Moonage Daydream – Movie Review

TL;DR – This documentary is a psychedelic kaleidoscope, but you should come into it preparing for a marathon rather than a sprint    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Warning – This film contains strobing lights in places.

Glitter falls from the celling into Bowie.

Moonage Daydream Review

While I have been enjoying this current resurgence of musical biopics, I have connected the most instead when films have dived into the more traditional documentary form to explore someone’s life, like Gurrumul. Today we look at a documentary that might also be an experimental artwork in its own right.  

So to set the scene, well, actually, I am not sure that works in this particular situation because this is a film that does not follow a traditional or even non-traditional form of narrative structure. What we get here is a snapshot of different parts of David Bowie’s life, works, and art, as well as what inspired him and how he inspired so many.

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The Sandman: Season 1 – TV Review

TL;DR – This is a genuinely odd series bouncing from one story to the next with the power of a tsunami, yet somehow it all flows together into a grand gothic fairy-tale.

Rating: 4.5 out of 5.

Disclosure – I paid for the Netflix service that viewed this series.

Warning – Contains scenes of abuse and scenes that may cause distress.

The Sandman looks into a sunrise.

The Sandman Review

In 2019, I wrote an article on how we entered a New Golden Age of Science Fiction on Television. However, in the last twelve months, we have gotten, The Lord of the Rings: The Rings of Power, House of the Dragon, Shadow and Bone, The Wheel of Time, The Witcher, and more. It is such an incredible rise that I think I need to update my article and explore the new Golden Age of Fantasy on TV, and the next entry into this world is the dark gothic fairy-tale set in the modern world.

So to set the scene, humans go about their day in the real world, but every night they dream, but for some reason, they feel that The Dreaming realm is somehow less natural just because it is filled with dreams and nightmares, and they wake up in the ‘real’ world every morning, well most of the time. The Lord of this Realm is Morpheus (Tom Sturridge), one of the seven Endless, powerful beings that shape all forms of reality. In 1916, when one of his nightmares, the Corinthian (Boyd Holbrook), goes rogue, Morpheus takes a rare trip to the ‘real’ world to take care of the matter personally. However, at that moment, an incompetent aristocratic occultist called Roderick Burgess (Charles Dance) delves into spells he does not understand because he wants to capture Death (Kirby Howell-Baptiste) to bring back his beloved son, who was killed in Gallipoli. Still, he gets Morpheus and binds him under his mansion for 106 years. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.   

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House of the Dragon: Second of His Name – TV Review

TL;DR – We continue our slow build but at a pace that is verging on snail-like, which is odd given it has been about 2-years in-universe since the pilot episode.

Rating: 3.5 out of 5.

Disclosure – I paid for the Binge service that viewed this episode.

King Viserys I Targaryen stares at a fire.

House of the Dragon Review

This history of the world, as well as literature, is littered with people doing stupid things that come back to stab them in the back. Indeed, Game of Thrones was famous for this throughout its run. Some chose honour over personal power, and that cost them their lives. Some overplayed their hands and were caught in the snare. Others still acted irrationally and rode themselves into an early grave. In House of the Dragon, we are starting to see some of these patterns rise again, which does not bode well for the little people about to get caught in the crossfire of dragons.   

So to set the scene, while King Viserys I Targaryen (Paddy Considine) had declared that Princess Rhaenyra Targaryen (Milly Alcock) was to be his new heir over Prince Daemon Targaryen (Matt Smith), many in the court still wanted him to remarry quick. First, as a way of shoring up the kingdom with a marriage alliance. But also because, as the “Queen Who Never Was”, Princess Rhaenys Targaryen (Eve Best) put it, the men would rather burn the kingdom to the ground than put a woman on the throne. While Lord Corlys Velaryon (Steve Toussaint) maneuvered to pair the elderly king with his young daughter Laena Velaryon (Nova Foueillis-Mosé). The King stunned the small council and his own daughter when he announced that Rhaenyra’s lady-in-waiting, Lady Alicent Hightower (Emily Carey), would be his next bride. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.

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Flowers of Gladstone

TL;DR – We explore all the beautiful flowers I came across during my recent trip to Gladstone.

