Awards – My Top 15 Films of 2020

TL;DR – 2020 was a great year in film and here are our favourites

So far in our awards, we have looked at Action, Animation, Best of Australia, Cinematography, Costumes, Emotion, Fun, Music, Tension, and Worldbuilding.

However, in this last entry into our Best of 2020 awards, we crown our winner of the best film of 2020.

Now all films are subjective, so our list might look completely different than yours. Also, we didn’t get to see every movie this year which means we will be only drawing our Top 15 from the 101 films we did get to see, which you can see a list of HERE. You can also click on the banners to go to the full review.

It was also a very odd year for cinema with many films getting postponed, or released in non-traditional means.

Okay with that out of the way let dive into the first entry in our list of Best Films of 2020.

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Death to 2020 – Movie Review

TL;DR – A mockumentary that tries to walk the line between entertaining and informative and often fails even before it stops its narrative to do an ad for Netflix halfway through.    

Rating: 2.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene

Death to 2020. Image Credit: Netflix.

Death to 2020 Review

I don’t think it is a controversial statement to say that 2020 has been a crap year on many fronts. It was so bad that I forgot some of the bad things that happened only to be reminded of them tonight. When a documentary film titled Death to 2020 comes along … well you have my attention, even when you find out it is a mockumentary that could still be good if executed well. However, I am not sure this one stuck the landing.

Death to 2020 starts in an interesting place because it is a documentary presented by actors playing roles. Right from the start, there is an interesting juxtaposition between reality and fiction as Laurence Fishburne’s calm tones narrate the coming calamity. This kind of set up gives you a lot of potential because it removes you slightly from the material, giving you avenues for comedy and introspection. However, that is a tricky line to walk, and frankly, this film slipped off that edge on multiple occasions.

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