Tag Archives: French Cinema

The Wages of Fear (Le Salaire de la Peur) (2024) – Movie Review

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TL;DR – While there is a solid narrative framework for the action, we end up with a film that has more missed opportunities than times they cut to jiggling nitro canisters.

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

A oil pump explores.

The Wages of Fear Review –

Today, we are looking at a remake of a classic novel and a classic film. I have not watched or read the original, but even then, their legacy looms large. Getting a second or third but at the apple can be an advantage because you have seen where things have not worked before, but then, when you are walking on the same ground as a classic, you might be lurking in dangerous territory.

So to set the scene, we open in the middle of the North African desert as pursuers ambush two cars from World Wide Heath and are just able to get into a local village before getting overrun. But a single stray bullet was enough to take out the local gas well. If the fire spreads, it will take out the entire village. They have only 24 hours to get enough nitro-glycerine to explode the gas pocket. Fred (Franck Gastambide) does not want to risk the ride through occupied territory; good thing the head of the oil company, Anne (Astrid Whettnall), had the perfect leverage, Eric (Alban Lenoir), Fred’s brother stuck in jail for a crime, Fred committed.   

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Asterix & Obelix: The Middle Kingdom (Astérix et Obélix: l’Empire du Milieu) – Movie Review

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TL;DR – While it captures the vibe of the original comics, some choices kept ripping me out of the film.

Rating: 2.5 out of 5.

Post-Credit Scene – There are many mid-credit scenes

Disclosure – I paid for the Netflix service that viewed this film

The village.

Asterix & Obelix: The Middle Kingdom Review –

Growing up, one of my joys was going to the library and finding a new Asterix comic I had never read before. Then I got old enough to understand that all the names were puns, and a new world opened up. I know they have done a couple of live-action movies before, but now was a chance to see if they could capture that joy from the original comic.

So to set the scene, it is 50 BC, and all of Gaul has been concurred by the Roman Empire … well, not all of Gaul because on the coast, one village holds out. Four Roman camps at Totorum, Aquarium, Laudanum, and Compendium surround the village but still cannot concur. Out in the forest hunting for boar are the titular Asterix (Guillaume Canet) and Obelix (Gilles Lellouche), who show why the village can not be concurred thanks to the magic potion brewed by the druid Getafix (Pierre Richard). But one day, a surprise chariot arrives in the village carrying Princess Fu Yi (Julie Chen) from China escaping a forced marriage with Deng Tsin Qin (Bun Hay Mean), and our pair have to go off on a new adventure.   

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The Wanderings of Ivan (La Balade d’Ivan) – Movie Review

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TL;DR – The Wanderings of Ivan is a cold look at a real problem shown through the eyes of an excellent performance by Aram Arakelyan

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Warning – Several scenes contain flashing lights.

The Wanderings of Ivan (La Balade d’Ivan). Image Credit: NQV Media.

The Wanderings of Ivan Review –

Homelessness is one of those issues that is a larger issue in modern societies, but we tend to push it aside and not think about it. But what happens to a person when they are cut off from having enough to eat when there are not avenues they can use to get out of where they are? Today we look at a film that is exploring this critical issue.

So to set the scene, Ivan (Aram Arakelyan) lives rough on the streets of Paris. To survive, he begs on the street and steals leftovers, but even that is not really enough. He tries to find work or a safe place to sleep but more often than not ends up sleeping rough each night with only a couple of Euros to his name. After a while, he finds a secluded wooded area on the outskirts of the city where he is not the only one without a home.  

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The Death of Stalin – Exploring the Past

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TL;DR – A farcical look at the reality of when an inept leader dies and leaves a vacuum to be filled.     

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

The Death of Stalin. Image Credit: Madman.

The Death of Stalin Review –

Way back in the before times, I had planned to see The Death of Stalin in cinemas, with a planned double session. However, after being emotionally obliterated by Gurrumul, that got put on hold and very came to fruition. I have kept meaning to watch it since then, but now given I have some time thanks to the current state of the world, I thought it would be the perfect time to dive in.  

In 1953, Joseph Stalin (Adrian McLoughlin) was ruling the country with an iron fist, killing all those who oppose or even annoy him. There is a raucous almost frat house feel around dinner as Nikita Khrushchev (Steve Buscemi) and Lavrenti Beria (Simon Russell Beale). While this jocularity goes on, Stalin requests the recording of a concerto performance he just heard on Radio Moscow, one small problem. No one recorded it. Chaos erupts as Yuri Andreyev (Paddy Considine) tries to record the performance, while buses round people up across the city. It would be the worst time for something to happen to Stalin, but as the title of the film suggests that is what happens because pianist Maria Yudina (Olga Kurylenko) slipped a note of sedition into the recording. As Stalin read it, he suffers a cerebral haemorrhage and becomes paralysed, and no one comes to his aid till morning.

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Cuties (Mignonnes) – Movie Review

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TL;DR – A deeply uncomfortable film exploring the over-sexualisation and control over young girls.      

Score – I am honestly not sure how to score this film

Post-Credit Scene – There is no post-credit scene

Cuties (Mignonnes). Image Credit: Netflix.

Cuties (Mignonnes) Review –

If there has been one film in recent times that has been entirely destroyed reputationally before it even came out it was the film we are reviewing today. When Netflix released the promotional material, it was demonised across the internet, and from the excerpts Netflix decided to choose it is not hard to see why. The director was hounded off Twitter and labelled an exploitive filmmaker and more. However, those who had seen the film already made it clear that the framing used in the promotional material was not representative of the final product. Well, today we see which is right as we explore the film now it has had its official release.

