Monthly Archives: August 2019

Movie Review – Jaoon Kahan Bata Ae Dil

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TL;DR – It is said that a film succeeds if it makes you feel something, well if that is all it took than this film would be a success, but considering this made me feel revulsion and anger, I think it takes more than that.    

Score – 1 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Warning – This film contains extensive scenes of abuse

Jaoon Kahan Bata Ae Dil. Image Credit: Netlifx.

Review –

Okay I’m going to be honest right from the start, I am coming to this film as someone who is from outside of India and does not have the most extensive experience with Indian cinema, so there may be some context I am missing. Also, by writing this review I feel like I am positioning myself in the same position as some of the people criticised in the film, an irony that is not lost on me. But all of that being said, you can skip to the end if you want because I do not in any shape or form recommend this film.

So to set the scene, we open in on a couple a man (Rohit Kokate) and women (Khushboo Upadhyay) who are walking along a coastal boardwalk in Mumbai. They are in a relationship but they are not married so they need to be discreet given the conservative aspects of Indian society. But as they talk it is clear that both of them want different things out of the relationship.

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Movie Review – Rocko’s Modern Life: Static Cling

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TL;DR – This is a very interesting reboot of a beloved cartoon from the 1990s but I am not sure that it hit its mark.  

Rocko's Modern Life: Static Cling. Image Credit: Netflix.

Review –

I grew up in the 1990s, so for me when I think about those cartoons that situated my life for the weird and abstract toons of the peak-Nickelodeon. Shows like Aaahh!!! Real Monsters, The Angry Beavers, and of course the weirdly absurd Rocko’s Modern Life were very much a part of that. Rocko’s Modern Life is/was a show that used its abstract art style and storytelling to shine a light on the world. Now, it has been years since I have watched an episode so when a new special was released, well I knew it was time to jump back in.  

So to set the scene, since the end of the last season of Rocko’s Modern Life, Rocko (Carlos Alazraqui), Heffer Wolfe (Tom Kenny), Spunky, and Filburt (Mr. Lawrence) have spent the last twenty years flying around space after a rocket took their house into space. After all that time, at least their mutual love of the Fat Heads brings them together. But tragedy strikes when the VCR of the show dies, the one thing keeping them sane. Thankfully, at that moment they find the remote for the rocket lodged in Heffer’s posterior. But when they arrive back to O-Town, a lot has changed.

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TV Review – Wu Assassins: Season 1

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TL;DR – A good start to a season however it struggles to keep the momentum moving in the back half of the season.

Score – 3.5 out of 5 stars

Wu Assassins. Image Credit: Netflix.

Review –

Sometimes in life, it is the simple things that really work. For me, that is a show with a well-crafted story, strong characters, clear action, and with the fundamentals of filmmaking down pact. Now, once you have that, if you want to spice it up with some deep lore, building upon some grand mythology, I am also here for it. Today we look at a series that has the characters, has the action, and the filmmaking, but does not quite nail that story component.   

So to set the scene, we open in on San Francisco and Kai Jin (Iko Uwais) who works as a chef at his friend Tommy’s (Lawrence Kao) place (well actually his friend’s sister Jenny’s (Li Jun Li) place but it is complicated). Tommy is throwing a party for his Triad friends and when something goes wrong Kai steps in to stop one of the cooks getting attacked. This means that the Triad has to respond, attacking Kai while he works in a food truck. As he is escaping he hits a woman, instead of finding someone injured on the street, he finds a woman (Celia Au) who gives him the power of 1000 monks to fight an oncoming storm. So let’s break the Wu Assassins down, using those four categories we mention in the introduction.  Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.

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TV Review – Wu Assassins: Drunken Watermelon

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TL;DR – A good start to a season and a good promise for the things to come

Score – 4 out of 5 stars

Wu Assassins: Drunken Watermelon. Image Credit: Netflix.

Review –

It has been a long time since I have seen someone attempt a martial arts TV series in the west and it not be mostly a disappointment. With that in mind, I came into Wu Assassins with a little apprehension but after watching the first episode I have some hope.  

