Kangaroo (2025) – Movie Review

TL;DR – This is a profoundly Australian film, and in that I mean more its structure than the narrative. But once it gets going, you can’t help but get caught up in the charm, because it has it in spades.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Joeys.

Kangaroo Review Introduction

While Australia is known as a place where big-budget films come to film, where you can walk down the street of Brisbane one day and suddenly it is New York for Thor. However, we also have a vibrant domestic film culture, or we do at the moment, looking at you politicians not doing enough to support the local industry. However, there are times when you could tell a film is Australian, even if no sound of an accent passed your ears, and today’s film is a good example of this.  

So, to set the scene, Chris Masterman (Ryan Corr) is the local weather reporter for Channel 6’s Rise and Shine Australia. He wants to be more than the person they cut to in the morning when they need someone to get a bucket of water thrown at them. But no one takes him seriously. Well, Chris is going to change that when the opportunity to go viral presents itself. Unfortunately, it blows up so spectacularly in his face that not only is he not up for promotion, but he is fired and put on the instant reject list for every production team in Sydney and beyond. He has one shot to get his career back on track, and that is to drive to Broome and do some regional work. But when his car accidentally hits a kangaroo on the outskirts of Silver Gum, he is stuck in the small town waiting for his car to be fixed, but also looking after a now orphaned joey with the help of Charlie (Lily Whiteley).

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The Alto Knights – Movie Review

TL;DR – An interesting experiment that looks back on America’s past, anchored by Robert De Niro’s dual performances. Compelling right up to the point it starts meandering everywhere.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Robert De Niro playing two different mobsters.

The Alto Knights Review

When it comes to mobster films set in and around New York, there are few names as crucial as Robert De Niro. So, when you hear that he is taking not just one lead in a new mob film but pulling double duty as both of the main antagonists, based on a real event, well, that is a scenario that calls for attention.   

So, to set the scene, it is 1957 on the streets of New York City where professional gambler Frank Costello (Robert De Niro) has just arrived home after a charity dinner and is waiting for the lift up to his penthouse apartment when he hears his name called out from behind, and Vincent Gigante (Cosmo Jarvis) promptly shoots him in the head. Frank survives, but he is the boss of bosses, who would put a hit out on him. Well, a rival did not just betray him but the one person he once called a friend, Vito Genovese (Robert De Niro).   

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Inside Man (Gemini Lounge) – Movie Review

TL;DR – It is an interesting character study, but I struggled to connect with any part of the film.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

The perp board.

Inside Man Review

Today, we are looking at a film that is steeped in tradition even before the ‘based on a true story’ moniker pops up on the screen. In the deep of the 1980s, New York who was full of mobsters, murders, and illicit substances. It has been a fodder for many films, including the one we are looking at today.   

So, to set the scene, we are in Brooklyn, New York, back in 1983 when Bobby Belucci (Emile Hirsch) was a cop at the crossroads. After finding another man with his wife and introducing that man to his fists, he was demoted to the backend of the department and stuck behind a desk. But one drunken night, Bobby gets the chance to change his fate when he saves the mobster Chris Rosenberg (Jake Cannavale), one of Roy Demeo’ (Danny Abeckaser) guys, from a stabbing.

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A Complete Unknown – Movie Review

TL;DR – A wild exploration of one of the most prominent musical writers of an age or two, but also of a time and movement in American music that I don’t think we’ll see again.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a screening of this film.

Bob arrives in New York.

A Complete Unknown Review

There are a lot of musical biopics out there in the world, some more earned than others. But there is an understandable power behind them, given music’s ability to move your soul. But when you think back to which songwriters have had the most impact on music in the modern era, few names are in the same ballpark as Bob Dylan, and it makes sense to explore his life and the effect it did have and well is still having to this day.   