So to set the scene, we open in on Amy Diop (Fathia Youssouf Abdillahi) as her family makes a new home in France after moving from Senegal. She is trapped between two worlds, the conservative world of her mother Mariam (Maïmouna Gueye), and the more liberal world she has moved into in France. She becomes drawn to some of her classmates who dance in ways that she has never seen (even if they are just the worst in every other way). These crashing worlds come into even more relief when she discovers that her father has not joined them yet because he has taken a second wife.      

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An Easy Girl (Une Fille Facile) – Movie Review

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TL;DR – A frustrating mess of a film    

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene

An Easy Girl (Une Fille Facile). Image Credit: Netflix.

Review –

One of the good things about watching films from around the world is that you get to experience a whole range of new stories. This is usually a boon, however, sometimes it all falls flat, and today, unfortunately, we look at the later.  

So to set the scene, we open in on Cannes on the French seaside where Naïma (Mina Farid) has just turned 16. She is trying to find her place in the world and see her future. At the start of summer her cousin Sofia (Zahia Dehar) who just lost her mother comes to stay from Paris. It is a time for finding oneself under the French sun.

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Movie Review – MILF

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TL;DR – It lives up to its title in interesting ways    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

MILF. Image Credit: Netflix.

Review –

In my time reviewing films I have seen a lot of movies about older men trying to recapture their youth by chasing after young women, and those few moments that the reverse is true they always seem to be directed by men. Well, today we review a film directed by a woman with that perspective clearly intact. Though before I dive in, I should preface this with this is a film that very much lives up to its title, and I am pretty sure everyone knows what MILF is, if you don’t then this is probably not the film for you and also maybe don’t google that.

So to set the scene, three friends are on their way to the coast to have a holiday of sorts from their jobs in Paris. Cécile (Virginie Ledoyen) is there to get her holiday house ready for sale after the death of her husband and her friends Sonia (Marie-Josée Croze) and Elise (Axelle Laffont) have come for support. Well while out on the bay going for a sail they come across several young men like Julian (Matthias Dandois) and Paul (Waël Sersoub) out on the water, and things take a turn when an unintended butt dial leaves everyone single and guilt-free.

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Movie Review – Portrait of a Lady on Fire (Portrait de la Jeune Fille en Feu)

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TL;DR – A beautiful yet deeply sad film that never quite escape its emotional weight      
Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Portrait of a Lady on Fire (Portrait de la Jeune Fille en Feu). Image Credit: Madman films.

Review –

Several films came out around Christmas that I wanted to see but I could not make it work because my new job didn’t start till the end of January. Well thankfully a lot of them are now making their way to video on demand (at a reasonable price unlike some other films) so I get to jump back in and fill in those gaps. The first film in that group is full of mood and tension and 18th century France.

So to set the scene, in the 18th century of the coast of Brittany, France a woman takes the long trip across the ocean in a rowboat. Marianne (Noémie Merlant) is a painter and has been hired The Countess (Valeria Golino) to paint her daughter Héloïse (Adèle Haenel). The painting is to be sent as a part of Héloïse’s wedding present, an arranged marriage to a noble in Milan. However, there is a catch, because Héloïse sent the last portrait painter off in disperse with an unfinished work hanging in the house, Marianne has to paint Héloïse in secret without her knowing. 

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Movie Review – I am Jonas (Jonas/Boys)

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TL;DR – There is an interesting film here, but it just does not quite come together   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

I am Jonas (Jonas/Boys). Image Credit: Netflix.

Review –

In a film, time can be just as much part of the narrative landscape as the words the actors say. It can shape a film, it can direct a film, it can hide and it can reveal. Today, we look at a film that plays with time in its narrative, and while it never quite works it is interesting.

So to set the scene, we open in on a young Jonas (Nicolas Bauwens) playing Tetris on the Gameboy, while his dad fills up the car. Rage quitting he sees something out in the darkness and is attacked by a memory one he can’t shake. Many years later, Jonas (Félix Maritaud) is a very different person, but he is still haunted by the past.   

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Movie Review – Just a Breath Away/Hold Your Breath (Dans la Brume) (2018)

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TL;DR – A good concept for a disaster film, but it does not quite hit where it needed to hit.     

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Just a Breath Away/Hold Your Breath (Dans la Brume). Image Credit: Mars Distribution.

Review –


Given the state of Australia, where I live at the moment, it has been difficult to turn on the television and not see another disaster unfold. With that in mind, it was interesting timing that saw a film about not being able to breathe outside just as it is happening in real life. Today we dive into a film that does just that, though not in the streets of Australia, but in Paris, France.

So to set the scene, in the not too distant future Mathieu (Romain Duris) lives across the road from his ex-wife Anna (Olga Kurylenko) and their daughter Sarah (Fantine Harduin). While they are no longer together, they work to help raise their daughter who has Stimberger’s Syndrome and is confined to a protective bubble to isolate her and keep her safe. One day Paris is shaken by an earthquake and as Mathieu goes out to investigate he discovers a deadly mist exploding from underground killing all those who breathe it in. Running he is able to get Anna to safety upstairs, but they have to leave Sarah behind in her bubble as the smoke comes pouring in.

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