Sweet As – Movie Review

TL;DR – A film that will make you laugh and cry in equal measure, that brings a profoundly Australian feel to a coming-of-age story set in the simple stunning Pilbara.

Rating: 4 out of 5.

Post-Credit Scene – There are photos during the start of the credits

Disclosure – I paid to see this film

The bus on the highway.

Sweet As Review

One of the best things about film festivals is finding gems you have not heard about. Today we see just such a film that I caught at the closing gala of The Brisbane International Film Festival. A film about finding yourself along the coast of Western Australia.

So to set the scene, Murra (Shantae Barnes-Cowan) lives with her mother, Grace (Ngaire Pigram), in a mining town on the Western Australian coastline. Murra has to mainly look after herself as her mum struggles with addiction relapses, which comes to a head when someone from one of Grace’s parties tries to break into Murra’s room one night. Calling in on her uncle Ian (Mark Coles Smith), he realises that there are very few options for her left. Using his connections as a cop, Ian gets Murra into a photography program for at-risk kids run by Mitch (Tasma Walton) and Fernando (Carlos Sanson Jr.). The program was designed as a way to help, maybe even a last chance, for Murra and the three other campers, Elvis (Pedrea Jackson), Kylie (Mikayla Levy), and Sean (Andrew Wallace) it could well be.

Continue reading
Advertisement

Heartbreak High (2022): Season 1 – TV Review

TL;DR Heartbreak High crafted an interesting narrative with compelling characters in a setting that does not get the coverage that it should

Rating: 4 out of 5.

Disclosure – I paid for the Netflix service that viewed this series.

Warning – Contains scenes that may cause distress

The "Map"

Heartbreak High Review

Ever since Sex Education blasted onto the scene, there has been a big push by networks to jump back into the world of teen coming-of-age series, but written with a level of maturity. While there have been a lot of pretenders, I have yet to see anything come close to capturing that level of honesty in a show, well, that is until today. Today we are looking at a show that feels like a breath of fresh air while also being a call back to an Australian classic set at Hartley High School in Sydney, Australia.

So to set the scene, Amerie (Ayesha Madon) and Harper (Asher Yasbincek) are besties who spend their lives inseparable and then fighting hard. But after a music festival, Harper ghosted Amerie and completely changed her appearance. Amerie is trying to find out why all hell breaks loose when they get into a fistfight. Because all last year, Amerie and Harper spent their time in the abandoned stairwell making a map of all the different sexual encounters their grade had engaged in. So on the day that Amerie losses her best friend, the map is discovered, and Amerie goes from being Amerie to becoming ‘Map Bitch’ before being sequestered away in a sexual literacy tutorial with everyone else on the map, including Darren (James Majoos), Quinni (Chloe Hayden), Malakai (Thomas Weatherall), Ca$h (Will McDonald), Dusty (Joshua Heuston), Sasha (Gemma Chua-Tran), Spider (Bryn Chapman-Parish), Missy (Sherry-Lee Watson), and Ant (Brodie Townsend). Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.     

Continue reading

The Drover’s Wife: The Legend of Molly Johnson – Movie Review

TL;DR – A heart-wrenching look at life in Australia on the cusp of the 1900s and at issues that are just as relevant today.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Warning – This film depicts scenes of abuse

Disclosure – I paid to see this film

Sheep being headed across the plains

The Drover’s Wife: The Legend of Molly Johnson Review

There are many touchstones in Australian literature that you must look at in school, and one of the big ones from the 1800s is Henry Lawson. One of their more famous works is that of The Drover’s Wife, a story of life on the ‘frontier’ in 1983. It is an interesting tale of survival against the elements, but it also glosses over many realities of the time. Today we are looking at a film that takes that central premise and then reinterprets the story from a different perspective.

So to set the scene, it is 1893, and high up in the Snowy Mountains, a lone mother, Molly Johnson (Leah Purcell), is watching over her home and four children while her husband is away droving sheep on the high plains. Her husband is away for months at a time, so she has to be resourceful, like when she takes out a wandering bullock that was about to attack her kids. But as she is cooking the meat, the new town Sergeant Klintoff (Sam Reid) and his wife Louisa (Jessica De Gouw) arrive destitute after losing it all in the river. Molly helps them and sends them on their way because they can take her kids to town, so she can give birth uninterrupted.

