Movie Review – Uyare (Rise)

TL;DR – A powerful look at overcoming adversity thrust upon you by a cruel and uncaring world     

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Uyare (Rise). Image Credit: S Cube Films.

Review

Today we are looking at a film that charts the lows and highs of someone who is recovering from one of the worst breaches of trust imaginable. This is a film that knows how to cast a light on a real problem in society by creating strength rather than spectacle.  

So to set the scene, we open in as Pallavi Raveendran (Parvathy Thiruvothu) who is taking her first flight in a plane and in that moment she found that joy that is discovering your passion. This is what she wanted to be when she grew up and she focused her life on becoming a pilot. When she finally gets to flight school, everything is going well until her boyfriend Govind (Asif Ali) could no longer accept the fact that she is the successful one in the relationship.  

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Movie Review – Jaoon Kahan Bata Ae Dil

TL;DR – It is said that a film succeeds if it makes you feel something, well if that is all it took than this film would be a success, but considering this made me feel revulsion and anger, I think it takes more than that.    

Score – 1 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Warning – This film contains extensive scenes of abuse

Jaoon Kahan Bata Ae Dil. Image Credit: Netlifx.

Review

Okay I’m going to be honest right from the start, I am coming to this film as someone who is from outside of India and does not have the most extensive experience with Indian cinema, so there may be some context I am missing. Also, by writing this review I feel like I am positioning myself in the same position as some of the people criticised in the film, an irony that is not lost on me. But all of that being said, you can skip to the end if you want because I do not in any shape or form recommend this film.

So to set the scene, we open in on a couple a man (Rohit Kokate) and women (Khushboo Upadhyay) who are walking along a coastal boardwalk in Mumbai. They are in a relationship but they are not married so they need to be discreet given the conservative aspects of Indian society. But as they talk it is clear that both of them want different things out of the relationship.

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Movie Review – Rocko’s Modern Life: Static Cling

TL;DR – This is a very interesting reboot of a beloved cartoon from the 1990s but I am not sure that it hit its mark.  

Rocko's Modern Life: Static Cling. Image Credit: Netflix.

Review

I grew up in the 1990s, so for me when I think about those cartoons that situated my life for the weird and abstract toons of the peak-Nickelodeon. Shows like Aaahh!!! Real Monsters, The Angry Beavers, and of course the weirdly absurd Rocko’s Modern Life were very much a part of that. Rocko’s Modern Life is/was a show that used its abstract art style and storytelling to shine a light on the world. Now, it has been years since I have watched an episode so when a new special was released, well I knew it was time to jump back in.  

So to set the scene, since the end of the last season of Rocko’s Modern Life, Rocko (Carlos Alazraqui), Heffer Wolfe (Tom Kenny), Spunky, and Filburt (Mr. Lawrence) have spent the last twenty years flying around space after a rocket took their house into space. After all that time, at least their mutual love of the Fat Heads brings them together. But tragedy strikes when the VCR of the show dies, the one thing keeping them sane. Thankfully, at that moment they find the remote for the rocket lodged in Heffer’s posterior. But when they arrive back to O-Town, a lot has changed.

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Movie Review – Danger Close: The Battle of Long Tan

TL;DR – A powerful and deeply compelling film that explores a key moment in Australia’s military history and the cost it took.

Score – 4 out of 5 stars

Post-Credit Scene – There is a credit sequence and a mid-credit scene

Danger Close: The Battle of Long Tan. Image Credit: Transmission Films.

Review

Australia has a long history of making truly excellent war films. From works such as the pivotal Gallipoli to Beneath Hill 60 to The Rats of Tobruk and many more. So walking in I knew that there was a level of quality that was going to be there no matter what. However, for me, I can either be drawn in fully to war film or I can bounce off it like Andy Dwyer off an ambulance, so there was still a little hesitation. But I should not have been concerned because this is some of the best of Australian cinema at the moment.  

