it was a quiet day in the suburbs of Belfast. Ma (Caitríona Balfe) calls out across the street for Buddy (Jude Hill) that it is time to come home for dinner. As the request gets passed up the road, Buddy comes galloping home only to crash into a riot in progress. As the violence increases, a barricade is put up on the street, and Pa (Jamie Dornan) comes rushing home from overseas because soon, the family will have to make some hard choices.   

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Movie Review – Robin Hood (2018)

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TL;DR – Of this films many, many failings, is the fact that you can see a kernel of a good idea here, that they refused to commit too and thus made it a film about nothing.    

Score – 1 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Robin Hood. Image Credit: Lionsgate

Review –

Oh wow, and I mean wow, how do you stuff this up as badly as you do here. For a lot of people, there is this annoyance that film companies keep going back to these public domain properties because it is just a cheap option, and I get that. But because these stories are so well known, you can use them as a basis for doing something novel or even experimental. In years past, we have gotten the full-on epic with Robin Hood: Prince of Thieves all the way to the absolute farce that is Robin Hood: Men in Tights. However, there was room for another film to take the mythos in a new direction … well, this is not that film, which somehow fails at being both a re-telling of the original myth and also an abysmal attempt at modernising the story for a new audience.

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