TL;DR – A beautiful, haunting, and often brutal look at what we do for those we love.
Score – 4.5 out of 5 stars
Post-Credit Scene – There is no end-credit scene
There was a time not that long ago where zombies were this interesting subset of the horror genre. Now in a world where every second video game has them as an enemy and we have seen nearly every possible permutation of it on the big and small screen, it honestly feels like we have become saturated with the living dead. Now frankly, this is a great pity because out there in the world of media there are still very powerful works of art being made that deals with these issues, like The Last of Us and Train to Busan. Well, today we are looking at a film that is joining these lofty heights with Cargo.
TL;DR – This might be one of the most important cultural touchstones of Australian cinema that I have ever seen, a beautifully honest look at the intersections that exist in Australia, and a powerful call to action.
Score – 5 out of 5 stars
Post-Credit Scene – Watch all the credits
Warning – Aboriginal and Torres Strait Islander readers should be advised that the following review contains depictions, images and voices of people who have died.
I truly did not know what to expect when I walked into the cinemas today. I had heard of Geoffrey Gurrumul Yunupingu but I honestly to my own shame while I had heard of some of his more famous songs, and the work he did in the opening song for Cleverman, it is clear that this has barely scratched the surface of his body of work. What I was not expecting was that I was about to have one of the most emotional experiences that I have ever experienced watching a work of cinema. I think I spent most of the film with tears rolling down my face. So today we will look at what I feel is one of the best cinematic touchstones to encapsulate Australia, its past, present, and future.