Movie Review – Danger Close: The Battle of Long Tan

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TL;DR – A powerful and deeply compelling film that explores a key moment in Australia’s military history and the cost it took.

Score – 4 out of 5 stars

Post-Credit Scene – There is a credit sequence and a mid-credit scene

Danger Close: The Battle of Long Tan. Image Credit: Transmission Films.

Review –

Australia has a long history of making truly excellent war films. From works such as the pivotal Gallipoli to Beneath Hill 60 to The Rats of Tobruk and many more. So walking in I knew that there was a level of quality that was going to be there no matter what. However, for me, I can either be drawn in fully to war film or I can bounce off it like Andy Dwyer off an ambulance, so there was still a little hesitation. But I should not have been concerned because this is some of the best of Australian cinema at the moment.  

So to set the scene, it is 1966 and it is the height of the Vietnam War, a Cold War proxy conflict between the USA and the Soviet Union played out in the context of a civil war between North and South Vietnam. The 1st Australian Task Force headed by Brigadier David Jackson (Richard Roxburgh) is set up in Nui Dat where they send patrols out into the local countryside. One night the camp is attacked by mortars and while the Royal Regiment of New Zealand Artillery were able to target them, the 1st Field Regiment, need to follow up the next day to find the source. Alpha Company didn’t find much, so part in punishment Harry Smith’s (Travis Fimmel) Delta Company was sent out to chase them down while a musical performance was happening back at camp. All was going well until at the rubber plantation at Long Tan the 11th Platoon of D Company came under heavy fire and it is soon discovered that this is not just a raiding party but a full battalion of the North Vietnamese Army heading their way, 100 men against and advance of 2000 and a monsoon is just about to hit.

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TV Review – SeaChange: Paradise Reclaimed, Part 1

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TL;DR – Twenty years is a long time and while it is good to be back in Pearl Bay, some of the characters dragged us back to the 20th century.

Score – 3.5 out of 5 stars

SeaChange: Paradise Reclaimed. Image Credit: Channel 9.

Review –

Let me take you back in time, a whole twenty years ago, which seems a lifetime now that I think about it. It was a quieter time in life, we had not yet dealt with either the millennium or even the Willennium yet. However, down here in Australia everyone and their mum’s was riveted by the story of the lost magistrate and her Diver Dan. A lot has changed in those preceding years, both in the real world, and the fictional one of the show, and it will be interesting to see if lighting can hit twice again.

So to set the scene, we open in with Laura Gibson (Sigrid Thornton) who is volunteering somewhere in Africa and not getting along with everyone, or anyone. She is throwing herself into her work to kind of distract herself for the fact that her marriage is tenuous at best, her daughter is in and out of trouble and that her career is not really going anywhere. After upsetting enough people the aid agency firers her and has her visa cancelled so she is forced to fly back to Australia to get it sorted out. With some time to kill, she decides to come back to Pearl Bay to visit her other daughter Miranda (Brooke Satchwell) who still lives there. Only to find out a lot has changed, such as her house got washed away.

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Movie Review – Pegasus (Fei Chi Ren Sheng, 飞驰人生)

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TL;DR – An exploration of what it means to come back from nothing, good at times, but always held back a little bit from being great    

Score – 3 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Pegasus (Fei Chi Ren Sheng, 飞驰人生). Image Credit: CMC Pictures.

Review –

I am and always will be a sucker for a good redemption story, where someone comes back from nothing only to triumph. Today we get to explore this idea through the lens of professional racing. Which is always good because at the very least you will get some good car scenes throughout. However, while Pegasus is an interesting film, it is always holding itself back just that little bit more than it should have.

So to set the scene, Zhang Chi (Shen Teng) was one of if not the best rally car driver in all of China. However, one day he decided to take part in an illegal street race that was intercepted by the police. Five years later after serving a suspension, and having to sell everything to pay off his debts, he is a free man. He wants to get back behind the wheel and reclaim his championship for his son but in those five years the game has changed and there is a whole patch of new young drivers.  

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Movie Review – Enter the Anime

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TL;DR – This is a film that blends the idea of an advertisement with the presentation of a documentary and works about as well as you would expect    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Enter the Anime. Image Credit: Netflix.