So, to set the scene, one cold New York night, a young Bob Dylan (Timothée Chalamet) arrives at the hospital bed of his idol Woody Guthrie (Scoot McNairy) after hearing he was unwell. Bob is an expert in Folk Music, having picked up sounds from across America. Luckily for Bob, who was also visiting Woody at that time, was famed folk musician Pete Seeger (Edward Norton), who brought the young man under his wings. Soon, Bob will be captivating the New York Folk Music scene, but being a singular talent comes with as many downsides as successes.  

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Kneecap – Movie Review

TL;DR – Sex, drugs, and rap, with a dash of politics, violence, and only one reference to the Pope

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid to watch this film

Arlo flips the bird at a government helicopter.

Kneecap Review

Today, I start the process of catching up on all the films of 2024 that I missed on the first release, and the first one off the bat is a film out of Northern Ireland or the North of Ireland, depending on your perspective. I was drawn to this film because it is about the Irish language, which should be a part of my heritage, given my ancestry, but it is a gap that I want to explore today.

So, to set the scene, in the tumultuous world of Northern Ireland, contestation of politics can be everywhere, even in language. It is here where so-called ceasefire babies grew up. In this world lives Naoise “Móglaí Bap” Ó Cairealláin (Naoise “Móglaí Bap” Ó Cairealláin), Liam Óg “Mo Chara” Ó Hannaidh (Liam Óg “Mo Chara” Ó Hannaidh), and JJ “DJ Próvaí” Ó Dochartaigh (JJ “DJ Próvaí” Ó Dochartaigh). They are dealing with a multitude of issues, like Naoise’s father, Arlo (Michael Fassbender), living undercover after faking his death. In the shadows of the Irish Language Act debate, the three find themselves coming together for a drug-filled night of music-making. Where they discover a way to bring the Irish language to a new generation.

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Saturday Night – Movie Review

TL;DR – A movie that embraces the chaos of its subject matter with such reverence it ends up hurting the final product.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film

30 Rock.

Saturday Night Review

Today, we are looking at a bit of an odd duck of a film. One that swings wildly, stampeding through the chaos of its subject material with the gusto of a rhino in full tilt. However, that approach is going to be a boon or a detriment for you, depending on how you are approaching this film. For me, I am not someone who religiously tunes into Saturday Night Live. Sure, occasionally, a sketch from the show will bubble into the subconscious like Natalie Portman, Undercover Boss, or the recent Mother. Also, the most impacting sketch for me and my comedy journey came almost wholly disconnected from the show. So, you always know it is there, and its legacy in the movies that have and have not worked and the comics it has brought to the forefront. It is within that framework we look at the film today.

So, to set the scene, it is October 11, 1975, and Lorne Michaels (Gabriel LaBelle) is out in front of 30 Rockefeller Plaza trying to get an audience to see his show with an NBC Page (Finn Wolfhard). That is because it is 90 minutes before his first show goes to air, and nothing is going right. The studio is having less and less faith in his vision, the cast is in chaos, the crew is in a state of revolution, oh, is that a fire, and why is there a llama? There are only 90 minutes to pull this all together, but that is going to be hard when there is not even a runtime yet.

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The Ministry of Ungentlemanly Warfare – Movie Review

TL;DR – Big personalities and a lot of action, but not a lot more than that.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Amazon Prime service that viewed this film.

Anders Lassen looks through a porthole covered in blood.

The Ministry of Ungentlemanly Warfare Review

If there is one film that people have asked me for, it is what happened to The Ministry of Ungentlemanly Warfare? It looked like it was everywhere, and then it disappeared, but that cast and director should have cut through. Well, today, we have a chance to answer that question and give it a look as it finally got a release here in Australia.   

