One Battle After Another – Movie Review

TL;DR – This is a chaotic, uncomfortable, taut, and downright weird film, but it is also completely captivating from the opening frame to the closing credits.  

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A road meandering up and down over some hills.

Setting the Scene

2025 has been an odd year for noted Indie directors trying to tackle the political situation in America at the moment, because most of them have floundered in the attempt. They have been trying to capture the moment, but their stories get lost in comedic attempts or a poor understanding of the very topics they want to analyse. However, today we are looking at a film that just might have cracked the code with one secret weapon that gets lost in cinema at times, intentionality.   

So, to set the scene, we open as a number of self-labelled revolutionaries, including Pat Calhoun (Leonardo DiCaprio) and Perfidia Beverly Hills (Teyana Taylor), who are staking out an immigration detention facility near the border in California. In the middle of the night, they strike, liberating the camp and beginning their revolution against corporate and oppressive elements of America. The French 75 group places bombs in courthouses, robs banks, and causes general calamity. However, you don’t make that much noise without attracting foes, and little do they know that Colonel Steven J. Lockjaw (Sean Penn) is hunting them all down, or maybe just Perfidia.   

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Licorice Pizza – Movie Review

TL;DR – One of the funniest and engaging films I have seen this year, but also an experience that made me deeply uncomfortable in places.     

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Licorice Pizza. Image Credit: Universal Pictures.

Licorice Pizza Review

There have been several films I have watched this year, but I don’t think any of them left such a complicated feeling with me as I left the cinema. This was a film that was a roller coaster that you strapped into at the start, and it never let you go. But it was an old roller coaster, so some sections rattle a bit more than they should (for my Brisbane fam, image the Thunderbolt towards the end of its life).

So to set the scene, we open in San Fernando Valley on a school picture day. Gary Valentine (Cooper Hoffman) is with his friends as they prime themselves to get the best picture, while Alana Kane (Alana Haim) is working with the photo company. When Gary and Alana first meet, there is an instant connection even though they come from different worlds. Well, those worlds now collide all across 1973, Los Angeles.

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Movie Review – Anima (2019)

TL;DR – A 15-minute musical experiment that smashes the music of  Thom Yorke with the sensibilities of Paul Thomas Anderson   

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Anima (2019). Image Credit: Netflix.

Review

This has been the year of the experimental music video/film hybrid, we have gotten the narrative version with Guava Island, the absurd with Bash Brothers, and the documentary hybrid with HΘMΣCΘMING. Well, today we continue this genre with a collaboration between director Paul Thomas Anderson noted for more visually stylistic films like Phantom Thread and Thom Yorke one of the main voices behind Radiohead. If you are a fan of Thom or Paul then I assume that combination instantly got your attention, and if you are not this is only 15 minutes so check it out anyway.

So to set the scene, we are on a train and a lady (Dajana Roncione) leaves her lunchbox behind and a man (Thom Yorke) takes it for himself only for things to get weird. Well, that is about it, as it is only 15 minutes there is not a whole lot more to say other than it is quite a ride.

The first thing I want to talk about is the choreography from Damien Jalet which is one of the three core things that makes this one of the most interesting things I have seen so far this year. There is a flow to the movement, but also a precision that is a really interesting blend. There is a lot of group performances that gives this an organic feel, but also the sharp movements are also otherworldly. Which does sort of fit the theme as anima is referring to the soul. To be honest, I am also always a sucker for the movement that lines up with the beat of the music.

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Movie Review – Phantom Thread

TL;DR – A film of two halves, beautiful direction and action, with a story that just didn’t work for me

Score – 3 out of 5 stars

Post-Credit Scene – No Post-credit scene

phantom thread

Review

Well this is an odd duck of a film, in some aspects it is exquisite and yet in others is it feels distant, and that disconnect is fascinating. So today we are going to explore the highs and lows of Paul Thomas Anderson’s latest film and from all accounts Daniel Day-Lewis’s last film, though I believe that like I believe John Farnham every time he says this tour is his last.

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