The Boy in the Woods – Movie Review

TL;DR – I look at one boy’s life during truly unrelenting times.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was invited to a press screening of this film.

Max alone in the woods.

The Boy in the Woods Review Introduction

Today, we explore a film that touches on one of the juxtapositions of humanity, our propensity for great evil, but also our profound ability to survive in the face of insurmountable odds. Add to this the fact that this is a real story written by the person who lived through it, and you get a profound setting for a film.

So, to set the scene, during the height of World War II, Poland had been occupied for about two years by the Nazis. It is a place of ghosts as Jewish towns and quarters across the country have been devastated, with few remaining. Maxwell Smart (Jett Klyne) and his family are among the few left, and as they were being rounded up for ‘relocation’, he manages to escape after his mother tells him to run. His aunt finds a place for him to hide out, a farm run by Jasko (Richard Armitage). It is a tough transition for Max, who had spent all his life in the city, but when you are hiding from the Nazis, you need to become someone else. Jasko teaches Maxwell how to survive in the wild, which soon becomes a necessity.  

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Nuremberg (2025) – Movie Review

TL;DR – A fascinating film that inevitably feels flawed in its very focus.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Warning – Contains scenes which may cause distress.

The Tribunal.

Nuremberg Review Introduction

Today, in the last film we will be looking at for 2025, we have come across one that has given me pause as to how conflicted I am towards it. On the surface, we have a film that could not be timelier as a reminder to a lot of people out there that their time will come and “I was only following orders” will not stand. But it also feels like a film that found the wrong anchor to focus on, and that is an issue for me.  

So, to set the scene, Adolf Hitler is dead. It is in the closing days of WW2 and Nazi Germany is falling apart. The remaining members of the regime are working out whether to run, hide, turn themselves in, or follow Hitler. On May 7th, 1945, the last day of the war in Europe, Reichsmarschall Hermann Göring (Russell Crowe) surrendered himself in Austria. In Bad Mondorf, Luxembourg, Dr Douglas Kelley (Rami Malek) and his translator, Sgt. Howie Triest (Leo Woodall) had been tasked with a secret mission to look after the mental health of the German regime as they prepared to put them on trial. Kelley sees this as an excellent money-making exercise, but is he truly prepared to investigate the awfully benign face of evil incarnate?

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The Rip – Movie Review

TL;DR – This is a film that purposely wades into the murky world of drugs, money, and crooked cops. You will never know when the bullets will start flying, but you know for a certainty that someone is going to be shot before the closing credits.   

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that screened this film.

A cop cruiser approaches at night.

The Rip Review Introduction

Today, we look at a film that is trying to do something different in the streaming space, trying an experiment to re-add residuals back into a system that has systematically ripped them out of the industry. But while the backend mechanics of the film are very fascinating, that doesn’t mean much if the film lacks any substance. That means it is time to have a look and see if it has some depth to it.  

So, to set the scene, we open with Captain Jackie Velez (Lina Esco) of Tactical Narcotics Team (TNT) in Miami getting gunned down in a car park. This sends ripples through the force and agitates Lieutenant Dane Dumars (Matt Damon) and Detective Sergeant JD Byrne (Ben Affleck) as Internal Affairs and the Feds are looking at everyone at the TNT. There is money on the line, and where there is money, there is potential for corruption. All the cops in the department are feeling the pinch, but one of their own just got murdered, and no one seems to care. But when the police are tipped off to a massive stash of cash, everyone’s loyalties will be tested, because what if IA is right and one of them is dirty?   

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Roofman – Movie Review

TL;DR – A slow meditation on isolation and despair when who you are is not who the world wants.  

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit sequence.

Disclosure – I paid to watch this film.

Channing Tatum dancing through a Toys R Us store

Roofman Review Introduction

Today, we are looking at a sort of odd film as we wrap up 2025. Going into Roofman, all the marketing implied that this was a quirky, fun romp of shenanigans. To be fair, there is some of that there. However, the film we got is very different from the one that was marketed.

So, to set the scene, in 1998, Jeffrey Manchester (Channing Tatum) made a living by breaking into McDonald’s via the roof. He felt it was the only way he could provide for his family after leaving the military. After being arrested, he is sent away for 45 years, but the same skills that allowed him to rob the burger places allowed him to escape prison. Prison plans and a truck trip later and he was a ‘free’ man, but with everyone looking for an escaped prisoner, Jeffery had only one place to hide, in a Toys R Us store.

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Kangaroo (2025) – Movie Review

TL;DR – This is a profoundly Australian film, and in that I mean more its structure than the narrative. But once it gets going, you can’t help but get caught up in the charm, because it has it in spades.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Joeys.

Kangaroo Review Introduction

While Australia is known as a place where big-budget films come to film, where you can walk down the street of Brisbane one day and suddenly it is New York for Thor. However, we also have a vibrant domestic film culture, or we do at the moment, looking at you politicians not doing enough to support the local industry. However, there are times when you could tell a film is Australian, even if no sound of an accent passed your ears, and today’s film is a good example of this.  

So, to set the scene, Chris Masterman (Ryan Corr) is the local weather reporter for Channel 6’s Rise and Shine Australia. He wants to be more than the person they cut to in the morning when they need someone to get a bucket of water thrown at them. But no one takes him seriously. Well, Chris is going to change that when the opportunity to go viral presents itself. Unfortunately, it blows up so spectacularly in his face that not only is he not up for promotion, but he is fired and put on the instant reject list for every production team in Sydney and beyond. He has one shot to get his career back on track, and that is to drive to Broome and do some regional work. But when his car accidentally hits a kangaroo on the outskirts of Silver Gum, he is stuck in the small town waiting for his car to be fixed, but also looking after a now orphaned joey with the help of Charlie (Lily Whiteley).