So to set the scene, we open in on San Francisco and Kai Jin (Iko Uwais) who works as a chef at his friend Tommy’s (Lawrence Kao) place (well actually his friend’s sister Jenny’s (Li Jun Li) place but it is complicated). Tommy is throwing a party for his Triad friends and when something goes wrong Kai steps in to stop one of the cooks getting attacked. This means that the Triad has to respond, attacking Kai while he works in a food truck. As he is escaping he hits a woman, instead of finding someone injured on the street, he finds a woman (Celia Au) who gives him the power of 1000 monks to fight an oncoming storm.     

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Movie Review – Danger Close: The Battle of Long Tan

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TL;DR – A powerful and deeply compelling film that explores a key moment in Australia’s military history and the cost it took.

Score – 4 out of 5 stars

Post-Credit Scene – There is a credit sequence and a mid-credit scene

Danger Close: The Battle of Long Tan. Image Credit: Transmission Films.

Review –

Australia has a long history of making truly excellent war films. From works such as the pivotal Gallipoli to Beneath Hill 60 to The Rats of Tobruk and many more. So walking in I knew that there was a level of quality that was going to be there no matter what. However, for me, I can either be drawn in fully to war film or I can bounce off it like Andy Dwyer off an ambulance, so there was still a little hesitation. But I should not have been concerned because this is some of the best of Australian cinema at the moment.  

So to set the scene, it is 1966 and it is the height of the Vietnam War, a Cold War proxy conflict between the USA and the Soviet Union played out in the context of a civil war between North and South Vietnam. The 1st Australian Task Force headed by Brigadier David Jackson (Richard Roxburgh) is set up in Nui Dat where they send patrols out into the local countryside. One night the camp is attacked by mortars and while the Royal Regiment of New Zealand Artillery were able to target them, the 1st Field Regiment, need to follow up the next day to find the source. Alpha Company didn’t find much, so part in punishment Harry Smith’s (Travis Fimmel) Delta Company was sent out to chase them down while a musical performance was happening back at camp. All was going well until at the rubber plantation at Long Tan the 11th Platoon of D Company came under heavy fire and it is soon discovered that this is not just a raiding party but a full battalion of the North Vietnamese Army heading their way, 100 men against and advance of 2000 and a monsoon is just about to hit.

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TV Review – SeaChange: Paradise Reclaimed, Part 1

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TL;DR – Twenty years is a long time and while it is good to be back in Pearl Bay, some of the characters dragged us back to the 20th century.

Score – 3.5 out of 5 stars

SeaChange: Paradise Reclaimed. Image Credit: Channel 9.

Review –

Let me take you back in time, a whole twenty years ago, which seems a lifetime now that I think about it. It was a quieter time in life, we had not yet dealt with either the millennium or even the Willennium yet. However, down here in Australia everyone and their mum’s was riveted by the story of the lost magistrate and her Diver Dan. A lot has changed in those preceding years, both in the real world, and the fictional one of the show, and it will be interesting to see if lighting can hit twice again.

So to set the scene, we open in with Laura Gibson (Sigrid Thornton) who is volunteering somewhere in Africa and not getting along with everyone, or anyone. She is throwing herself into her work to kind of distract herself for the fact that her marriage is tenuous at best, her daughter is in and out of trouble and that her career is not really going anywhere. After upsetting enough people the aid agency firers her and has her visa cancelled so she is forced to fly back to Australia to get it sorted out. With some time to kill, she decides to come back to Pearl Bay to visit her other daughter Miranda (Brooke Satchwell) who still lives there. Only to find out a lot has changed, such as her house got washed away.

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Movie Review – Pegasus (Fei Chi Ren Sheng, 飞驰人生)

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TL;DR – An exploration of what it means to come back from nothing, good at times, but always held back a little bit from being great    

Score – 3 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Pegasus (Fei Chi Ren Sheng, 飞驰人生). Image Credit: CMC Pictures.

Review –

I am and always will be a sucker for a good redemption story, where someone comes back from nothing only to triumph. Today we get to explore this idea through the lens of professional racing. Which is always good because at the very least you will get some good car scenes throughout. However, while Pegasus is an interesting film, it is always holding itself back just that little bit more than it should have.