So to set the scene, it is 1966 and it is the height of the Vietnam War, a Cold War proxy conflict between the USA and the Soviet Union played out in the context of a civil war between North and South Vietnam. The 1st Australian Task Force headed by Brigadier David Jackson (Richard Roxburgh) is set up in Nui Dat where they send patrols out into the local countryside. One night the camp is attacked by mortars and while the Royal Regiment of New Zealand Artillery were able to target them, the 1st Field Regiment, need to follow up the next day to find the source. Alpha Company didn’t find much, so part in punishment Harry Smith’s (Travis Fimmel) Delta Company was sent out to chase them down while a musical performance was happening back at camp. All was going well until at the rubber plantation at Long Tan the 11th Platoon of D Company came under heavy fire and it is soon discovered that this is not just a raiding party but a full battalion of the North Vietnamese Army heading their way, 100 men against and advance of 2000 and a monsoon is just about to hit.

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Movie Review – Pegasus (Fei Chi Ren Sheng, 飞驰人生)

TL;DR – An exploration of what it means to come back from nothing, good at times, but always held back a little bit from being great    

Score – 3 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Pegasus (Fei Chi Ren Sheng, 飞驰人生). Image Credit: CMC Pictures.

Review

I am and always will be a sucker for a good redemption story, where someone comes back from nothing only to triumph. Today we get to explore this idea through the lens of professional racing. Which is always good because at the very least you will get some good car scenes throughout. However, while Pegasus is an interesting film, it is always holding itself back just that little bit more than it should have.

So to set the scene, Zhang Chi (Shen Teng) was one of if not the best rally car driver in all of China. However, one day he decided to take part in an illegal street race that was intercepted by the police. Five years later after serving a suspension, and having to sell everything to pay off his debts, he is a free man. He wants to get back behind the wheel and reclaim his championship for his son but in those five years the game has changed and there is a whole patch of new young drivers.  

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Movie Review – Enter the Anime

TL;DR – This is a film that blends the idea of an advertisement with the presentation of a documentary and works about as well as you would expect    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Enter the Anime. Image Credit: Netflix.

Review

Growing up, one of the touchstones in my early cinematic life was anime, you would get it in the morning on TV, which I had to tape on VCR for watching later. Indeed, I think every one of my generations loathed those opening sounds of the first episode of Pokémon because it meant that Cheez TV had run out of new episodes and was starting it from the beginning again. As I grew up, it was a part of my cinematic world that I just couldn’t keep up with, and every time I go to conventions I see an array of cosplayers showing my just how many shows I have missed. Well when I saw that there was a new documentary about anime on Netflix, I was really interested because it would be nice to walk down memory lane and to explore the future again. Unfortunately, that is not quite what we got.

The premise for this documentary is that Netflix set the director Alex Burunova of working out the answer to a question ‘What is Anime’? Alex, having no experience with the genre other than a tangential understanding of its influence decided to throw herself into the world of anime and manga and the sub-cultures that consume and make it. This, of course, meant going straight to the source and talking with the directors and animators where it is all made in Japan. It is good that right from the start, they make it clear where the genesis of this project came from, it was a Netflix project and Alex was hired to make it. So when the documentary goes to Adi Shankar the creator of the Castlevania Netflix series as its first interview it feels like the right jumping-off point for the show. Well instead of jumping off from there, this is where the show stayed.

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Movie Review – No One Will Ever Know (Nadie Sabrá Nunca)

TL;DR – A film that sines in those moments that display the contrasts in our lives.    

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

No One Will Ever Know (Nadie Sabrá Nunca). Image Credit: Netflix.

Review

Today we continue our dive into Latin cinema, this time moving away from Mexico and across the Atlantic to Mexico. Unfortunately, I have even less experience here, besides last year’s seminal Roma. Well, today we start to rectify today by exploring a look at colliding worlds at a time of great change.   

So to set the scene, in Mexico, not that long ago, Lucía (Adriana Paz) lives in the rural countryside with her husband Rigo (Jorge A. Jimenez) and her son Braulio (Luciano Martínez). Lucía wants to move to Mexico City and take over a commercial property that her sister Sara (Claudia Santiago) found, but her husband will hear nothing of it. Lucía feels trapped where she is, and there is nothing she can do, well there is one thing, and that is escaping into her own mind, a world of intrigue and mystery.