So, to set the scene, it is the height of WW2, and things are not going well for the Allies. In the middle of the Atlantic, patrolled by German U-Boats, a sailboat is being inspected by Nazis. The Nazi Commander does not like the laughing Swedes, even less when those Swedes mow down all his men. It is here that we discover just what is going on. The UK is the last significant power in Europe, not occupied by Axis Powers, and they are being cut off from the air and sea. Hitler is not playing by the rules, storing the rearming operations for the U-Boats in neutral territory. Well, then, it is time for the UK to retaliate with a group of soldiers who do not play by the rules. Led by Gus March-Phillipps (Henry Cavill), Operation Postmaster, all they have to do is sink an Italian Ship in neutral territory before the Nazis move it. To do this, they need a team: Henry Hayes (Hero Fiennes Tiffin), the navigator; Freddy Alvarez (Henry Golding), the explosives expert; Anders Lassen (Alan Ritchson), who is good with wet work, and Geoffrey Appleyard (Alex Pettyfer) intelligence. With Heron (Babs Olusanmokun) and Marjorie Stewart (Eiza González) embedded on the island of Fernando Po, it should all go fine … right …?   

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The Bikeriders – Movie Review

TL;DR – While this film is a beautiful character feature, however, its pacing and subject matter make it difficult to connect and care.  

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

Tom Hardy rides into town.

The Bikeriders Review

Today, we are looking at an interesting film because it has been a weird rollercoaster for me. When I first heard of the premise and cast, I was so giddy. It was a combination that had to be seen to be believed. But then that first trailer dropped … and it was not great. I came into this screening with more than a bit of apprehension that ended up being a little justified.

So, to set the scene, it is 1965 and fresh new journalist and photographer Danny Lyon (Mike Faist) is interviewing people from the Vandals motorcycle club. Of particular interest was Kathy Cross (Jodie Comer), who entered this world as an outsider before falling in love with the dangerous but charming Benny (Austin Butler). Everything is going well under the watchful eyes of leader Johnny Davis (Tom Hardy). But the question is: is that security earned, or is everything on the cusp of falling apart?

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Tetris – Movie Review

TL;DR – An absolute fun blast of a film that might not match entirely with history, but it wears all of its influences on its sleeve.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I paid for the Apple TV+ service that viewed this film.

Soviet Military Parade.

Tetris Review

I think, like most people, I rolled my eyes when I heard that there was going to be a Tetris film. That is because I thought they were going to try and turn it into some sort of Battleship situation. I am not sure that we were ready for a dramatized retelling of how the worldwide video game rights made it out of the Soviet Union or for how good the story would be.  

So to set the scene, it is 1988, a precarious time in world history. The Cold War was rapidly coming to a peaceful end, and the first big computer boom was in full swing. It is in this world that Henk Rogers (Taron Egerton) of Bullet-Proof Software sees someone selling Tetris at the Consumer Electronics Expo in Las Vegas. The problem is that Henk does not have the money to buy the game, let alone license it for Japan, which means that he must sweat-talk his Banker (Rick Yune) into letting him do what he has already done. Because a deal with Nintendo only comes around once in a blue moon, all he must do is bet the house … literally.   

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The Boys in the Boat – Movie Review

TL;DR – A perfectly okay film that refuses to integrate any of the themes it proports to be exploring.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

The boys lined up with their oars.

The Boys in the Boat Review

Today, we look at an interesting biographical film because, at its core, it is more interesting for what it does not do than what it is that we see in the final product. This creates a film that, by all metrics, is perfectly okay from a technical perspective, but the moment you integrate any of the narrative, you find it to have the solidity of balsa wood.  

So to set the scene, it is 1936 in Washington state, at the height of the Great Depression. Joe Rantz (Callum Turner) has spent most of his life sleeping rough but still managed to get into the University of Washington. But when financing becomes tight, he decides to take up an opportunity with the University rowing team because it comes with a room and a small financial compensation. The Washington University rowing team has not won a race in a long time, and coach Al Ulbrickson (Joel Edgerton) is starting to feel the pressure from above to place or get replaced. But could this new batch of rowers be the best crew he ever taught? And in an Olympic year, no less?

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