TL;DR – Everything so far this season has led to here, and it did not disappoint.
Rating: 5 out of 5.
Gaugamela Review –
When you have set up a narrative to hit an inevitable crescendo, it can be dangerous because it becomes make or break. If you fall flat, all that hard work was for naught, and you can sink your whole narrative. This meant that I came into this episode with a little trepidation as everything from Exodus, Churn, and Mother led to this moment, and well, I am glad to say that it did not disappoint.
So to set the scene, during last week’s episode, Amos (Wes Chatham) decided that this was the last time he was ever going to come back down the well, which meant if he had any unfinished business now was the time to fix it. A couple of favours later and he found himself in The Pit, the place where the UN keeps its most dangerous criminals. He is here to meet Clarissa Mao (Nadine Nicole) or as he calls her Peaches. However, as Amos is down The Pit, everything gets put into lockdown, and the room begins to shake. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This is an incredible, violent, and emotionally visceral film that will grab you in the first frame and not let go
Score – I honestly don’t know how to score this.
Post-Credit Scene – There is no post-credit scene
In a now previous life, I taught
international relations to university students. This is a large discipline and
one of the areas we looked at was terrorism, which happens to be one of the
most pressing security issues in the modern world, or not, it’s complicated.
All of this meant that when I walked into the theatre to review this film I
thought I had a pretty good handle on what I was about to see, as I was quite familiar
with the 2008 Mumbai Attacks, and well I could not have been more wrong.
So to set the scene, we open with a boat slowly making its way into one of the
many harbours on the Mumbai shoreline. On the boat are eight well-dressed young
men who could be there for work in the financial capital of India, but immediately
you know that is not the case. Each of them carries a large duffel bag and they
are listing to someone give them instructions, directing them to different
landmarks across the city. Meanwhile, across the city everyone else is just going
through their day as normal, Arjun (Dev Patel) is trying to get his dastaar perfect as he gets ready for work at
the Taj Hotel, Zahara (Nazanin Boniadi), her husband David (Armie Hammer), and
their nanny Sally (Tilda Cobham-Hervey) are arriving at the hotel after a long
flight and everyone is racing to get the room ready for her as her mother is a
VIP, and the hotel head chef Hemant (Anupam Kher) is just trying to work out
how to get everything done in such a short time. None of them knows the hell that is heading for them.
TL;DR – This show is a masterpiece of building tension and always keeping you wonder, just who is telling the truth.
Score – 5 out of 5 stars
Across the internet, I had heard these whispers about the show dropping in the UK called Bodyguard. It was the kind of whispers that instantly makes you wonder, just what kind of show this is going to be, and then it dropped over here on Netflix. So, I thought, hey let’s give this a look, and then those first twenty minutes of the first episode happened and wow, never have I experienced such a tense twenty minutes of television before. From that moment onwards, I knew I had to see all of this as quickly as I could and I am so glad I did, even if it meant some essays might be returned a bit late, so a belated sorry to my students.
TL;DR – This is a movie with a lot of moving parts, some which are simply amazing and others that don’t quite work as well.
Score – 3 out of 5 stars
The Foreigner is a really interesting film, because it is a film with a lot of moving parts, and it is delving into an area and setting you don’t see very often these days. However, while some parts of this film are simply amazing, others just don’t work at all, which creates a kind of juxtaposition. You’ll be sitting there during these moments of high intensity, or fascinating filmmaking, but then something from the story will just rip you out of it. So today what we will do after setting the scene is break down this juxtaposition.