The Gray Man – Movie Review

TL;DR – A perfectly serviceable if messy action film but one that struggles to find an identity.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

A plane about to crash.

The Gray Man Review

You can feel that Netflix is a company going through an identity issue. No longer is it just ‘the place where you go for binging streaming content’ because others are doing it just as well, and now even the concept of binging has lost its value. So what we are getting are things being cancelled left, right and centre, but then $200 million being dropped on big-name films. I am not sure how this will go for the company, but we are getting to see the results of this tonight with The Gray Man.   

So to set the scene, we opened in 2003 in a state prison in Florida, where Donald Fitzroy (Billy Bob Thornton) of the CIA is here to recruit Court Gentry (Ryan Gosling). He is looking for people to add to his black-ops team, whose central role is assassinations in the ‘grey’. Eighteen years later, in Bangkok, Court is now Sierra Six and is one of the CIA’s best assists in the field, where he takes an op from Dani Miranda (Ana de Armas). It is a time-sensitive mission to take out Dining Car (Callan Mulvey), which is why they are using Six. But when he won’t risk the collateral of children, things start spiralling out of control, and then Six discovers that the mark Dining Car is Sierra Four and that his boss Denny Carmichael (Regé-Jean Page), might not be on the up and up.

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Shadow In The Cloud – Movie Review

TL;DR – Conceptionally, this is an interesting film, but I am not sure it makes the leap from concept to the final film.     

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Amazon Prime service that viewed this movie.

Shadow In The Cloud. Image Credit: Roadshow Films.

Shadow In The Cloud Review

Well, today, we look at a film that is clearly swinging for the fences in what it wants to do. It’s a wild ride, like anything experimental, but like some experiments, it doesn’t quite work in places.  

So to set the scene, we open in World War 2 with a short cartoon reminding everyone that there is no such thing as gremlins, and only airmen can stop disasters in the sky. At an Allied Airbase in Auckland, a B-17 bomber called The Fool’s Errand is waiting to take transistors to Apia, Samoa. However, just before they take off, Flying Officer Maude Garrett (Chloë Grace Moretz) arrives with a broken arm, a mysterious package, and secrecy orders. The crew is quite miffed about the change of plans, but they relent, and the plane takes off, with Maude in the Sperry Ball turret on the bottom of the aircraft. Her goal is working until they see some Japanese planes and a creature crawling on the wing.  

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High Ground – Movie Review

TL;DR – A challenging and confronting film exploring a part of Australia’s history that we don’t like to talk about.     

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film.

High Ground. Image Credit Madman Films.

High Ground Review

When I was growing up, every year at school we looked at the explorers that charted the coast, then the first fleet, finally the early penal colonies, and then we skip forward to Federation. At no time did we talk about the people who lived in the land before the colonists arrived, nor did we explore what happened to them as colonisation swept across the nation. The period known as the Frontier Wars was a bloody conflict about removing people from their land. In today’s review, we look at a film that explores this part of Australia’s history and all the ugliness that comes with it.

So to set the scene, in 1919 in Arnhem Land Australia, Gutjuk (Guruwuk Mununggurr) is being taught the dances of his people by his uncle Baywara (Mark Garrawurra) when they stumble across two men fleeing from troopers. They were accused of killing a cow, and they are allowed to stay the night, but then they must move on. However, before than can happen, the troopers arrive at the camp, but with a plan to discuss things peacefully. They were to move in as a group and announce their arrival. They brought the local priest Braddock (Ryan Corr) to help translate and if all went wrong the commander of the troop Travis (Simon Baker) was on the high ground overlooking the settlement and could fire down if needed. Well, that was the plan, but as Travis watches the group splits up, chooses to sneak up on the group, and ignore his command that only Travis can fire first. It is a recipe for disaster, and disaster is what occurs.

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Movie Review – Outlaw King (Outlaw/King)

TL;DR – It is a film that is completely serviceable, with some amazing action, but just comes off feeling lacking in many ways

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Outlaw King. Image Credit: Netflix

Review

This is a real odd duck of a film, even before it came out there were questions about its runtime and how it was edited together, with reports that over 20 minutes got cut for its final release. Add to this the only other thing it was noticeable for was a certain alleged scene involving Chris Pine and well, that was not a strong platform to release a film on. So, my real concern was – did taking a hatchet to the film trim it down to only its best parts, or did it turn it into a hacked up mess – and the answer is a bit of both. Now just a quick thing, I will let others more versed in Scottish history to comment on whether or not the film is accurate with history or not.

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