Review –

Growing up, one of the touchstones in my early cinematic life was anime, you would get it in the morning on TV, which I had to tape on VCR for watching later. Indeed, I think every one of my generations loathed those opening sounds of the first episode of Pokémon because it meant that Cheez TV had run out of new episodes and was starting it from the beginning again. As I grew up, it was a part of my cinematic world that I just couldn’t keep up with, and every time I go to conventions I see an array of cosplayers showing my just how many shows I have missed. Well when I saw that there was a new documentary about anime on Netflix, I was really interested because it would be nice to walk down memory lane and to explore the future again. Unfortunately, that is not quite what we got.

The premise for this documentary is that Netflix set the director Alex Burunova of working out the answer to a question ‘What is Anime’? Alex, having no experience with the genre other than a tangential understanding of its influence decided to throw herself into the world of anime and manga and the sub-cultures that consume and make it. This, of course, meant going straight to the source and talking with the directors and animators where it is all made in Japan. It is good that right from the start, they make it clear where the genesis of this project came from, it was a Netflix project and Alex was hired to make it. So when the documentary goes to Adi Shankar the creator of the Castlevania Netflix series as its first interview it feels like the right jumping-off point for the show. Well instead of jumping off from there, this is where the show stayed.

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TV Review – Les Norton: You Wouldn’t Be Dead For Quids

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TL;DR – This is one of those Australian TV shows that makes you sit back and marvel as to how it all works, cause it works really well.  

Score – 4 out of 5 stars

Les Norton: You Wouldn't Be Dead For Quids. Image Credit: ABC TV.

Review –

There are many reasons to go sit down, turn on the TV, and watch something It could be your favourite show that you make time for each week, it could be you are bored and there is nothing else to do, or it could just be that you have heard good things about something and you need to go check it out for yourself. Today we review a show that falls into the latter column, though if this first episode is anything to go by, it might find its way into the first real soon.

So to set the scene, Les Norton (Alexander Bertrand) is a country boy from Dirranbandi in south-west Queensland. He’s hopped a ride down to the big smoke in Sydney to try out for some of the local footy teams. It is his first night in King’s Cross, so he takes some night work as a bouncer at a local club to pay his way. Which is where he meets his guide and new friend Billy Dunne (Hunter Page-Lochard). The first 22 minutes of his shift is boring, but we come in at minute 23 and the fists start flying. The head of the club Price Galese (David Wenham) likes what he sees and brings him into the fold and Les discovers a world hidden out of sight, protected by the powerful, and who run on very different rules where discretion is key.

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Movie Review – No One Will Ever Know (Nadie Sabrá Nunca)

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TL;DR – A film that sines in those moments that display the contrasts in our lives.    

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

No One Will Ever Know (Nadie Sabrá Nunca). Image Credit: Netflix.

Review –

Today we continue our dive into Latin cinema, this time moving away from Mexico and across the Atlantic to Mexico. Unfortunately, I have even less experience here, besides last year’s seminal Roma. Well, today we start to rectify today by exploring a look at colliding worlds at a time of great change.   

So to set the scene, in Mexico, not that long ago, Lucía (Adriana Paz) lives in the rural countryside with her husband Rigo (Jorge A. Jimenez) and her son Braulio (Luciano Martínez). Lucía wants to move to Mexico City and take over a commercial property that her sister Sara (Claudia Santiago) found, but her husband will hear nothing of it. Lucía feels trapped where she is, and there is nothing she can do, well there is one thing, and that is escaping into her own mind, a world of intrigue and mystery.

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Movie Review – Otherhood

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TL;DR – A strong cast, dealing with important issues, even if not all of it works.

 Score – 3.5 out of 5 stars

Post-Credit Scene – There is a mid-credit scene

Otherhood. Image Credit: Netflix.

Review –

To be honest, motherhood is not something I have a lot of experience with, so there is a little disconnect coming into a film all about that. But loneliness and frustration at your life choices, well that’s my jam. This all means that I am coming into this film with some interesting overlap. Well, let’s dive into a world of really, really, awkward conversations.  

