TL;DR – While there are moments of brilliance and a real commitment to body horror, a flaw in the central premise and some very clunky dialogue hold it back.
Post-Credit Scene – There is no post-credit scene.
Disclosure – I was invited to a press screening of this film.
Clayface Review Introduction
In today’s review, we are looking at a film that is in many ways an experiment: are audiences willing to sit through a hard body-horror exploration of the comic book world? That might indeed turn out to be a hard sell. Indeed, the character of Clayface has gone from being completely off my radar to having two or three different versions in the last few years alone. However, the DCU is not afraid of some experiments, but will it be the Joker or Joker 2?
So, to set the scene, Matt Hagen (Tom Rhys Harries) is the talk of the film scene in Coastal City, even earning his first Academy Award nomination. However, when he is back in Gotham City for publicity, the city he and his best friend (Joshua James) grew up in, they head out to the club. The music is bouncing, the lights are flashing, and the dancing is good. But while his friend tries to warn Matt, nothing stops the actor from dancing and spending the night with Theresa (Ruby Sear), the girlfriend of local crime lord Markos Szabo (David Dencik). After finding them in bed together, he promptly rips Matt’s face apart before bribing everyone involved to make the problem disappear. Matt is ruined and without hope when he sees a news report of the work Caitlyn Corr (Naomi Ackie) is doing with nanobots, and maybe there is hope for him still.
