However, in this last entry into our Best of 2021 awards, we crown our winner of the Best Film of 2021.
All films are subjective, so our list might look completely different from yours. Also, we didn’t get to see every movie this year, which means we will be only drawing our Top 15 from the 69 films we did get to see, which you can see a list of HERE. You can also click on the titles to go to the full review.
It was also a very odd year for cinema, with many films being postponed or released in non-traditional means. There were also many staggered releases, so we may have films here that were released in 2020 for you but 2021 for us, and there may be some omissions here because we won’t get those films until 2022.
Okay, with that out of the way, let’s dive into the first entry in our list of Best Films of 2021.
You can use many techniques to help build your world, ground your setting, or give dimensions to your characters. You can use music, you can create elaborate sets, but one of the best ways is the costumes you make.
People instantly judge a character within moments on the screen, and the outfits are an essential part of that first impression. More than this, you can also use costumes as a way of storytelling. What do they say about this world, what do they say about how a character is progressing.
Costumes can build worlds, tell us details we can only see, but also they can make us say ‘hot damn’ look at that beading on that dress, that must have taken hours to do. So without further ado, these are the costumes that made us say ‘hot damn’ in 2021. Be warned that there may be slight spoilers ahead for the films in question. Also, please click on the titles to be taken to the full review.
There are moments when a film is perfectly timed with what the world is going through, and after the 2020 Black Lives Matter protest movement, it was the perfect time to take a look back in time at the Black Panther movement. This film delves into a difficult time and explores the intersection of revolution and government control in America.
So to set the scene, we open in the FBI’s halls as its Director J. Edgar Hoover (Martin Sheen), who is railing against a Fred Hampton (Daniel Kaluuya) of Chicago who has the power and charisma to unite many of the different anti-government movements across the country. FBI agent Roy Mitchell (Jesse Plemons) is looking for a way to get a mole into the local Black Panther organisation that Hampton leads when William “Bill” O’Neal (Lakeith Stanfield) falls into his lap after being caught impersonating a federal officer, and now they have their Judas.