However, in this last entry into our Best of 2020 awards, we crown our winner of the best film of 2020.
Now all films are subjective, so our list might look completely different than yours. Also, we didn’t get to see every movie this year which means we will be only drawing our Top 15 from the 101 films we did get to see, which you can see a list of HERE. You can also click on the banners to go to the full review.
It was also a very odd year for cinema with many films getting postponed, or released in non-traditional means.
Okay with that out of the way let dive into the first entry in our list of Best Films of 2020.
One of the benefits of film is that it is a visual media, and that means that it can do in a frame what it might take a book several pages of description to pull off. Where we see this the most is in its ability to build worlds in front of our eyes.
These worlds could be great space operas that explore galaxies, or a small period piece that looks back in time, or anything. But when every part of the film is being used to tell a story, you know it is good.
So without further ado, these are films that showed excellence in Worldbuilding 2020. Be warned that there may be some slight spoilers ahead for the films in question. Also, you can click on the banners to go to the full reviews.
Well we have looked at Emotion, and then swung wildly across the spectrum to Fun, and now we are completing that trifecta with looking at Tension. Tension is one of the most challenging facets of filmmaking to pull off because it requires the script, direction, acting, and editing to all work in tandem to evoke the perfect pace. If just one part of that group misses then an essential part of the film falls apart.
In 2020 we continued to see some excellent use of tension used to build mystery, or to be the harbinger of the coming dread, or even the ticking clock of inevitability.
So without further ado, these are the moments of tension that kept us on the edge of our seats in 2020. Be warned that there may be some slight spoilers ahead for the films in question.
As I have gotten older, I am not afraid of having a good old fashioned ugly cry in the cinemas when the time calls for it, and hell I probably got emotional just writing this list (Spoiler: I did). Sometimes they are tears of grief, sometimes they are tears of joy, and even still sometimes they are tears of anger.
Emotion is a core part of the cinema experience. If you can’t get us to respond to your characters and/or the situation emotionally, well then I am sorry you have failed in making a good film.
So without further ado, these are the films of 2020 that emotionally wrecked us. Be warned that there will be some big spoilers ahead for the films in question. Also, you can click on the banners to go to the full review.
Cinematography is an art form that can be as bold as a gong crashing after a moment of silence, or as subtle as the tide coming in. It elevates a film to the heights of accolade or turns a movie into a frustrating mess when it misfires.
While at the heart of cinematography is the Director of Photography or Cinematographer, to get something from the script to the final shot takes a whole team of professionals, and it is their talent that we champion today.
So without further ado, these are the moments of cinematography that took our breaths away in 2020. Be warned that there may be some slight spoilers ahead for the films in question. Also, click on the banners to be taken to the full reviews.
It has been a while since a film has had me sat on the edge of my seat as the tension overwhelmed me. Well, today, we look at just such a movie that I was honestly struggling to find the right genre to categorise it. It is sort of a western but not, it is sort of a noir film but not, a detective hunt but not. But whatever it is, it was engaging from start to finish.
So to set the scene, we open in on a family in a full happy mode as they get ready for the day. James Blackledge (Ryan Bruce) is out working breaking in a horse as his father George (Kevin Costner) watches on. Back in the homestead, his mother Margaret (Diane Lane) is making breakfast while his wife Lorna (Kayli Carter) is trying to corral their new baby. As James takes out the horse for a ride, everyone is working together, that is until the horse comes back without its rider. Three years later, Lorna is re-marring Donnie Weboy (Will Brittain), and she and her little one Jimmy (Bram Hornung/ Otto Hornung) go to move in with him. Much to the consternation of Margret and George, that is only elevated when one day Lorna and Donnie skip town without telling and take Jimmy along with them.