TL;DR – A film that unfortunately cannot reach the heights of its past.
Rating: 3 out of 5.
Post-Credit Scene – There is no post-credit scene
A few years ago, I stumbled across this fascinating Korean film called The Train to Busan. It was a zombie film where every character acted consistently and understandably throughout its run time. In a sea of mediocre zombie flicks, it instantly rose to the top, and since then maybe only Cargo has come close to meeting it. Thus, I was excited when I heard there was going to be a sequel to that great film. However, now I have seen it. I realise I should have modulated my expectations before going in.
So to set the scene, we open in on the day that South Korea fell. With Seoul burning in the background, Captain Jung-seok (Gang Dong-won) is racing through mountainous back roads to get his family out on the last refugee boat. While driving, they came across a stranded family with a baby and just kept on driving. They make it to the boat in time, however, as it is leaving one of the passengers turns and before they can stop it all of Jung-seok’s family is dead bar his brother-in-law Chul-min (Kim Do-yoon). Four years later, in Hong Kong living in squalor waiting for refugee status, Chul-min and Jung-seok are offered an opportunity by a local gangster to make some real money. All they have to do is go back to Inchon, in what is now just known as The Peninsular, under cover of darkness and recover a food truck with 20 Million Dollars in the back. What could go wrong?
TL;DR – A beautiful, haunting, and often brutal look at what we do for those we love.
Score – 4.5 out of 5 stars
Post-Credit Scene – There is no end-credit scene
There was a time not that long ago where zombies were this interesting subset of the horror genre. Now in a world where every second video game has them as an enemy and we have seen nearly every possible permutation of it on the big and small screen, it honestly feels like we have become saturated with the living dead. Now frankly, this is a great pity because out there in the world of media there are still very powerful works of art being made that deals with these issues, like The Last of Us and Train to Busan. Well, today we are looking at a film that is joining these lofty heights with Cargo.