TL;DR – A perfectly serviceable if messy action film but one that struggles to find an identity.
Rating: 3 out of 5.
Post-Credit Scene – There is no post-credit scene
Disclosure – I paid for the Netflix service that viewed this film.
The Gray Man Review –
You can feel that Netflix is a company going through an identity issue. No longer is it just ‘the place where you go for binging streaming content’ because others are doing it just as well, and now even the concept of binging has lost its value. So what we are getting are things being cancelled left, right and centre, but then $200 million being dropped on big-name films. I am not sure how this will go for the company, but we are getting to see the results of this tonight with The Gray Man.
So to set the scene, we opened in 2003 in a state prison in Florida, where Donald Fitzroy (Billy Bob Thornton) of the CIA is here to recruit Court Gentry (Ryan Gosling). He is looking for people to add to his black-ops team, whose central role is assassinations in the ‘grey’. Eighteen years later, in Bangkok, Court is now Sierra Six and is one of the CIA’s best assists in the field, where he takes an op from Dani Miranda (Ana de Armas). It is a time-sensitive mission to take out Dining Car (Callan Mulvey), which is why they are using Six. But when he won’t risk the collateral of children, things start spiralling out of control, and then Six discovers that the mark Dining Car is Sierra Four and that his boss Denny Carmichael (Regé-Jean Page), might not be on the up and up.
TL;DR – From the action to the story and the music. First Contact captures a real moment in Science Fiction history and is still probably my favourite Star Trek film.
As the march of time continues forth, I was reminded that it has been twenty-three years since Star Trek: First Contact came out in cinemas. Goodness, 1996, such a long time ago, a time when I was not even in high school. However, in all the time since and before I don’t think any Star Trek film has had the same impact on me (though Wrath of Khan and Beyond come pretty close). As the time is right, and we all know how important time is, let’s dive into the joy that is Star Trek: First Contact.
So to set the scene, in Generations the USS Enterprise-D was destroyed by assailants and so a new ship the Sovereign-class USS Enterprise-E was commissioned with all our familiar faces making the transition. However, just with the Enterprise is in the middle of its shakedown cruise the worst possible news happens. The Borg are back. A large cube ship is on a trajectory with Earth but the Enterprise cannot help as Jean-Luc Picard (Patrick Stewart) was once assimilated by the Borg and Starfleet wants it away from the battle. But to hell with orders, which is good because this time the Borg is messing with the timeline and only the Enterprise can fix the damage before it is too late.
TL;DR – This does everything you need the first episode of a new season to do.
Score – 4 out of 5 stars
The first season of Luke Cage (see review) started off so strong, with such an amazing cast, and the first big dive into African culture for Marvel in the lead up to Black Panther (see review). However, like many of the Netflix/Marvel TV Shows it lagged in the middle, but unlike the other shows, it just could not stick the landing, with one of the most underwhelming season finales so far. However, while there were real issues, there was also such an amazing potential which we got to see a bit of in The Defenders (see review). So today we take our first steps in the follow-up season as a new player enters the scene in Harlem.