So to set the scene, for years three women have grown up as friends brought together because their sons were best friends. However, as life has moved on all their boys Matt (Sinqua Walls), Daniel (Jake Hoffman), and Paul (Jake Lacy) have left home and now live in New York City. While they move on with their lives, their mothers Helen (Felicity Huffman), Gillian (Patricia Arquette), and Carol (Angela Bassett) feel left behind especially on mother’s day when no one calls. Well on that day, they have an annual tradition of getting together to catch up and talk about their lives over a lot of bourbon. Well, this time, they decide that enough is enough, and get in a car and drive down to the city to surprise the boys … and well that goes about as well as you can expect.    

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Movie Review – The Red Sea Diving Resort

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TL;DR – A really ambitious film that unfortunately falls into the same traps as a lot of Hollywood films do when depicting Africa’s history.    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene but some pictures of the resort during the credits

The Red Sea Diving Resort. Image Credit: Netflix.

Review –

Tonight we take a look at a film that attempts to discover a part of our history that has not been explored at all. However, Hollywood has a very poor history in exploring Africa’s history with film after film glossing over the complexities for hero moments of usually a white protagonist saving the day. While The Red Sea Diving Resort attempts to step away from this past it can’t help but fall into the same traps.

So to set the scene, in the 1980s Ethiopia was tearing itself apart during a bloody civil war, a lot of the innocents were being caught in the crossfire, especially minority groups. One of those groups that were targeted was Ethiopia’s Jewish community. However, there is some hope with Israel’s Mossad sending agents like Ari Levinson (Chris Evans) in to help them get to refugee camps in Sudan. However, this is just a temporary measure, they need a way to get them out of the country. So a plan is set in motion to set up a fake resort on the coast of Sudan as a front to help them smuggle them out to waiting boats. However, this is not something that you can do forever without attracting notice, made worse when actual tourists arrive at the fake resort.

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Movie Review – Hobbs & Shaw (Fast and Furious Presents: Hobbs and Shaw, Fast and Furious: Hobbs and Shaw)

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TL;DR – A film that soars when it is in the banter/action grove but falters when it needs to move the story forward.     

Score – 3.5 out of 5 stars

Post-Credit Scene – There are multiple mid-credit scenes as well as an end credit scene

Hobbs & Shaw. Image Credit: Universal Pictures.

Review –


 To be honest, if I have a blind spot in modern cinema it is the Fast and Furious franchise. When the films started to come out, I didn’t really jell with the super-serious machismo in what was an inherently silly premise. This looked to be the way for all the films but when The Fate of the Furious came out two years ago, I thought I would give it another watch. Well about the time they used a car to take out a submarine I realised that they had finally realised just how silly it all was and had leaned into it, and that is something I can get behind. That being said, a spin-off the film is still a bit of a gamble, but given how well the director and cinematographer are at actions filmmaking, I walked in being quietly optimistic and with the action, I was not let down.

So to set the scene, two years since the last adventure and Luke Hobbs (Dwayne Johnson) is enjoying his life as a DSS agent and a father to his daughter Sam (Eliana Su’a). However, at that moment in London, an MI6 team is taking out a band of mercenaries that have a manufactured virus and who are about to sell it on the black market. After a clinical takedown of the gang, all is right but then a mysterious figure (Idris Elba) arrives and single handily kills all of the MI6 bar Hattie (Vanessa Kirby) the lead agent. Fearing the virus would get into the hands of evil people Hattie injects herself with the virus to hold on to it while she escapes. The MI6 think she has turned rogue and the CIA, MI6, and the criminal organisation are now hunting her. The only chance she has is if Luke teams up with Deckard Shaw (Jason Statham) and well that has disaster written all over it.

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Movie Review – Djali (2019 AACTA Awards Short Film Competition)

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TL;DR – A poignant look at what rock bottom feels like  

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Review –

Today we continue our dive into the 2019 AACTA Awards Short Film Competition by exploring a short film from one of Australia’s up and coming actors Hunter Page-Lochard. Here we look at what life is like when you hit rock bottom and that moment where you realise that you need to climb up.

Djali looks at the life of Johnny (Hunter Page-Lochard) who is an inspiring dancer and really good at it until he received an injury to his leg. However, this is just the first in many setbacks as we see him hiding in a dark room reminiscing about the past. Only for his brother Harry (Rhimi Johnson Page) to come and try and shake him out of his funk.

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