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Movie Review – Otherhood

TL;DR – A strong cast, dealing with important issues, even if not all of it works.

 Score – 3.5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Otherhood. Image Credit: Netflix.

Review

To be honest, motherhood is not something I have a lot of experience with, so there is a little disconnect coming into a film all about that. But loneliness and frustration at your life choices, well that’s my jam. This all means that I am coming into this film with some interesting overlap. Well, let’s dive into a world of really, really, awkward conversations.  

So to set the scene, for years three women have grown up as friends brought together because their sons were best friends. However, as life has moved on all their boys Matt (Sinqua Walls), Daniel (Jake Hoffman), and Paul (Jake Lacy) have left home and now live in New York City. While they move on with their lives, their mothers Helen (Felicity Huffman), Gillian (Patricia Arquette), and Carol (Angela Bassett) feel left behind especially on mother’s day when no one calls. Well on that day, they have an annual tradition of getting together to catch up and talk about their lives over a lot of bourbon. Well, this time, they decide that enough is enough, and get in a car and drive down to the city to surprise the boys … and well that goes about as well as you can expect.    

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Movie Review – The Red Sea Diving Resort

TL;DR – A really ambitious film that unfortunately falls into the same traps as a lot of Hollywood films do when depicting Africa’s history.    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene but some pictures of the resort during the credits

The Red Sea Diving Resort. Image Credit: Netflix.

Review

Tonight we take a look at a film that attempts to discover a part of our history that has not been explored at all. However, Hollywood has a very poor history in exploring Africa’s history with film after film glossing over the complexities for hero moments of usually a white protagonist saving the day. While The Red Sea Diving Resort attempts to step away from this past it can’t help but fall into the same traps.

So to set the scene, in the 1980s Ethiopia was tearing itself apart during a bloody civil war, a lot of the innocents were being caught in the crossfire, especially minority groups. One of those groups that were targeted was Ethiopia’s Jewish community. However, there is some hope with Israel’s Mossad sending agents like Ari Levinson (Chris Evans) in to help them get to refugee camps in Sudan. However, this is just a temporary measure, they need a way to get them out of the country. So a plan is set in motion to set up a fake resort on the coast of Sudan as a front to help them smuggle them out to waiting boats. However, this is not something that you can do forever without attracting notice, made worse when actual tourists arrive at the fake resort.

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Movie Review – Hobbs & Shaw (Fast and Furious Presents: Hobbs and Shaw, Fast and Furious: Hobbs and Shaw)

TL;DR – A film that soars when it is in the banter/action grove but falters when it needs to move the story forward.     

Score – 3.5 out of 5 stars

Post-Credit Scene – There are multiple mid-credit scenes as well as an end credit scene

Hobbs & Shaw. Image Credit: Universal Pictures.

Review


 To be honest, if I have a blind spot in modern cinema it is the Fast and Furious franchise. When the films started to come out, I didn’t really jell with the super-serious machismo in what was an inherently silly premise. This looked to be the way for all the films but when The Fate of the Furious came out two years ago, I thought I would give it another watch. Well about the time they used a car to take out a submarine I realised that they had finally realised just how silly it all was and had leaned into it, and that is something I can get behind. That being said, a spin-off the film is still a bit of a gamble, but given how well the director and cinematographer are at actions filmmaking, I walked in being quietly optimistic and with the action, I was not let down.

So to set the scene, two years since the last adventure and Luke Hobbs (Dwayne Johnson) is enjoying his life as a DSS agent and a father to his daughter Sam (Eliana Su’a). However, at that moment in London, an MI6 team is taking out a band of mercenaries that have a manufactured virus and who are about to sell it on the black market. After a clinical takedown of the gang, all is right but then a mysterious figure (Idris Elba) arrives and single handily kills all of the MI6 bar Hattie (Vanessa Kirby) the lead agent. Fearing the virus would get into the hands of evil people Hattie injects herself with the virus to hold on to it while she escapes. The MI6 think she has turned rogue and the CIA, MI6, and the criminal organisation are now hunting her. The only chance she has is if Luke teams up with Deckard Shaw (Jason Statham) and well that has disaster written all over it.

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