TL;DR – A perfectly serviceable if messy action film but one that struggles to find an identity.
Post-Credit Scene – There is no post-credit scene
Disclosure – I paid for the Netflix service that viewed this film.
The Gray Man Review –
You can feel that Netflix is a company going through an identity issue. No longer is it just ‘the place where you go for binging streaming content’ because others are doing it just as well, and now even the concept of binging has lost its value. So what we are getting are things being cancelled left, right and centre, but then $200 million being dropped on big-name films. I am not sure how this will go for the company, but we are getting to see the results of this tonight with The Gray Man.
So to set the scene, we opened in 2003 in a state prison in Florida, where Donald Fitzroy (Billy Bob Thornton) of the CIA is here to recruit Court Gentry (Ryan Gosling). He is looking for people to add to his black-ops team, whose central role is assassinations in the ‘grey’. Eighteen years later, in Bangkok, Court is now Sierra Six and is one of the CIA’s best assists in the field, where he takes an op from Dani Miranda (Ana de Armas). It is a time-sensitive mission to take out Dining Car (Callan Mulvey), which is why they are using Six. But when he won’t risk the collateral of children, things start spiralling out of control, and then Six discovers that the mark Dining Car is Sierra Four and that his boss Denny Carmichael (Regé-Jean Page), might not be on the up and up.