However, in this last entry into our Best of 2021 awards, we crown our winner of the Best Film of 2021.
All films are subjective, so our list might look completely different from yours. Also, we didn’t get to see every movie this year, which means we will be only drawing our Top 15 from the 69 films we did get to see, which you can see a list of HERE. You can also click on the titles to go to the full review.
It was also a very odd year for cinema, with many films being postponed or released in non-traditional means. There were also many staggered releases, so we may have films here that were released in 2020 for you but 2021 for us, and there may be some omissions here because we won’t get those films until 2022.
Okay, with that out of the way, let’s dive into the first entry in our list of Best Films of 2021.
One factor that I will always look out for with a film is the musical score. I can get caught in the world of music, as it sits in my head in the days, weeks, months, and even the years that come. There is immense artistry in weaving emotions from music, having us slip into the world that is created, fear the oncoming dread even if we do know why, or rejoice in the triumph of that final victory.
Music charts the cinematic world, it guides us, it can lift us up, and it can crush our souls. This is its power. So without further ado, these are the musical score that moved us in 2021. Be warned that there may be some slight spoilers ahead for the films in question, and if you click on the titles, you will be taken to the full review.
You can use many techniques to help build your world, ground your setting, or give dimensions to your characters. You can use music, you can create elaborate sets, but one of the best ways is the costumes you make.
People instantly judge a character within moments on the screen, and the outfits are an essential part of that first impression. More than this, you can also use costumes as a way of storytelling. What do they say about this world, what do they say about how a character is progressing.
Costumes can build worlds, tell us details we can only see, but also they can make us say ‘hot damn’ look at that beading on that dress, that must have taken hours to do. So without further ado, these are the costumes that made us say ‘hot damn’ in 2021. Be warned that there may be slight spoilers ahead for the films in question. Also, please click on the titles to be taken to the full review.
Cinematography is an art form that can be as bold as a gong crashing after a moment of silence, or as subtle as the tide coming in. It elevates a film to the heights of accolade or turns a movie into a frustrating mess when it misfires.
While at the heart of cinematography is the Director of Photography or Cinematographer, to get something from the script to the final shot takes a whole team of professionals, and it is their talent that we champion today.
So without further ado, these are the moments of cinematography that took our breaths away in 2021. Be warned that there may be some slight spoilers ahead for the films in question. Also, click on the banners/titles to be taken to the full reviews.
TL;DR – Visually visceral, narratively interesting, and almost entirely engaging.
Rating: 4.5 out of 5.
Post-Credit Scene – There is a post-credit scene
Disclosure – I paid for the Amazon Prime subscription that viewed this movie.
The Green Knight Review –
Everyone has a narrative style that they are just a sucker for, it could be road trip movies or WW2 war films, or like me, it is taking myths from the old and reinterpreting in a modern context. This can be the bombasticness of Greek Legend, the sharpness of Norse Legend, or, as we get today, the weirdness of Arthurian Mythology.
So to set the scene, we start the film with a bucket of water in the face as Gawain (Dev Patel) is woken up in a brothel by his lover Essel (Alicia Vikander). Gawain might be hungover, but it is Christmas morning, and Gawain has duties to attend to. While his Mother (Sarita Choudhury) stays at home, Gawain heads to the keep to the feast of King Arthur (Sean Harris) and Queen Guinevere (Kate Dickie). However, a stranger on horseback arrived during the feast, a man made of bark and leaves, the Green Knight (Ralph Ineson). Walking up to the King, he lays out a challenge, and Gawain is the only one to take up the charge.