Continue reading

High Ground – Movie Review

TL;DR – A challenging and confronting film exploring a part of Australia’s history that we don’t like to talk about.     

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film.

High Ground. Image Credit Madman Films.

High Ground Review

When I was growing up, every year at school we looked at the explorers that charted the coast, then the first fleet, finally the early penal colonies, and then we skip forward to Federation. At no time did we talk about the people who lived in the land before the colonists arrived, nor did we explore what happened to them as colonisation swept across the nation. The period known as the Frontier Wars was a bloody conflict about removing people from their land. In today’s review, we look at a film that explores this part of Australia’s history and all the ugliness that comes with it.

So to set the scene, in 1919 in Arnhem Land Australia, Gutjuk (Guruwuk Mununggurr) is being taught the dances of his people by his uncle Baywara (Mark Garrawurra) when they stumble across two men fleeing from troopers. They were accused of killing a cow, and they are allowed to stay the night, but then they must move on. However, before than can happen, the troopers arrive at the camp, but with a plan to discuss things peacefully. They were to move in as a group and announce their arrival. They brought the local priest Braddock (Ryan Corr) to help translate and if all went wrong the commander of the troop Travis (Simon Baker) was on the high ground overlooking the settlement and could fire down if needed. Well, that was the plan, but as Travis watches the group splits up, chooses to sneak up on the group, and ignore his command that only Travis can fire first. It is a recipe for disaster, and disaster is what occurs.

Continue reading

Slim & I – Movie Review

TL;DR – A beautiful documentary looking back on the lives of  Slim Dusty and Joy McKean  

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Awards

Nominated: Best Australian Film

Slim & I. Image Credit: Universal Pictures.

Review –

Growing up in Australia, even if you might not know who Slim Dusty is or even if just the name rings a bell, you will still know a bunch of his songs, even if it is only through osmosis. Songs like A Pub With No Beer and Duncan sit in the pantheon of Australian music, and you probably started humming at least one of those tunes to yourself just with the mere mention of the name. However, I must confess that I didn’t really know much about his life beyond those touchstone moments and even less about Joy McKean, the I in Slim and I and the main focus of the documentary.  

The documentary follows a (mostly) chronological look at the lives of Joy McKean and Slim Dusty’s from their start in music through to today. We get to see them go on these gigantic Australia wide tours, raise a family on the road, and also write at least two albums a year which might be the most bonkers part of the entire process. Indeed, over their 50-year love story, they wrote at least 107 albums which is frankly ridiculous. They show this story with a mix of interviews with both Slim and Joy’s family but also with key members of Australia’s Country Music scene like Keith Urban, Missy Higgins and Kasey Chambers. As well as this, we get archive footage going back to the 60s, both professionally shot and also just from home cameras. There is such a varied amount of footage that someone had to be well ahead of the curve in adopting that technology and preserving it all these years.

Continue reading

TV Review – Total Control: Episode 1

TL;DR – This is one of the strongest opening hours of TV I have seen in years, with the first few minutes affecting me in ways I was not ready for.  

Score – 5 out of 5 stars

Total Control: Episode 1. Image Credit: ABC TV.

Review

A pilot episode of television has a lot it has to do. It has to set the tone, explain the setting, introduce you to the main characters, and find the drive for the whole season. I have seen a lot of TV show pilots in my time and even shows that are fantastic can fumble parts of this very important introduction. Well, today I look at a show that nails every single element in its 50 minutes run time.

So to set the scene, we open in on a tragedy where Alex Irving (Deborah Mailman) is thrust into the national spotlight after a video goes viral. Alex shuns all media request for interviews but she has caught the eye of someone important. Soon there is a knock at the door and Jonathan (Harry Richardson) who works for the Federal Government arrives at Alex and her mother Jan’s (Trisha Morton-Thomas) house in Winton in country Queensland. He is there with an offer for Alex to take over the seat of a Senator that has just died. She declines, saying that if Prime Minister Rachel Anderson (Rachel Griffiths) wants her to be a senator then she can come and ask herself, which is exactly what she does. For here we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.  