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The Alto Knights – Movie Review

TL;DR – An interesting experiment that looks back on America’s past, anchored by Robert De Niro’s dual performances. Compelling right up to the point it starts meandering everywhere.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Robert De Niro playing two different mobsters.

The Alto Knights Review

When it comes to mobster films set in and around New York, there are few names as crucial as Robert De Niro. So, when you hear that he is taking not just one lead in a new mob film but pulling double duty as both of the main antagonists, based on a real event, well, that is a scenario that calls for attention.   

So, to set the scene, it is 1957 on the streets of New York City where professional gambler Frank Costello (Robert De Niro) has just arrived home after a charity dinner and is waiting for the lift up to his penthouse apartment when he hears his name called out from behind, and Vincent Gigante (Cosmo Jarvis) promptly shoots him in the head. Frank survives, but he is the boss of bosses, who would put a hit out on him. Well, a rival did not just betray him but the one person he once called a friend, Vito Genovese (Robert De Niro).   

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Inside Man (Gemini Lounge) – Movie Review

TL;DR – It is an interesting character study, but I struggled to connect with any part of the film.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

The perp board.

Inside Man Review

Today, we are looking at a film that is steeped in tradition even before the ‘based on a true story’ moniker pops up on the screen. In the deep of the 1980s, New York who was full of mobsters, murders, and illicit substances. It has been a fodder for many films, including the one we are looking at today.   

So, to set the scene, we are in Brooklyn, New York, back in 1983 when Bobby Belucci (Emile Hirsch) was a cop at the crossroads. After finding another man with his wife and introducing that man to his fists, he was demoted to the backend of the department and stuck behind a desk. But one drunken night, Bobby gets the chance to change his fate when he saves the mobster Chris Rosenberg (Jake Cannavale), one of Roy Demeo’ (Danny Abeckaser) guys, from a stabbing.

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A Complete Unknown – Movie Review

TL;DR – A wild exploration of one of the most prominent musical writers of an age or two, but also of a time and movement in American music that I don’t think we’ll see again.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a screening of this film.

Bob arrives in New York.

A Complete Unknown Review

There are a lot of musical biopics out there in the world, some more earned than others. But there is an understandable power behind them, given music’s ability to move your soul. But when you think back to which songwriters have had the most impact on music in the modern era, few names are in the same ballpark as Bob Dylan, and it makes sense to explore his life and the effect it did have and well is still having to this day.   

So, to set the scene, one cold New York night, a young Bob Dylan (Timothée Chalamet) arrives at the hospital bed of his idol Woody Guthrie (Scoot McNairy) after hearing he was unwell. Bob is an expert in Folk Music, having picked up sounds from across America. Luckily for Bob, who was also visiting Woody at that time, was famed folk musician Pete Seeger (Edward Norton), who brought the young man under his wings. Soon, Bob will be captivating the New York Folk Music scene, but being a singular talent comes with as many downsides as successes.  

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Kneecap – Movie Review

TL;DR – Sex, drugs, and rap, with a dash of politics, violence, and only one reference to the Pope

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to watch this film

Arlo flips the bird at a government helicopter.

Kneecap Review

Today, I start the process of catching up on all the films of 2024 that I missed on the first release, and the first one off the bat is a film out of Northern Ireland or the North of Ireland, depending on your perspective. I was drawn to this film because it is about the Irish language, which should be a part of my heritage, given my ancestry, but it is a gap that I want to explore today.

So, to set the scene, in the tumultuous world of Northern Ireland, contestation of politics can be everywhere, even in language. It is here where so-called ceasefire babies grew up. In this world lives Naoise “Móglaí Bap” Ó Cairealláin (Naoise “Móglaí Bap” Ó Cairealláin), Liam Óg “Mo Chara” Ó Hannaidh (Liam Óg “Mo Chara” Ó Hannaidh), and JJ “DJ Próvaí” Ó Dochartaigh (JJ “DJ Próvaí” Ó Dochartaigh). They are dealing with a multitude of issues, like Naoise’s father, Arlo (Michael Fassbender), living undercover after faking his death. In the shadows of the Irish Language Act debate, the three find themselves coming together for a drug-filled night of music-making. Where they discover a way to bring the Irish language to a new generation.

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Saturday Night – Movie Review

TL;DR – A movie that embraces the chaos of its subject matter with such reverence it ends up hurting the final product.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

30 Rock.

Saturday Night Review

Today, we are looking at a bit of an odd duck of a film. One that swings wildly, stampeding through the chaos of its subject material with the gusto of a rhino in full tilt. However, that approach is going to be a boon or a detriment for you, depending on how you are approaching this film. For me, I am not someone who religiously tunes into Saturday Night Live. Sure, occasionally, a sketch from the show will bubble into the subconscious like Natalie Portman, Undercover Boss, or the recent Mother. Also, the most impacting sketch for me and my comedy journey came almost wholly disconnected from the show. So, you always know it is there, and its legacy in the movies that have and have not worked and the comics it has brought to the forefront. It is within that framework we look at the film today.

So, to set the scene, it is October 11, 1975, and Lorne Michaels (Gabriel LaBelle) is out in front of 30 Rockefeller Plaza trying to get an audience to see his show with an NBC Page (Finn Wolfhard). That is because it is 90 minutes before his first show goes to air, and nothing is going right. The studio is having less and less faith in his vision, the cast is in chaos, the crew is in a state of revolution, oh, is that a fire, and why is there a llama? There are only 90 minutes to pull this all together, but that is going to be hard when there is not even a runtime yet.

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