TL;DR – This is a genuinely odd series bouncing from one story to the next with the power of a tsunami, yet somehow it all flows together into a grand gothic fairy-tale.
Disclosure – I paid for the Netflix service that viewed this series.
Warning – Contains scenes of abuse and scenes that may cause distress.
The Sandman Review –
In 2019, I wrote an article on how we entered a New Golden Age of Science Fiction on Television. However, in the last twelve months, we have gotten, The Lord of the Rings: The Rings of Power, House of the Dragon, Shadow and Bone, The Wheel of Time, The Witcher, and more. It is such an incredible rise that I think I need to update my article and explore the new Golden Age of Fantasy on TV, and the next entry into this world is the dark gothic fairy-tale set in the modern world.
So to set the scene, humans go about their day in the real world, but every night they dream, but for some reason, they feel that The Dreaming realm is somehow less natural just because it is filled with dreams and nightmares, and they wake up in the ‘real’ world every morning, well most of the time. The Lord of this Realm is Morpheus (Tom Sturridge), one of the seven Endless, powerful beings that shape all forms of reality. In 1916, when one of his nightmares, the Corinthian (Boyd Holbrook), goes rogue, Morpheus takes a rare trip to the ‘real’ world to take care of the matter personally. However, at that moment, an incompetent aristocratic occultist called Roderick Burgess (Charles Dance) delves into spells he does not understand because he wants to capture Death (Kirby Howell-Baptiste) to bring back his beloved son, who was killed in Gallipoli. Still, he gets Morpheus and binds him under his mansion for 106 years. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.