Tag Archives: The Creator

Awards – My Top 20 Films of 2023

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So far, in our awards, we have looked at Action, Animation, Best of Australia & New Zealand, Cinematography, Costumes, Emotion, Fun, Music, Tension, and Worldbuilding.

However, in this last entry into our Best of 2023 awards, we crown our Best Film of 2023.

All films are subjective, so our list might look completely different from yours. Of the 121 films we reviewed last year, 113 had their Australian Theatrical/Streaming Release in 2023. This is the list we draw our entries from, and you can see the complete list of movies HERE.

Much like last year’s list, we have had many staggered releases towards the end of the year in Australia. So we may have films here that were released in 2022 for you but 2023 for us, and there may be some omissions here because we won’t get those films until later in 2024, which is why you won’t see The Holdovers on this list (it will be on the 2024 list)

Highly Commended – Asteroid City, Crater, John Wick: Chapter 4, M3GAN, Nimona, Sweet As & They Cloned Tyrone

Okay, with that out of the way, let’s dive into the first entry in our list of Best Films of 2023.

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Worldbuilding that Astounded Us in 2023

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One of the benefits of film is that it is a visual medium, which means that it can do in a frame what it might take a book several pages of description to pull off. We see this the most in its ability to build worlds in front of our eyes.

These worlds could be great space operas exploring galaxies, a small period piece that looks back in time, or anything. But when every part of the film is used to tell a story, you know it is good.   

Our Highly Commended in 2023 are Guardians of the Galaxy Vol. 3, Oppenheimer, Tetris & They Cloned Tyrone
Our Best TV Worldbuilding in 2023 are Ahsoka: Season 1, Jury Duty: Season 1, Lockwood & Co.: Season 1, Pokémon Concierge: Season 1 & Silo: Season 1

So, without further ado, these films showed excellence in Worldbuilding 2023. Be warned that there may be slight spoilers for the movies in question.

And the Nominees are –

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The Films of 2023 That Emotionally Wrecked Us

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As I have gotten older, I am not afraid of having a good old-fashioned ugly cry in the cinemas when the time calls for it, and hell, I probably got emotional just writing this list (Spoiler: I did). Sometimes, they are tears of grief or tears of joy, and even still, sometimes, they are tears of anger. 

Emotion is a core part of the cinema experience. If you can’t get us to respond emotionally to your characters and/or the situation, I am sorry you failed to make a great film.

Our Highly Commended in 2023 are The Boy and the Heron, Crater, Creed III, Guardians of the Galaxy Vol. 3, Oppenheimer, Spoiler Alert, Till & Uproar
Our Best TV Emotions in 2023 are The Last of Us: Season 1, Loki: Season 2, Silo: Season 1, Star Trek: Strange New Worlds: Season 2 & Ted Lasso: Season 3

So, without further ado, these are the films of 2023 that emotionally wrecked us. Be warned that there will be significant spoilers for the films in question.

The Nominees Are –

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The Costumes of 2023 That Made Us Say ‘Hot Damn’

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You can use many techniques to help build your world, ground your setting, or give dimensions to your characters. You can use music and create elaborate sets, but one of the best ways is through the costumes you make.

People instantly judge a character within moments on the screen, and the outfits are essential to that first impression. More than this, you can also use costumes as a way of storytelling. What do they say about this world? What do they say about how a character is progressing? 

Costumes can build worlds and tell us details we can only see, but also they can make us say, ‘Hot Damn’, look at that beading on that dress. That must have taken hours to do!

Our Highly Commended in 2023 are The Creator, Guardians of the Galaxy Vol. 3, Oppenheimer, Red, White & Brass & Women Talking

Our Best TV Costumes in 2023 are Ahsoka: Season 1, Foundation: Season 2, Loki: Season 2,  Shadow and Bone: Season 2 & Star Trek: Strange New Worlds: Season 2

So without further ado, these costumes made us say ‘hot damn’ in 2023. Be warned that there may be slight spoilers for the films in question.


The Nominees Are –

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Cinematography That Made You Go Wow in 2023!

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Cinematography is an art form that can be as bold as a gong crashing after a moment of silence or as subtle as the tide coming in. It elevates a film to the heights of accolades or becomes frustrating when it misfires.

While at the heart of cinematography is the Director of Photography or Cinematographer, to get something from the script to the final shot takes a whole team of professionals, and it is their talent that we champion today.

Our Highly Commended in 2023 are The Creator, Godzilla Minus One & John Wick: Chapter 4

Our Best TV Cinematography in 2023 are Deadloch: Season 1, Foundation: Season 2, Jury Duty: Season 1, The Last of Us: Season 1 & Ted Lasso: Season 3

So, without further ado, these moments of cinematography took our breaths away in 2023. Be warned that there may be some slight spoilers for the films in question.

The Nominees Are –

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The Creator – Movie Review

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TL;DR – A phenomenal work of art that touches on all the emotions.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A smiling synth.

The Creator Review –

There are many ways you can get me into a cinema, and chief among them is bringing a new Science Fiction film into the world. A new movie not attached to any existing IP. Do you know how rare that is today? But then also have it be the first significant follow-up of Gareth Edwards after Rogue One. Well, you have already sold me, but sure, add a cherry on the top. However, even then, I was unprepared for the beauty and ugliness I was about to watch.

So to set the scene, in the near future, AI, robotics, and synths will be a part of every facet of society. That is until that same AI launched a nuclear missile attack on Los Angeles in 2055. Millions died, and much of the world banned AI, but not New Asia. Ten years after LA and the war across New Asia rages, America tries to destroy the robotic resistance. Amongst all of this, Joshua (John David Washington) and Maya (Gemma Chan) live in a house on the beach and are expecting their first child when an American raid reveals Joshua to be a double agent. It is a disaster for Joshua, but five years later, as the last threat to the looming spaceship USS Nomad is identified, he is given a choice: Help a team find this weapon and maybe save his love. But no one was expecting what they found in that lab.

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