However, in this last entry into our Best of 2020 awards, we crown our winner of the best film of 2020.
Now all films are subjective, so our list might look completely different than yours. Also, we didn’t get to see every movie this year which means we will be only drawing our Top 15 from the 101 films we did get to see, which you can see a list of HERE. You can also click on the banners to go to the full review.
It was also a very odd year for cinema with many films getting postponed, or released in non-traditional means.
Okay with that out of the way let dive into the first entry in our list of Best Films of 2020.
As I have gotten older, I am not afraid of having a good old fashioned ugly cry in the cinemas when the time calls for it, and hell I probably got emotional just writing this list (Spoiler: I did). Sometimes they are tears of grief, sometimes they are tears of joy, and even still sometimes they are tears of anger.
Emotion is a core part of the cinema experience. If you can’t get us to respond to your characters and/or the situation emotionally, well then I am sorry you have failed in making a good film.
So without further ado, these are the films of 2020 that emotionally wrecked us. Be warned that there will be some big spoilers ahead for the films in question. Also, you can click on the banners to go to the full review.
You can use many techniques to help build your world, ground your setting, or give dimensions to your characters. You can use music, you can create elaborate sets, but one of the best ways is the costumes you make.
People instantly judge a character within moments on the screen, and the outfits are an essential part of that first impression. More than this, you can also use costumes as a way for storytelling, what do they say about this world, what do they say about how a character is progressing.
Costumes can build worlds, tell us details we can only see, but also they can make us say ‘hot damn’ look at that beading on that dress, that must have taken hours to do. So without further ado, these are the costumes that made us say ‘hot damn’ in 2020. Be warned that there may be some slight spoilers ahead for the films in question. Also, please click on the banners to be taken to the full review.
Cinematography is an art form that can be as bold as a gong crashing after a moment of silence, or as subtle as the tide coming in. It elevates a film to the heights of accolade or turns a movie into a frustrating mess when it misfires.
While at the heart of cinematography is the Director of Photography or Cinematographer, to get something from the script to the final shot takes a whole team of professionals, and it is their talent that we champion today.
So without further ado, these are the moments of cinematography that took our breaths away in 2020. Be warned that there may be some slight spoilers ahead for the films in question. Also, click on the banners to be taken to the full reviews.
TL;DR – This is a list of not what we think will actually win in today’s 2020 Academy Awards, but who we would give the awards to if we could
It is Oscars time again, and for the first time in a long time I can’t watch the ceremony live, but that does not mean I can’t enjoy the vicariously through the form of an article. So here we will be going through all the nominees and picking which ones we would have picked if we were a voting member of the academy.
Now, I should preface this with the notice that we have not seen every film nominated, so we will only be picking form those we have seen. To be fair, we will only be covering the categories where we have seen at least three of the nominees. Also, if you would like to see our reviews for said films you can clink on the links to be taken to them. So with out any further prattling on here are the nominees.
I actually quite liked all the nominees in this category, even the films that didn’t quite grab me like Once in Hollywood and Marriage Story you could tell was still well written. However, I think one did just make it out on top and that has to be Bong Joon-ho & Han Jin-won exploration of class and wealth in modern South Korea.
It has been a long time since I have had a good cry in the cinemas, and I don’t mean a good one solitary tear gallantly making its way down the side of my face as the music soars around. No I mean some good old fashioned weeping, the kind that makes you wish you had brought a hankie or at least some tissues as you try to compose yourself after as you thank God that you were not wearing any mascara because there would be no coming back from that. Well, today we look at a film that is all that and more.
So to set the scene, we open in New York City back in 1868 where Josephine “Jo” March (Saoirse Ronan) works as a teacher in a boarding house as she tries to be published as a writer. The publisher Mr Dashwood (Tracy Letts) is interested in her work, but it needed to be more salacious and the female characters must end the book either married or dead. In France, Jo’s sister Amy (Florence Pugh) is enjoying some time painting and finding a husband under the guidance of her Aunt (Meryl Streep) when she spies Theodore “Laurie” Laurence (Timothée Chalamet) a childhood friend of her and her sisters Meg (Emma Watson) and Beth (Eliza Scanlen), as well as the former suiter of Jo, in the gardens of Paris. It is a moment of joy, but there and across the Atlantic, there is a cloud on the horizon because the past is not going to stay in the past.