Flowers of Gladstone

Earlier this week, it was the Day of the Wattle here in Australia, and with that in mind, I thought I would share some photos of flowers I took on my recent trip to Gladstone, on the central coast of Queensland.

Pigeon Pea (Cajanus cajan).
Pigeon Pea (Cajanus cajan). Image Credit: Brian MacNamara.

We begin our tour with the humble Pigeon Pea (Cajanus cajan), more known for the titular legume/pea used in cooking from India to across the world. However, I adore its small yet profoundly yellow flower and its juxtaposition with the red seed pods.

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The Lord of the Rings: The Rings of Power: Adrift – TV Review

TL;DR – We continue to explore this world full of wonders and dangers.

Rating: 4 out of 5.

Disclosure – I paid for the Amazon Prime service that viewed this episode.

Nori looking into the creator.

The Lord of the Rings: The Rings of Power Review

In the realm of binging tv on streaming services, you can drop them all at once, creating an event weekend, or you can do a weekly realise that feels old-fashioned, but then you can build it up week to week. Or you can follow the Amazon model and employ a hybrid approach where you drop a couple of episodes up-front and create that event feeling while doing the rest week-by-week. This has been a successful model for the streaming service, and it is what we are doing this week with the next episode of The Rings of Power.

So to set the scene, at the end of Shadow of the Past, Galadriel (Morfydd Clark) comes face-to-face with the undying lands, a reward for all her hard work. It is a great honour that no one has ever turned down before, but just as the boat approaches the threshold, she dives off because she can not enter with an unfulfilled oath. Meanwhile, across Middle Earth, there are rumblings of things being out of place and evil returning when a meteorite strikes through the air, crashing down near the home of Elanor “Nori” Brandyfoot (Markella Kavenagh). But when she arrives, she does not find a rock in the ground, but a man, ‘The Stranger’ (Daniel Weyman). Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.    

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The Lord of the Rings: The Rings of Power: Shadow of the Past – TV Review

TL;DR – This might be a foundation episode, but it is a strong foundation that I hope they build something grand upon.

Rating: 4 out of 5.

Disclosure – I paid for the Amazon Prime service that viewed this episode.

The Two Trees of Valinor, Laurelin and Telperion

The Lord of the Rings: The Rings of Power Review

I don’t think I have ever come into a project with such fraught feelings as I do with The Lord of the Rings: The Rings of Power. For all those who love cinema, there is always a gateway film that first lit that spark in our heart, and for me, that film was The Lord of the Rings. I revealed in its visuals, narrative, and soundscape in the cinemas, devoured it on DVD when it came out at home, and then delved into every aspect of the behind-the-scenes documentaries in the extended editions. They are such a strong foundation in my cinematic world that diving back in was always going to be precarious, even before the thought that its success or failure might change the course of the streaming business.

So to set the scene, it is 5000 years before the events of the Lord of the Rings films, in what is called the Second Age. When the world was young, there was no Sun, but the light was given from the Two Trees of Valinor, Laurelin and Telperion until Melkor came and destroyed them. The elves fought a centuries-long war again Melkor, travelling from their home all the way to Middle Earth to finally vanquish him. But one of his acolytes remained, Sauron, and after he killed Galadriel’s (Morfydd Clark) brother, she swore an oath that she would destroy him. Centuries later, in the frozen wastes of the north, she is the last one chasing down her foe, but when they find his last bastion empty [well, almost empty], her company demands to return home. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.

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She-Hulk Attorney at Law: The People vs. Emil Blonsky – TV Review

TL;DR – Three episodes in, and She-Hulk shows that Disney+ and Marvel have finally nailed what it is to be a Marvel TV Show.

Rating: 4.5 out of 5.

Disclosure – I paid for the Disney+ service that viewed this film.

Post-Credit Scene – There is a mid-credit scene

The super-max prison.

She-Hulk Attorney at Law Review

In the transition to MCU projects on Disney+, one of the big issues that have popped up in the past is that the stories may have been there, but fitting those stories into the TV format might not have been as successful. TV is a very different beast from a feature film, and you have felt that they have struggled to make that leap at times. However, after these first three episodes, I think we can be confident that they have nailed it with She-Hulk.   

