Awards – My Top 15 Films of 2020

TL;DR – 2020 was a great year in film and here are our favourites

So far in our awards, we have looked at Action, Animation, Best of Australia, Cinematography, Costumes, Emotion, Fun, Music, Tension, and Worldbuilding.

However, in this last entry into our Best of 2020 awards, we crown our winner of the best film of 2020.

Now all films are subjective, so our list might look completely different than yours. Also, we didn’t get to see every movie this year which means we will be only drawing our Top 15 from the 101 films we did get to see, which you can see a list of HERE. You can also click on the banners to go to the full review.

It was also a very odd year for cinema with many films getting postponed, or released in non-traditional means.

Okay with that out of the way let dive into the first entry in our list of Best Films of 2020.

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Awards – Tension That Kept You On the Edge Of Your Seat In 2020!

Well we have looked at Emotion, and then swung wildly across the spectrum to Fun, and now we are completing that trifecta with looking at Tension. Tension is one of the most challenging facets of filmmaking to pull off because it requires the script, direction, acting, and editing to all work in tandem to evoke the perfect pace. If just one part of that group misses then an essential part of the film falls apart.

In 2020 we continued to see some excellent use of tension used to build mystery, or to be the harbinger of the coming dread, or even the ticking clock of inevitability.   

So without further ado, these are the moments of tension that kept us on the edge of our seats in 2020. Be warned that there may be some slight spoilers ahead for the films in question.

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Awards – The of Best of Australian Cinema in 2020

It was a fantastic year for Australian Cinema, with each film I saw knocking it out of the park. There were intimate documentaries, films that held up a mirror to society, and those that brought the action to a new level.

This list will be looking more at the locally made Australian productions/co-productions and not just films filmed in Australia.

So without further ado, these are the best of Australian Cinema in 2020. Be warned that there will be some big spoilers ahead for the films in question. Also, click on the banner to go to the full reviews.  

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Awards – Explosions, Guns, and Punches, Oh My. The Best Action of 2020

A good Action sequence is something that is truly amazing to watch, as it can be as expansive as explosions crashing across the screen, or more intimate, like a duel between two people. This gives the best action scenes such a range and in 2020 we were given some truly amazing spectacles.

For me, the best action scenes are those that excel in every element, whether that be live actions, special effects, digital effects, or animation and bring every facet to shine. It is also the category that looks at some of the department’s people don’t often fully understand like stunt coordination or the 2nd unit.

So without further ado, these are the moments of action that awed us in 2020. Be warned that there may be some slight spoilers ahead for the films in question. Also, click on the banners to see the reviews of each film.

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Movie Review – The Invisible Man (2020 film)

TL;DR – A film filled with amazing acting, and technical brilliance, however it was one of the most difficult films I have reviewed due to the issues of abuse that it explores.

Score – I am honestly not sure what to score to give this film

Post-Credit Scene – There is no post-credit scene that I saw

Warning – Depicts scenes of abuse

Awards

Nominated: Explosive Action, Best Australian Film & All The Tension
Winner: All The Tension

The Invisible Man (2020 film). Image Credit: Universal Pictures.

Review

A couple of years ago I stumbled upon Upgrade and thus discovered the wonderful work of Leigh Whannell. Since then, I have been waiting to catch his next film, so I was really excited to get the invite to see The Invisible Man. This was also a film that was going to reframe an old classic monster film and bring it into the modern age, which also intrigued me because that is my jam. However, while watching the film, I found myself feeling very conflicted with the subject material. All of this left me very unsettled in a way that I have spent the past two weeks wondering if the film approached it in an appropriate way or not.  

So to set the scene, we open in on a mansion on the top of a cliff, waves crash against the rocks on a cold winters night as we zoom in on the isolated house. In the house, there is a couple asleep in a bed, Cecilia Kass (Elisabeth Moss) and Adrian Griffin (Oliver Jackson-Cohen), but only one of them is actually asleep. We watch as Cecilia slowly slips out of the bed, at first you think it is just that she does not want to disturb Adrian, but soon you discover there is something more to it than that. In fact, she is leaving him in the middle of the night, the only time she could, which means that when every sound could be her undoing. The moment she grabs her hidden go bag you immediately understand why she is leaving. As she escapes over the high walls of the house everything starts to get better, that is until things start moving in rooms that should be empty.

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