Tag Archives: Josh Brener

Carry-On Film Review: Tension and Action Combined

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TL;DR – This is a film that didn’t need to go as hard as it did, and I am glad that they went there.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Security in an airport.

Carry-On Review –

Many films just cost on their generic action beats or their main cast and give you a substandard product. Add enough charismatic smiles, and it feels like you can get away with anything. When I came into this film, I honestly thought this was what I was going to get, and I am glad to say that I was wrong.

So, to set the scene, Christmas is upon us, and millions of people are making the trip home to see their families. Ethan Kopek (Taron Egerton) and his girlfriend Nora Parisi (Sofia Carson) both work at LAX, and Christmas Eve is the worst day for travellers. But as Ethan tries to step up in his job for the TSA thanks to his wife’s pending pregnancy. Little does he know that someone is coming through with a package that will change his life. All he has to do is ignore one package, just one package, and his girlfriend lives. Surely, that can’t be that hard.   

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Saturday Night – Movie Review

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TL;DR – A movie that embraces the chaos of its subject matter with such reverence it ends up hurting the final product.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

30 Rock.

Saturday Night Review –

Today, we are looking at a bit of an odd duck of a film. One that swings wildly, stampeding through the chaos of its subject material with the gusto of a rhino in full tilt. However, that approach is going to be a boon or a detriment for you, depending on how you are approaching this film. For me, I am not someone who religiously tunes into Saturday Night Live. Sure, occasionally, a sketch from the show will bubble into the subconscious like Natalie Portman, Undercover Boss, or the recent Mother. Also, the most impacting sketch for me and my comedy journey came almost wholly disconnected from the show. So, you always know it is there, and its legacy in the movies that have and have not worked and the comics it has brought to the forefront. It is within that framework we look at the film today.

So, to set the scene, it is October 11, 1975, and Lorne Michaels (Gabriel LaBelle) is out in front of 30 Rockefeller Plaza trying to get an audience to see his show with an NBC Page (Finn Wolfhard). That is because it is 90 minutes before his first show goes to air, and nothing is going right. The studio is having less and less faith in his vision, the cast is in chaos, the crew is in a state of revolution, oh, is that a fire, and why is there a llama? There are only 90 minutes to pull this all together, but that is going to be hard when there is not even a runtime yet.

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