So to set the scene, during Superhuman Law, Jen (Tatiana Maslany) struggled to find her place in the world after being fired by the DA’s office. However, she is given a new opportunity when she is offered a job by Holden Holliway (Steve Coulter) at the law firm GLK&H. the only issue is that her first client would be Emil Blonsky (Tim Roth) or, as he is more commonly called, Abomination, the guy that once attacked her cousin Bruce (Mark Ruffalo). Knowing she had a strong case for parole, she took the job just moments before footage of Abomination having his cage match in Shang-Chi was leaked to the press. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.

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The Invitation – Movie Review

TL;DR – A completely generic story slightly elevated by a cast understanding what type of film it is and playing to it.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

A DNA Test.

The Invitation Review

There is a whole world of mythology waiting to be mined for ideas, yet we always seem to come back to one or two touchstones, one of which is vampires. The question then becomes, can you do something new in a space that has been mined for hundreds of years? Probably not, but can you still make it entertaining? Well, that is the question we get to explore in today’s film, The Invitation.

So to set the scene, we open in a dark mansion on a stormy night. A woman in a white dress breaks out of her locked room and runs through the building but not seeing an escape, she decides to kill herself than stay where she is. Moving to New York City, we meet Evelyn “Evie” Jackson (Nathalie Emmanuel), a struggling ceramics artist who takes up catering jobs to make a living. After one of those jobs, she gets one of the leftover goodie bags with a DNA kit. Lo and behold, she discovered that she had a relative, a cousin called Oliver (Hugh Skinner), who happened to be coming to New York from England on business. When they meet up, Oliver invites her to the social wedding of the century at the estate of Walter De Ville (Thomas Doherty). There be red flags a plenty, but without any family of her own left, Evie takes the trip, unsure of what she will find on the other side of the pond.  

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Three Thousand Years of Longing (3000 Years of Longing) – Movie Review

TL;DR – While it might meander to the end, it shines when it delves into stories and vignettes of the past.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film.

Three Thousand Years of Longing the book.

Three Thousand Years of Longing Review

Few films have ever captured my soul quite like Mad Max Fury Road, a movie that changed and shaped my engagement with cinema. It made such an impact that when I heard that the team behind the film, including director George Miller, were back for another ride. Well, I had to check that out on the opening day.

So to set the scene, once upon a time when humans flew through the skies on metal wings while pulling stories out of the air on their glass pads. A Narratologist called Alithea Binnie (Tilda Swinton) is making her annual trip from her gloomy home in England to a more exotic land in Istanbul to attend a conference of peers. But when she arrives, she starts to see things that are not quite right. Ignoring them as artifacts of her over-active imagination, she spends some time in Istanbul’s Grand Bazar, and she picks the one junk pile, in one of the rooms, in one of the thousands of shops and finds a glass jar whose life told a story. But she got more than what she wished for when in her hotel room, she decided to clean the jar up and inside was a powerful Djinn (Idris Elba) who gave her three wishes.   

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6 Festivals – Movie Review

TL;DR – A transcendent exploration of music, youth, and the times in our lives where the two powerfully intersect.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Paramount+ service that viewed this film.

Warning – contains scenes that may cause distress.

Utopia Valley, Central Coast, NSW, New Year's Eve.

6 Festivals Review

When people write stories about young people, they often look back to their own lives as inspiration. But there becomes a disconnect between setting something in the now based on a feeling from the past. This issue can lead to outdated films before they even make it to the screen. Well, today, we look at a movie that avoids those pitfalls by focusing on the very real and now.

So to set the scene, we open on a small rowboat in the middle of the river as three friends, James (Rory Potter), Maxie (Rasmus King), and Summer (Yasmin Honeychurch), drink wine out of a box and sing Powderfinger’s My Happiness. They are using the boat to sneak into the Utopia Valley music festival on the central coast of Australia’s New South Wales. But they are soon rumbled by the cops and have to do a quick fence jump to get in. The festival is a riot, right up until the cops catch up with them, and James is forced to reveal that he has cancer. Knowing that he can use his cancer as a good excuse, the three convince James’s mum Sue (Briony Williams), to take them to the Big Pineapple festival and more, as they try to hit six festivals in a row.     

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