Cyrano – Movie Review

TL;DR – While there are some hard turns throughout this film, it is a true delight when it soars.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Cyrano. Image Credit: Universal Pictures.

Cyrano Review –

For me personally, I don’t need a film to be perfect. It can be filled with flaws, but as long as it still reaches me emotionally, that is fine. That emotion can be joy, sadness, wonder, or even anger. Today we look at just such a film that enraptured me in places and frustrated me in others.

So to set the scene, we open in France, which has been at war for an age. Roxanne (Haley Bennett) is getting ready to be taken to the theatre by De Guiche (Ben Mendelsohn), a man she does not love, but he paid for the tickets. The theatre was a joy right up until a voice calls out from the shadows decrying the leading actor. The voice head of The Guards and childhood friend of Roxanne, Cyrano de Bergerac (Peter Dinklage). Cyrano is profoundly in love with Roxanne but has never declared his intentions. Later that night, Roxanne’s attendant Marie (Monica Dolan) invites Cyrano to a private meeting with Roxanne. Cyrano is ecstatic, but this is short-lived when she asks him to look out for her love Christian de Neuvillette (Kelvin Harrison Jr.). Christian doesn’t know how to confess his love for Roxanne, so Cyrano makes a deal. He will write romantic prose for Roxanne but under the name of Christian.   

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Movie Review – Portrait of a Lady on Fire (Portrait de la Jeune Fille en Feu)

TL;DR – A beautiful yet deeply sad film that never quite escape its emotional weight      
Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Portrait of a Lady on Fire (Portrait de la Jeune Fille en Feu). Image Credit: Madman films.

Review –

Several films came out around Christmas that I wanted to see but I could not make it work because my new job didn’t start till the end of January. Well thankfully a lot of them are now making their way to video on demand (at a reasonable price unlike some other films) so I get to jump back in and fill in those gaps. The first film in that group is full of mood and tension and 18th century France.

So to set the scene, in the 18th century of the coast of Brittany, France a woman takes the long trip across the ocean in a rowboat. Marianne (Noémie Merlant) is a painter and has been hired The Countess (Valeria Golino) to paint her daughter Héloïse (Adèle Haenel). The painting is to be sent as a part of Héloïse’s wedding present, an arranged marriage to a noble in Milan. However, there is a catch, because Héloïse sent the last portrait painter off in disperse with an unfinished work hanging in the house, Marianne has to paint Héloïse in secret without her knowing. 

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