Continue reading

Movie Review – The Australian Dream

TL;DR The Australian Dream is a film that I think every Australian should watch because it holds up a mirror to Australian society and we need to be ready for what it shows.

Score – 5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

The Australian Dream. Image Credit: Madman.

Review

I thought when I sat down to see The Australian Dream that I was ready for what I was going to see. I was a fool. This might be the most important film I have seen all year because it shines the light on an episode that many in Australia feel more than content to sweep under the rug because to do otherwise would mean confronting our history, our way of life, and our commitment to all Australians.

At its core The Australian Dream tells the story of Adam Goodes former Australian of the Year and one of the best Australian Rules Footballers (AFL) to have ever played the game. It is the story of his life, the highs and the lows. However, it is something more than that, it is using the biography to focus in on a problem Australia has had for the last two-hundred odd years and that is how it has dealt with its Indigenous people and well there is a reason that Indigenous Australians call Australia Day, Invasion Day.

Continue reading

Movie Review – Djali (2019 AACTA Awards Short Film Competition)

TL;DR – A poignant look at what rock bottom feels like  

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Review

Today we continue our dive into the 2019 AACTA Awards Short Film Competition by exploring a short film from one of Australia’s up and coming actors Hunter Page-Lochard. Here we look at what life is like when you hit rock bottom and that moment where you realise that you need to climb up.

Djali looks at the life of Johnny (Hunter Page-Lochard) who is an inspiring dancer and really good at it until he received an injury to his leg. However, this is just the first in many setbacks as we see him hiding in a dark room reminiscing about the past. Only for his brother Harry (Rhimi Johnson Page) to come and try and shake him out of his funk.

Continue reading

TV Review – Robbie Hood: Season 1

TL;DR – This the best reimagining of Robin Hood I have seen in years, take what works of the traditional story and reinterpreting it into the Australian context.

Score – 4.5 out of 5 stars

Robbie Hood. Image Credit: SBS.

Review

Robin Hood is one of those characters that you see a lot of in media because he is one of the few safe completely public domain characters that most people know about. We have had every type of adaptation of his story, from the faithful, to big action set piece films like Robin Hood: Prince of Thieves, to the farcical like Robin Hood: Men in Tights, to the forgettable, I mean we ever got a version from Disney where they were all animals. However, while there have been a lot of versions of the story, they have all followed pretty much the same formula with nothing of any real worth to the adaptations, well that is until now.  

So to set the scene, Robbie (Pedrea Jackson) is 13 and a is thief, he lives in Alice Springs and Alice Springs is a dump, well he uses a different word, but we will go with dump. He lives with his Nana Mary’s (Audrey Martin) house after his mother died and his Dad (Andy Golledge) never really recovered. Robbie might be a thief, but he always has the best intentions at heart as he goes around Alice Springs with his friends Little Johnny (Levi Thomas) and Georgia Blue (Jordan Johnson).

Continue reading

Movie Review – Top End Wedding

TL;DR – Joyous, Funny, Beautiful, and Moving.     

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Top End Wedding. Image Credit: Universal.

Review

As a guy, it might not be kosher, but I love a good romantic comedy, one that you can sit back, laugh, but also be moved by the characters. However, this is a genre that has kind of been on the backburner in recent years with only Crazy Rich Asians being the one to come to mind when I think of good works to draw from. Today, thankfully, I get to add another film to this list with the joy that is Top End Wedding.

So to set the scene, we open in on a couple living in Adelaide who are both having very important days. Lauren (Miranda Tapsell) is having her first major client meeting and if it goes well she will get a promotion for the firm she works in under Hampton (Kerry Fox) who is often referred to a Cruella. Meanwhile, Ned (Gwilym Lee) is trying to live up to his father’s memory in the courtroom but finds the job difficult because he has no passion for it. Well, Ned decides to quit his job and proposes to Lauren, the only catch is that Hampton will only give Lauren 10 days off for the wedding, as in the next 10 days, and Lauren has always dreamed of having her wedding in Darwin where she is from. While this should be easy to put together, things take a turn when she arrives home to find her father Trevor (Huw Higginson) and mother Daffy (Ursula Yovich) had recently separated and no one knows where her mother is.

Continue reading