So to set the scene, Zhang Chi (Shen Teng) was one of if not the best rally car driver in all of China. However, one day he decided to take part in an illegal street race that was intercepted by the police. Five years later after serving a suspension, and having to sell everything to pay off his debts, he is a free man. He wants to get back behind the wheel and reclaim his championship for his son but in those five years the game has changed and there is a whole patch of new young drivers.  

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Movie Review – Enter the Anime

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TL;DR – This is a film that blends the idea of an advertisement with the presentation of a documentary and works about as well as you would expect    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Enter the Anime. Image Credit: Netflix.

Review –

Growing up, one of the touchstones in my early cinematic life was anime, you would get it in the morning on TV, which I had to tape on VCR for watching later. Indeed, I think every one of my generations loathed those opening sounds of the first episode of Pokémon because it meant that Cheez TV had run out of new episodes and was starting it from the beginning again. As I grew up, it was a part of my cinematic world that I just couldn’t keep up with, and every time I go to conventions I see an array of cosplayers showing my just how many shows I have missed. Well when I saw that there was a new documentary about anime on Netflix, I was really interested because it would be nice to walk down memory lane and to explore the future again. Unfortunately, that is not quite what we got.

The premise for this documentary is that Netflix set the director Alex Burunova of working out the answer to a question ‘What is Anime’? Alex, having no experience with the genre other than a tangential understanding of its influence decided to throw herself into the world of anime and manga and the sub-cultures that consume and make it. This, of course, meant going straight to the source and talking with the directors and animators where it is all made in Japan. It is good that right from the start, they make it clear where the genesis of this project came from, it was a Netflix project and Alex was hired to make it. So when the documentary goes to Adi Shankar the creator of the Castlevania Netflix series as its first interview it feels like the right jumping-off point for the show. Well instead of jumping off from there, this is where the show stayed.

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TV Review – Les Norton: You Wouldn’t Be Dead For Quids

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TL;DR – This is one of those Australian TV shows that makes you sit back and marvel as to how it all works, cause it works really well.  

Score – 4 out of 5 stars

Les Norton: You Wouldn't Be Dead For Quids. Image Credit: ABC TV.

Review –

There are many reasons to go sit down, turn on the TV, and watch something It could be your favourite show that you make time for each week, it could be you are bored and there is nothing else to do, or it could just be that you have heard good things about something and you need to go check it out for yourself. Today we review a show that falls into the latter column, though if this first episode is anything to go by, it might find its way into the first real soon.

So to set the scene, Les Norton (Alexander Bertrand) is a country boy from Dirranbandi in south-west Queensland. He’s hopped a ride down to the big smoke in Sydney to try out for some of the local footy teams. It is his first night in King’s Cross, so he takes some night work as a bouncer at a local club to pay his way. Which is where he meets his guide and new friend Billy Dunne (Hunter Page-Lochard). The first 22 minutes of his shift is boring, but we come in at minute 23 and the fists start flying. The head of the club Price Galese (David Wenham) likes what he sees and brings him into the fold and Les discovers a world hidden out of sight, protected by the powerful, and who run on very different rules where discretion is key.

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Movie Review – No One Will Ever Know (Nadie Sabrá Nunca)

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TL;DR – A film that sines in those moments that display the contrasts in our lives.    

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

No One Will Ever Know (Nadie Sabrá Nunca). Image Credit: Netflix.

Review –

Today we continue our dive into Latin cinema, this time moving away from Mexico and across the Atlantic to Mexico. Unfortunately, I have even less experience here, besides last year’s seminal Roma. Well, today we start to rectify today by exploring a look at colliding worlds at a time of great change.   

So to set the scene, in Mexico, not that long ago, Lucía (Adriana Paz) lives in the rural countryside with her husband Rigo (Jorge A. Jimenez) and her son Braulio (Luciano Martínez). Lucía wants to move to Mexico City and take over a commercial property that her sister Sara (Claudia Santiago) found, but her husband will hear nothing of it. Lucía feels trapped where she is, and there is nothing she can do, well there is one thing, and that is escaping into her own mind, a world of intrigue and mystery.

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