It has been a long time since I have had a good cry in the cinemas, and I don’t mean a good one solitary tear gallantly making its way down the side of my face as the music soars around. No I mean some good old fashioned weeping, the kind that makes you wish you had brought a hankie or at least some tissues as you try to compose yourself after as you thank God that you were not wearing any mascara because there would be no coming back from that. Well, today we look at a film that is all that and more.
So to set the scene, we open in New York City back in 1868 where Josephine “Jo” March (Saoirse Ronan) works as a teacher in a boarding house as she tries to be published as a writer. The publisher Mr Dashwood (Tracy Letts) is interested in her work, but it needed to be more salacious and the female characters must end the book either married or dead. In France, Jo’s sister Amy (Florence Pugh) is enjoying some time painting and finding a husband under the guidance of her Aunt (Meryl Streep) when she spies Theodore “Laurie” Laurence (Timothée Chalamet) a childhood friend of her and her sisters Meg (Emma Watson) and Beth (Eliza Scanlen), as well as the former suiter of Jo, in the gardens of Paris. It is a moment of joy, but there and across the Atlantic, there is a cloud on the horizon because the past is not going to stay in the past.
TL;DR – A coming of age story with a strong emotional centre, and an amazing cast
Score – 4.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Last year I missed seeing Moonlight in the cinemas, due to its very limited release near me. Well, Moonlight went on to win the Best Picture Oscar at the Academy Awards, and I felt a bit foolish for missing it. Well this year I made sure that this would not happen again and the last film on that list is Lady Bird and it has finally been released here in Australia. So today we are going to look at this magnificent insight into families under stress, yet still being resolute in the face of it all.
TL;DR – A beautifully films film, with a great cast, but the story does not always work for me
Score – 4 out of 5 stars
Post-Credit Scene – No
So I have to admit this was a hard film to track down near me, which is why this review is quite late compared to many others, however, after an hour trip into town I finally got the chance to give Call Me By Your Name a watch. Well as my father never says, better late than never, so let’s dive into the world of the Italian countryside in the 1980s.